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Mazurkas, Op. 33 (Chopin)

Mazurkas, Op. 33, are a set of four mazurkas for piano by Frédéric Chopin, composed and published in 1838. The pieces were dedicated to Countess Róża Mostowska.

The autograph manuscript of the mazurkas is preserved in the National Library of Poland.

Analysis

No. 1 in G minor

In G-sharp minor, the opening mazurka of the set has a tempo marking of Mesto. This mazurka has an emotional melody, accompanied in the left hand with a waltz pattern. This mazurka has a total of 48 bars, the dynamic marking forte only appeared twice. It should be played with a deep and rounded sound, instead of a sharp and loud one. The mood changes many times throughout the piece. This intimate piece is occasionally considered less complicated than many of Chopin's other mazurkas.

No. 2 in D major

Mazurka in D major, Op. 33, No. 2, the second piece of the collection, is one of the most popular mazurkas. It has a fast tempo and strong irregular accents.

The piece begins with the happy and joyful main theme, decorated with ornaments. After a second theme is introduced, the main theme is repeated for a second time. The mazurka concludes with a separate coda section that introduces a new theme, this concludes with a melody ascending high into the upper register.

An average performance of this mazurka lasts around 3 minutes.

No. 3 in C major

Mazurka in C major, Op. 33, No. 3, the third of the set, has an expression marking of semplice. This miniature is simple and warm, showing a different approach to the mazurka genre. Slightly accented second beats are used to keep the mazurka characteristics.

No. 4 in B minor

No. 4, B minor, is one of the longest mazurkas at an approximately length of 5 to 6 minutes. The piece is written in an A–B–A–B–C–A structure, similar to a rondo form.

The piece begins with a captivating main melody, decorated with grace notes and trills. This melody is repeated a total of eight times throughout the piece; between it, different melodies appear, but the main melody always returns. The B section in B major follows the theme. The C section is in B major, the parallel key to B minor.

References

External links

  • , William Yang (2025 National Chopin Competition, semifinals, Newman Recital Hall, University of Miami)