More Sexy Canterbury Tales (also known as More Filthy Canterbury Tales; ) is a 1972 Italian decamerotic comedy film directed and shot by Joe D'Amato, who also wrote the story and acts in a small part as one of the monks.
Because D'Amato wanted to stay unaccredited as director, the directorial credit in the Italian version reads "Romano Gastaldi" - a pseudonym of Romano Scandariato (who acted as assistant director in this film) - and in the English version "Ralph Zucker". As cinematographer, D'Amato is credited under his birth name Aristide Massaccesi.
The film's narrative frame is introduced in the title credits with a group of monks running away from their to visit a convent of nuns. While the younger friars get to be with the more attractive nuns, the Father Superior is caught and taken in by an old and lecherous nun.
The main part of the film is taken up by three episodes, between which is a short vignette that shows the monks and the nuns before and after their trysts.
In the first episode (), an old husband leaves his young wife for a business trip, and his wife uses his absence to invite a young sculptor to have sex. When her husband's sister unexpectedly arrives, she too has sex with the sculptor.
In the second episode (), a young priest falls in love with a young wife during confession, during which she seduces him. She then lets him pay for sexual favours. Having finally tired of him, she tells her brutish husband of his advances, who squeezes the priest's penis with the lid of a chest in such a way that the priest is forced to castrate himself with a knife.
In the final episode (), a young man successfully infiltrates the household of a rich merchant and his sexually unfulfilled wife by disguising himself as a maid. When the husband finds out about "her" penis, he nonetheless lets "her" stay and even orders "her" to sleep with his wife. He has found out that the offspring of hermaphrodites is always male.
The frame story is resumed at the end of the third episode. The situation is now reversed: The monks are walking back to their own monastery, slowly and worn out, while their Father Superior walks behind and spurs them on. Since he thought it unfair that he never gets the younger nuns, he made them have sex with the old and lecherous nun.
In alphabetical order (as shown in the Italian title credits):
Unaccredited (among others):
In Italy, the film passed the board of censorship on 11 August 1972; it was released to cinemas the same year and was later distributed on VHS by Shendene & Moizzi in their "Collezzione decamerotico" and shown on Italian TV.
In Germany, the film was distributed theatrically by Mercator under the title Hemmungslos der Lust verfallen. In Great Britain, it was passed uncut with a run time of 75 minutes and 50 seconds under the title More Filthy Canterbury Tales.
In 1999, Marco Giusti called it "a cruel decameron, and erotically much more daring than usual" ().
In 2004, Gordiano Lupi called the film "entertaining, well written, erotic in the right amount" (). Lupi highlighted Franco Salina's theme song that plays during the opening and end credits and starts with the lyrics, (translation: "Father, father, father superior, defend our hearts from sin..."). Its melody returns throughout the film.
In his 2015 monograph on Joe D'Amato, Sébastien Gayraud saw a thematic link between the self-castration in the film's second episode and the ending of D'Amato's later film Sesso nero.