Maqamat Badi' al-Zaman al-Hamadhani (Arabic: àÃÂçàçê èïÃÂù çÃÂòàçàçÃÂÃÂàðçÃÂÃÂ), are an Arabic collection of stories from the 9th century, written by Badi' al-Zaman al-Hamadani. Of the 400 episodic stories, roughly 52 have survived.
The work consists of a series of anecdotes of social satire written and the narrative concerns the travels of a middle-aged man as he uses his charm and eloquence to swindle his way across the Arabic world.
The work is characterized by the alternation of rhymed prose (sajÿ) and poetry. They are narrated from the point of view of a fictitious character, 'very likely a traveling merchant who has money and time', ÿêsàibn HishÃÂm, about the adventures of an eloquent beggar named Abà « al-Fatḥ al-Iskandarë'. The Maqamat are also known for their intertextuality and narrative construction.
According to Ailin Qian,
<blockquote>The core of the HamadhÃÂnian maqÃÂmah is dialogue, and al-HamadhÃÂnë, by using techniques such as isnÃÂd and framing, simulated some kind of public presentation. Al-HamadhÃÂnëâÂÂs efforts to preserve the characteristics of oral performance in his maqÃÂmÃÂt played a great role in creating their prosimetric style.</blockquote>
A century later, these maqamat inspired the maqamat of Al-Hariri of Basra, which in turn inspired the Hebrew Tahkemoni. The Abbasid artist and poet, Yahya Al-Wasiti, who lived in Baghdad in the late Abbasid era (12th to 13th-centuries) and was one of the pre-eminent exponents of the Baghdad School, is known to have transcribed and illustrated the work in 1236-37, Maqamat (also known as the Assemblies or the Sessions).
One of the numerous riddles in the work, in the rajaz metre, runs as follows:
The answer is 'a comb'.
In 2001, a television series titled àÃÂçàçê èïÃÂù çÃÂòàçàçÃÂÃÂàðçÃÂàwas produced and broadcast in the Arab region, adapting a selection of the original episodic stories by alâÂÂHamadhÃÂnë into dramatized episodes. The series followed anecdotes drawn from his maqÃÂmÃÂt, presenting diverse themesâÂÂsuch as satirical competition, philosophical discourse, and social commentary.
Hämeen-Anttila, J., âÂÂâÂÂMaqama: A History of a GenreâÂÂâÂÂ, Otto Harrassowitz Verlag, 2002 (especially see pp 15-65 for a discussion of al-HamadhaniâÂÂs âÂÂâÂÂMaqamatâÂÂâÂÂ.)