MiêÂÂkmaq ( ; ) is an Eastern Algonquian language spoken by nearly 11,000 MiêÂÂkmaq in Canada and the United States; the total ethnic MiêÂÂkmaq population is roughly 20,000.
The native name of the language is , or (in some dialects). The word is a plural word meaning 'my friends' (singular ); the adjectival form is . MiêÂÂkmaq has historically been spelled and pronounced Micmac in English. Contemporary spellings include Migmaw and Mikmaw in English, and , and in MiêÂÂkmaq.
MiêÂÂkmaq is one of the Algic languages, a family that once spanned from a small portion of California across Central Canada, the Midwestern United States, and the northeastern coast of North America. Within this family, MiêÂÂkmaq is part of the Eastern Algonquian subgroup spoken largely along the Atlantic coast. It is closely related to several extant languages, such as Malecite-Passamaquoddy, Massachusett and Munsee as well as extinct languages like Abenaki and Unami. Beyond having a similar language background and sharing close geographic proximity, the MiêÂÂkmaq notably held an alliance with four other tribes within the Eastern Algonquian language group known as the Wabanaki Confederacy: in short, a history of long-term language contact has existed between MiêÂÂkmaq and its close linguistic relatives.
MiêÂÂkmaq has many similarities with its fellow Eastern Algonquian languages, including multiple word cognates: for instance, compare the MiêÂÂkmaq word for 'woman', , to the Maliseet , or the varying related words for the color 'white': in MiêÂÂkmaq, in Maliseet, in Munsee, in Abenaki and in Unami. Even outside of the Eastern Algonquian subgroup, there exist similar cognates within the larger Algic family, such as the Cree and the Miami-Illinois .
Like many Native American languages, MiêÂÂkmaq uses a classifying system of animate versus inanimate words. The animacy system in general is common, but the specifics of MiêÂÂkmaq's system differ even from closely related Algic languages. For instance, in Wampanoag, the word for 'Sun', , is inanimate, but the word for 'Earth', , is animate, a fact used by some scholars to claim that the Wampanoag people were aware of the Earth's rotation around an unmoving Sun; however, in MiêÂÂkmaq, both the word for 'Sun', , and the word for 'Earth', , are animate, and parallel cultural knowledge regarding astronomy cannot be gleaned through the language. Much like grammatical gender, the core concept of animacy is shared across similar languages while the exact connotations animacy has within MiêÂÂkmaq are unique.
Many Acadian French and Chiac words are rooted in the MiêÂÂkmaq language, due to the Acadians and MiêÂÂkmaq living together prior to the Expulsion of the Acadians and the British colonization of Acadia; in French-speaking areas, traces of MiêÂÂkmaq can also be found largely in geographical names within regions historically that were occupied by the MiêÂÂkmaq people, including Quebec and several towns in Nova Scotia such as Antigonish and Shubenacadie. Moreover, several MiêÂÂkmaq words have made their way into colonizing languages: the English words caribou and toboggan are borrowings from MiêÂÂkmaq. The name caribou was probably derived from the MiêÂÂkmaq word or meaning 'the one who paws'. Marc Lescarbot in his publication in French in 1610 used the term caribou. Silas Tertius Rand translated the MiêÂÂkmaq word as 'caribou' in his MiêÂÂkmaq-English dictionary (Rand 1888:98).
The aforementioned use of hieroglyphic writing in pre-colonial MiêÂÂkmaq society shows that MiêÂÂkmaq was one of the few Native American languages to have a writing system before European contact.
Linguist Peter Bakker identified two Basque loanwords in MiêÂÂkmaq, presumably because of extensive trade contact between Basque sailors and Native Americans in the 16th century. The overall friendly exchanges starting in mid-16th century between the MiêÂÂkmaqs and the Basque whalers provided the basis for the development of an AlgonquianâÂÂBasque pidgin with a strong MiêÂÂkmaq imprint, which was recorded to be still in use in the early 18th century.
The MiêÂÂkmaq language possesses a degree of endangerment level of vulnerable under the UNESCO Atlas of the World's Languages in Danger scale. A level of vulnerable means the language may not be used consistently and instead the dominant language English is opted for. This also means it is still somewhat commonly spoken by younger generations or children of MiêÂÂkmaq people. A lack of fluent MiêÂÂkmaq speakers is due to the cultural genocide performed by the Canadian government through the introduction of the Canadian Indian residential school system. These schools under the notation of assimilation, forced Indigenous children to reject their cultural identity and language. These schools resulted in a significant number of children physically and mentally abused and without the means to speak their mother tongue.
Wagmatcook, Cape Breton, is undergoing significant efforts to revitalize the language. The community created a variety of children's books suited for a range of ages to develop MiêÂÂkmaq language skills as children mature. The use of MiêÂÂkmaq immersion schools in this area also increased the proficiency in the language for children and an improved attachment to their Indigenous identity. The immersion schools allowed children to learn their mother tongue, which increases the number of fluent speakers while still obtaining the dominant language. Community member educators also participated in a program to obtain a Certificate in Aboriginal Literacy Education that increased their fluency in the language.
Cape Breton University's UnamaêÂÂki College specializes "in MiêÂÂkmaq history, culture and education". As of 2013, "it has some 250 aboriginal students".
Also as of 2013, Lunenburg County, Nova Scotia's MiêÂÂkmaq Burial Grounds Research and Restoration Association has about forty students in its MiêÂÂkmaq language revitalization classes, and MiêÂÂkmaq greetings are becoming more common in public places.
In 2021, Emma Stevens, a member of the Eskasoni First Nation, recorded a cover version of the Beatles song "Blackbird" in the language to raise awareness and help in its revitalization efforts.
The phonemic inventory of MiêÂÂkmaq is shown below.
The sounds of MiêÂÂkmaq can be divided into two groups: obstruents () and sonorants ( and all vowels).
The obstruents have a wide variety of pronunciations. When they are located word-initially or next to another obstruent, they are voiceless . However, when they are located between sonorants, they are voiced, and appear as . When the plosives and affricate (namely ) are located word-finally, they may be aspirated and appear as . An example of each kind of pronunciation is given below.
MiêÂÂkmaq distinguishes between long and short vowels and consonants, with long consonants indicated in Listuguj by doubling the consonant. Beyond expanding in length, long consonants add a schwa when they precede other consonants. For instance, compare (), written in Listuguj as with (), written in Listuguj as ; or, (), written in Listuguj as , with (), written in Listuguj as .
Listuguj orthography occasionally begins words with consonant clusters, as in () and (). However, such clusters are pronounced over separate syllables, with a schwa preceding the cluster; for instance, is pronounced while is pronounced . On the other hand, word-final clusters, such as in () are pronounced over a single syllable: compare the pronunciation of , , with (), .
MiêÂÂkmaq uses free word order, based on emphasis rather than a traditionally fixed order of subjects, objects and verbs. For instance, the sentence "I saw a moose standing right there on the hill" could be stated "" () or "" (); the latter sentence puts emphasis on the moose by placing () earlier in the utterance. MiêÂÂkmaq, as a polysynthetic language, has verbs which usually contain the sentence's subject and object: for instance, the aforementioned translates to 'I saw him'.
While it is thus difficult to classify MiêÂÂkmaq under traditional word order categories such as SVO or SOV, a more fixed aspect in the language comes in the morphology of its verbs. Certain areas of internal morphology of verbs in MiêÂÂkmaq have regular placement: for instance, when the aspect of a verb is included, it appears as the first prefix, while the negative marker always appears directly after the verb root. An example for both of these instances can be seen in the MiêÂÂkmaq verb (), translated as 'they cannot get out': the prefix marks the verb as being in the completive aspect, whereas the negative marker, , appears directly after the verb root (). However, these solidly placed elements of verbs are paired with markers that can appear throughout the word, depending again on emphasis; animacy in particular can appear fluidly throughout verbs. In short, while a few specific aspects of MiêÂÂkmaq can be predicted, its syntax in general is largely free and dependent on context.
MiêÂÂkmaq verbs are also marked for tense.
Nouns in MiêÂÂkmaq are either animate or inanimate. This is a common feature among Algonquian languages. The verbs change depending on the noun's animacy. For example:
MiêÂÂkmaq is written using a number of Latin alphabets based on ones devised by missionaries in the 19th century. Previously, the language was written in MiêÂÂkmaq hieroglyphic writing, a script of partially native origin. The Francis-Smith orthography used here was developed in 1974 and was adopted as the official orthography of the MÃÂkmaq Nation in 1980. It is the most widely used orthography and is that used by Nova Scotian Mikmaq and by the MÃÂkmaq Grand Council. It is quite similar to the "Lexicon" orthography, differing from it only in its use of the straight apostrophe or acute accent instead of the colon to mark vowel length.
When the Francis-Smith orthography was first developed, the straight apostrophe (often called a "tick") was the designated symbol for vowel length, but since software applications incorrectly autocorrected the tick to a curly apostrophe, a secondary means of indicating vowel length was formally accepted, the acute accent. The barred-i for schwa is sometimes replaced by the more common circumflex-i .
In Listuguj orthography, an apostrophe marks long vowels as well as schwa, and the letter is used instead of the letter .
The 19th-century Pacifique orthography omits and , using and for these. It also ignores vowel length. The 19th-century orthography of Silas Tertius Rand, using characters from Isaac Pitman's Phonotypic Alphabet, is also given in the table below; this orthography is more complex than the table suggests, particularly as far as vowel quantity and quality is concerned, employing various letters such as ⟨<span style="display:inline-block;top:0.5em;transform:matrix(-1, 0, 0, 1, 0, 0);">a</span>⟩ (backwards ), ⟨<span style="display:inline-block;top:0.5em;transform:matrix(-1, 0, 0, 1, 0, 0);">ÃÂ </span>⟩ (backwards with acute accent), , , , , , , , ⟨<span style="display:inline-block;top:0.5em;transform:matrix(-1, 0, 0, 1, 0, 0);">u</span>⟩ (backwards ), etc.
MiêÂÂkmaq uses a decimal numeral system. Every multiple-digit number is formed by using one of the first nine numerals as a prefix or a preceding word, as seen in the number for ten, , a combination of the prefix (derived from ) and the root , meaning ten (the pattern can be seen in for 20, for 30, etc.) While 10, 20, 30, 40 and 50 all use a single word containing a prefix, the tens between 60 and 90 use the numeral as a preceding word to a separate word meaning ten, : for instance, 60 is written as .
Numbers between the tens are stated by multiple-word phrases, beginning with the ten-based root number, such as , followed by (meaning 'and' or 'also') and ending with one of the nine numerals: for instance, the number 28 is constructed as , or literally 'twenty and eight'.
For numbers beyond 99, MiêÂÂkmaq uses a pattern similar to that of 60 to 99, with numeral words preceding separate roots that identify higher numbers (such as , meaning 'hundred', or meaning 'thousand'); for instance, 300 is written as , while 2,000 is written as . The exceptions to that pattern are the numbers 100 and 1,000, which are simply the roots and , respectively. Similarly to digits between the tens, the connecting word is used between hundreds and tens, or thousands and hundreds: for example, the number 3,452 is written as .
On top of the basic structure, numbers in MiêÂÂkmaq must agree with the animacy of whatever they are counting: for instance, when speaking of two people, is used, as opposed to the number used for two days, . The suffix to denote the counting of animate subjects and the suffix to denote the counting of inanimate subjects are common, but animacy-marking suffixes are somewhat fluid and vary by number and dialect.
A 2012 book, by the MiêÂÂkmaq linguist Bernie Francis and anthropologist Trudy Sable, The Language of this Land, MiêÂÂkmaêÂÂki, "examines the relationship between MiêÂÂkmaq language and landscape."