The Mimara Museum ( or simply Muzej Mimara) is an art museum in the city of Zagreb, Croatia, opened on July 17, 1987. It is situated on Roosevelt Square, housing the collection by its founders; Ante TopiÃÂ Mimara and his wife Wiltrud.
The museum, whose building is designed in the Beaux-Arts and Neo-Renaissance architecture style, houses a collection of over 3,750 objects, distributed across , which makes it one of the largest art museums in the world. Collection includes Ptolemaic glassware from Alexandria, jade and ivory Qing-dynasty ornaments, 14th-century wooden crosses encrusted with semiprecious stones, and paintings from European masters such as Caravaggio, Rubens, Rembrandt, Bosch, Velázquez, Goya, Catena, Renoir and Degas. The museum catalogue comprises a wide range of works and collections, including paintings from Italian, Dutch, German, English, Flemish, French, and Spanish schools; drawings and prints; European sculpture and decorative arts; and collections of ancient civilizations, ivory, ceramics and porcelain, glass, furniture, textiles and carpets, as well as Chinese and other Asian art.
The museum was established in 1980 and opened in 1987. The building itself originates from the 19th century, its conversion to a museum overseen by a Zagreb architect Kuno Waidmann; originally it served as a gymnasium. With its prominent location, articulated layout, and formal façades, the complex holds significant architectural, urban, and contextual value in shaping ZagrebâÂÂs Lower Town. It is protected as a cultural asset and listed in the Register of Cultural Goods of Croatia.
Ante TopiàMimara (1898 â 1987), was born on April 7, 1898 in Koruà ¡ce, and was a Croatian art collector, painter and restorer. From an early age, influenced by visits to Split and the archaeological site of Salona, as well as by the teachings of Frane BuliÃÂ, he developed a strong interest in history and cultural heritage. His formative years were marked by the First World War, during which he served as a soldier. After the war, in 1918, he moved to Rome, where he worked in the studio of Antonio Mancini and studied art restoration, further deepening his engagement with European art and laying the foundations for his later career as a collector. Starting in the mid-1920s he began collecting art objects, a hobby that grew into a significant collection over the years. He lived in Rome, Paris, Amsterdam, Munich, and Berlin, continuously expanding his collection throughout his life. Even before World War II Mimara had a noteworthy art collection, with professional texts about his works appearing in prestigious German art magazines.
He regularly participated in auctions and visited the major European antiquarian markets and numerous exhibitions across the continent, establishing himself as a devoted connoisseur of art. Mimara maintained close relationships with a wide circle of prominent art historians and archaeologists. The significance of his collection is perhaps best illustrated by the words of Otto von Falke, founder of the Kunstgewerbemuseum in Cologne and director of the Berlin Museums: "â¦within a very diverse private collection⦠there are several well-preserved works of high quality."
In 1948 he made his first donation by giving numerous paintings and sculptures to Strossmayer's gallery in Zagreb, which was later presented in an exhibition in 1969. He continued to expand his collection with great passion, transforming it into a true treasure that reflects the artistic achievements of millennia. Mimara lived in Tangier and Salzburg, spending his final years in Zagreb. In 1973, he formalized the foundation of a new museum through a donation agreement, intended to be established in Zagreb, and supplemented the collection with an addendum in 1986. To realize his vision, the central space of the so-called School Forum on Roosevelt Square 5, was adapted for the museum. Mimara approved the permanent exhibition plan, carefully detailed in a 1986 scenario. However, he passed away in Zagreb on 30 January 1987, before the museumâÂÂs official opening. The foundation of today's Mimara Museum was established through his major donations between 1973 and 1986, including works from his collection and those of his wife, Prof. Dr. Wiltrud TopiàMersmann.
The Mimara Museum is housed within the architectural complex of the Zagreb's Lower Town gymnasiums, a free-standing, two-storey U-shaped structure built between 1894 and 1895 in the spirit of historicism. A notable example of a Neo-Renaissance and Beaux-Arts palace, the building was designed by the German architects Alfred Ludwig and Ljudevit Teodor Hülssner of Leipzig, specialists in building schools in the Austro-Hungarian Empire. Commissioned in 1892 and opened in 1895 on the occasion of the visit of Franz Joseph I of Austria to Zagreb, it was originally intended to house three educational institutionsâÂÂa Royal Real Gymnasium, the Royal Lower Town Classical Gymnasium, and a Higher School of CommerceâÂÂwith shared museum and gymnasium facilities, forming part of an unrealised school forum conceived by Izidor Krà ¡njavi. The main wing was later adapted into a museum and opened to the public as today - Mimara Museum in 1987.
Situated in the historical centre of Zagreb close to the Green Horseshoe system of city parks, the neoclassical museum building dating from the second half of the 19th century is part of the typical urban architecture of Zagreb's Lower Town. It was built in 1896 as a complex of school buildings. Built in pseudo-renaissance style of the Italian urban palaces, the building is classified as architectural heritage protected by the Ministry of Culture of the Republic of Croatia. The monumental school building was built on the initiative of Doctor Izidor Krà ¡njavi, a prominent Croatian figure in the late 19th century. The museum's atrium and the former school gym was built in the style of ancient Greek temples.
Collections within the museum:
The Mimara Museum is the most important museum in Zagreb and one of the largest art collections in Southeastern Europe. The glass collection covers the history of glassmaking from 2000 B.C. to the late 19th century and includes fine samples of the glass making tradition in Venice and Murano. The Oriental collection includes items made of fine china, semi-precious stones and other luxury materials.
The first floor is dedicated to ancient civilizations and a collection of European sculpting art and crafts, including artefacts from the Mesopotamian civilization, Egypt, ancient Greece and Rome. The oldest piece in the collection is a bone figurine of Venus from the early Paleolithic age. Almost all historical styles of sculpture present in European civilization are represented in this collection, from Romanesque sacral art to 20th-century sculpture. Crafts are represented in collections of artefacts made of ivory, china, textiles, metal and other materials, and a furniture collection dating from the late 15th to the early 19th century that is part of the museum's permanent display.
Of the total of 3,700 varied works of art, more than 1,500 exhibits constitute permanent holdings, dating from the prehistoric period up to the 20th century. Some of the most famous exhibits which include works from Lorenzetti, Giorgione, Veronese, Paolo Veneziano, Canaletto, 60 paintings to the Dutch masters Van Goyen, Ruisdael, 50 works from the Flemish masters Van der Weyden, Bosch, Rubens, Van Dyck, more than 30 to the Spanish masters Velázquez, Murillo, Goya, some 20 paintings to the German masters Holbein, Liebermann, Leibl, some 30 paintings to the English painters Gainsborough, Turner, Bonington and more than 120 paintings from the French masters Georges de La Tour, Boucher, Chardin, Delacroix, Corot, Manet, Renoir, Pissarro, Degas. The drawings collection holds some 200 drawings from Bronzino, Guardi, Claude Lorrain, Le Brun, Oudry, Greuze, Géricault, and Friesz.
In addition to the gallery which is home to the art from the permanent display, art exhibitions are occasionally organised in the atrium, the collector's room on the ground floor, and the studio in the basement.
The atrium is used to host cultural events such as book promotions, award giving ceremonies in art and culture, press conferences and other types of events, including product or service presentations and gala dinners. There is also a multimedia hall which is used for lectures and screening events, and a Gymnasium Cafe with a large terrace, which also offers catering services for all types of events.
The grand hall on the second floor of the museum, where many old masters' paintings are displayed, is also used to host events, including concerts, business conferences, conventions, lectures. and presentations.
The Mimara Museum faced significant damage during the 2020 Zagreb earthquake. It had to close its doors to visitors from March 22, 2020. The roof of the building and the fancy hall on the second floor got really damaged. Even some of the art on display got damaged, but they have been working on restoration. As of 2025 the museum is undergoing reconstruction, and itâÂÂs planned to be open by summer of 2026.
According to Thomas Hoving, "Topic Mimara's hoard of masterpieces are 95 percent fakes produced by him and his hired forgers.". On its opening, a "prominent Yugoslav art historian" told AP that "it might be the greatest collection of fakes in the world.". According to Federico Zeri, the preview contained "trash along with some good things. Ninety percent is junk."; Ante TopiÃÂ Mimara built his collection by forging, but also by looting and swindling.
According to David Ekserdjian, Mimara "was pathologically inclined to believe his ugliest ducklings were the most gorgeous of swans. In consequence, and in spite of energetic attempts since his death to study his collection with appropriate rigour, as a rule a good dose of scepticism remains the correct response to the attributional optimism on display at the Mimara Museum in Zagreb"