Franz Schubert's compositions of 1821 are mostly in the Deutsch catalogue (D) range D 708AâÂÂ732, and include:
<onlyinclude> |- | 615 | data-sort-value="708B" | 708A | data-sort-value="ZZZZ" | | data-sort-value="ZZZZ" | | data-sort-value="506,10" | V, 6 No. 10 | Symphony, D 708A | data-sort-value="key D major" | D major | data-sort-value="1821-01-01" | 1821 or<br />later | Sketches of four movements |- | 709 | 709 | data-sort-value="XXX,1891" | (1891) | data-sort-value="1600,031" | <br> | data-sort-value="304,47" | III, 4<br>No. 47 | data-sort-value="Fruhlingsgesang, D 709" | Frühlingsgesang, D 709 | data-sort-value="text Schmucket die Locken mit duftigen Kranzen 1" | Schmücket die Locken mit duftigen Kränzen | data-sort-value="1822-03-01" | March 1822<br />or earlier | data-sort-value="Text by Schober, Franz von, Schmucket die Locken mit duftigen Kranzen 1" | Text by Schober (other setting, partly reusing music of this setting: ); For ttbb |- | 710 | 710 | data-sort-value="XXX,1849" | (1849) | data-sort-value="1600,015" | <br> | data-sort-value="303,26" | III, 3 No. 26 | data-sort-value="Im Gegenwartigen Vergangenes" | Im Gegenwärtigen Vergangenes | data-sort-value="text Ros und Lilie morgentaulich" | Ros und Lilie morgentaulich | data-sort-value="1821-03-01" | March 1821? | data-sort-value="Text by Goethe, Johann Wolfgang von, O gib vom weichen Pfuhle" | Text by Goethe; For ttbb and piano |- | 711 | 711 | data-sort-value="013,1822-2" | 13,2<br />(1822)<br />(1970) | data-sort-value="2005,294" | <br> | data-sort-value="401,0132" | IV, 1a &<br />b No. 11 | data-sort-value="Lob der Tranen" | Lob der Tränen | data-sort-value="text Laue Lufte, Blumendufte" | Laue Lüfte, Blumendüfte | data-sort-value="1818-01-01" | 1818âÂÂ1821? | data-sort-value="Text by Schlegel, August Wilhelm, Laue Lufte, Blumendufte" | Text by Schlegel, A. W.; Two versions: 2nd, in AGA, is Op. 13 No. 2 |- | 712 | 712 | data-sort-value="XXX,1842" | (1842) | data-sort-value="2006,389" | <br> | data-sort-value="413,00" | IV, 13 | data-sort-value="Gefangenen Sanger, Die" | Die gefangenen Sänger | data-sort-value="text Horst du von den Nachtigallen" | Hörst du von den Nachtigallen | data-sort-value="1821-01-01" | January<br />1821 | data-sort-value="Text by Schlegel, August Wilhelm, Horst du von den Nachtigallen" | Text by Schlegel, A. W. |- | 713 | 713 | data-sort-value="087,1827-1" | 87,1<br />(1827)<br />(1895) | data-sort-value="2006,390" | <br> | data-sort-value="404,00" | IV, 4 | data-sort-value="Ungluckliche, Der" | Der Unglückliche | data-sort-value="text Die Nacht bricht an" | Die Nacht bricht an | data-sort-value="1821-01-01" | January<br />1821 | data-sort-value="Text by Pichler, Karoline, Die Nacht bricht an" | Text by Pichler; Two versions: 2nd is Op. 87 No. 1 |- | data-sort-value="714" | 714<br />704 | 714 | data-sort-value="167,1858-0" | 167p<br />(1858)<br />(1891) | data-sort-value="1600,003" | <br> | data-sort-value="301,00" | III, 1 | data-sort-value="Gesang der Geister uber den Wassern, D 714" | Gesang der Geister über den Wassern, D 714 | data-sort-value="text Des Menschen Seele gleicht dem Wasser 4" | Des Menschen Seele gleicht dem Wasser | data-sort-value="1821-02-01" | Dec. 1820âÂÂ<br />Feb. 1821 | data-sort-value="Text by Goethe, Johann Wolfgang von, Des Menschen Seele gleicht dem Wasser 4" | Text by Goethe (other settings: , 538 and 705); For ttttbbbb, two violas, two cellos and double bass; Two versions: 1st, a sketch, was D 704 â 2nd is Op. posth. 167 |- | 715 | 715 | data-sort-value="XXX,1845" | (1845) | data-sort-value="2006,391" | <br> | data-sort-value="413,00" | IV, 13 | Versunken | data-sort-value="text Voll Locken kraus ein Haupt so rund" | Voll Locken kraus ein Haupt so rund | data-sort-value="1821-02-01" | February<br />1821 | data-sort-value="Text by Goethe, Johann Wolfgang von, Voll Locken kraus ein Haupt so rund" | Text by Goethe |- | 716 | 716 | data-sort-value="XXX,1832" | (1832) | data-sort-value="2006,393" | <br> | data-sort-value="413,00" | IV, 13 | Grenzen der Menschheit | data-sort-value="text Wenn der uralte heilige Vater" | Wenn der uralte heilige Vater | data-sort-value="1821-03-01" | March 1821 | data-sort-value="Text by Goethe, Johann Wolfgang von, Wenn der uralte heilige Vater" | Text by Goethe; For b and piano |- | 717 | 717 | data-sort-value="031,1825-0" | 31<br />(1825) | data-sort-value="2006,397" | <br> | data-sort-value="402,0310" | IV, 2a | Suleika II | data-sort-value="text Ach um deine feuchten Schwingen" | Ach um deine feuchten Schwingen | data-sort-value="1821-03-01" | March? 1821 | data-sort-value="Text by Willemer, Marianne von, Ach um deine feuchten Schwingen" | Text by Willemer |- | 718 | 718 | data-sort-value="XXX,1824" | () | data-sort-value="1100,008" | | data-sort-value="724,00" | VII/2, 4 | Variation on a Waltz by Anton Diabelli | data-sort-value="key C minor" | C minor | data-sort-value="1821-03-01" | March 1821 | For piano; No. 38 in Vaterländischer Künstlerverein Vol. II |- | 719 | 719 | data-sort-value="014,1822-2" | 14,2<br />(1822) | data-sort-value="2006,392" | <br> | data-sort-value="401,0142" | IV, 1a | Geheimes | data-sort-value="text Uber meines Liebchens Augeln" | ÃÂber meines Liebchens ÃÂugeln | data-sort-value="1821-03-01" | March 1821 | data-sort-value="Text by Goethe, Johann Wolfgang von, Uber meines Liebchens Augeln" | Text by Goethe |- | 720 | 720 | data-sort-value="014,1822-1" | 14,1<br />(1822) | data-sort-value="2006,396" | <br> | data-sort-value="401,0141" | IV, 1a &<br />b No. 13 | Suleika I | data-sort-value="text Was bedeutet die Bewegung?" | Was bedeutet die Bewegung? | data-sort-value="1821-03-01" | March 1821 | data-sort-value="Text by Willemer, Marianne von, Was bedeutet die Bewegung?" | Text by Willemer; Two versions; 2nd, in AGA, is Op. 14 No. 1 |- | 721 | 721 | data-sort-value="XXX,1895" | (1895) | data-sort-value="2010,600" | <br> | data-sort-value="413,00" | IV, 13 | Mahomets Gesang, D 721 | data-sort-value="text Seht den Felsenquell 2" | Seht den Felsenquell | data-sort-value="1821-03-01" | March 1821 | data-sort-value="Text by Goethe, Johann Wolfgang von, Seht den Felsenquell 2" | Text by Goethe (other setting: ); For b and piano; Fragment |- | 722 | 722 | data-sort-value="XXX,1889" | (1889) | data-sort-value="1200,019" | <br /> | data-sort-value="726,00" | VII/2, 6 | German Dance, D 722 | data-sort-value="key G-flat major" | G major | data-sort-value="1821-03-08" | 8/3/1821 | For piano |- | 723 | 723 | data-sort-value="XXX,1893" | (1893) | data-sort-value="1507,015" | <br> | data-sort-value="218,00" | II, 18 | data-sort-value="Duet and Aria for Herold's Das Zauberglockchen" | Duet and Aria for Hérold's Das Zauberglöckchen | data-sort-value="text Nein, nein, nein, nein, das ist zu viel" | Nein, nein, nein, nein, das ist zu viel â Der Tag entflieht, der Abend glüht | data-sort-value="1821-05-01" | Apr.âÂÂMay<br />1821 | data-sort-value="Text by Theaulon, Emmanuel, transl. by Treitschke, Nein, nein, nein, nein, das ist zu viel"| Text by Théaulon, transl. by Treitschke;Duet for tb and aria for t (both with orchestra) |- | 724 | 724 | data-sort-value="011,1822-2" | 11,2<br>(1822) | data-sort-value="1600,005" | <br> | data-sort-value="303,27" | III, 3 No. 27 | data-sort-value="Nachtigall, Die" | Die Nachtigall | data-sort-value="text Bescheiden verborgen im buschigten Gang" | Bescheiden verborgen im buschigten Gang | data-sort-value="1821-04-22" | 22/4/1821<br />or earlier | data-sort-value="Text by Unger, Johann Karl, Bescheiden verborgen im buschigten Gang" | Text by ; For ttbb and piano |- | 725 | 725 | data-sort-value="XXX,1929" | (1929) | data-sort-value="ZZZZ" | | data-sort-value="302,95" | III, 2b<br>Anh. No. 5 | Duet, D 725 | data-sort-value="text Linde Lufte wehen" | Linde Lüfte wehen, or: Linde Weste wehen | data-sort-value="1821-04-01" | April 1821 | Fragment for mezzo-soprano, tenor and piano |- | 726 | 726 | data-sort-value="XXX,1870" | (1870) | data-sort-value="2006,394" | <br> | data-sort-value="403,00" | IV, 3 | Mignon I, D 726 | data-sort-value="text Heiss mich nicht reden 1" | Heiàmich nicht reden | data-sort-value="1821-04-01" | April 1821 | data-sort-value="Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, Heiss mich nicht reden 1" | Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: No. 2) |- | 727 | 727 | data-sort-value="XXX,1850" | (1850) | data-sort-value="2006,395" | <br> | data-sort-value="403,00" | IV, 3 | Mignon II, D 727 | data-sort-value="text So lasst mich scheinen, bis ich werde 2" | So laÃÂt mich scheinen, bis ich werde | data-sort-value="1821-04-01" | April 1821 | data-sort-value="Text by Goethe, Johann Wolfgang von from Wilhelm Meister's Apprenticeship, So lasst mich scheinen, bis ich werde 2" | Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: and 877 No. 3) |- | 728 | 728 | data-sort-value="XXX,1895" | (1895) | data-sort-value="2010,601" | <br> | data-sort-value="413,00" | IV, 13 | Johanna Sebus | data-sort-value="text Der Damm zerreisst" | Der Damm zerreiÃÂt | data-sort-value="1821-04-01" | April 1821 | data-sort-value="Text by Goethe, Johann Wolfgang von, Der Damm zerreisst" | Text by Goethe; Fragment |- | 729 | 729 | data-sort-value="XXX,1894" | (1894)<br />(1934) | data-sort-value="ZZZZ" | | data-sort-value="506,07" | V, 6 No. 7<br>& Anh 1 | data-sort-value="Symphony No. 07" | Symphony No. 7 | data-sort-value="key E major" | E major | data-sort-value="1821-08-01" | August<br />1821 | Adagio, Allegro â Andante â Scherzo â Allegro giusto; Sketches; First editions are completions by others (piano reduction in 1894) |- | 730 | 730 | data-sort-value="XXX,1926" | (1926) | data-sort-value="ZZZZ" | | data-sort-value="109,008" | I, 9<br>No. 8 | Tantum ergo, D 730 | data-sort-value="key B-flat major" | B major | data-sort-value="1821-08-16" | 16/8/1821 | data-sort-value="Text by Aquinas, Thomas, Tantum ergo 3" | Text by Aquinas (other settings: , 461, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra |- | 731 | 731 | data-sort-value="173,1821-4" | 173p,4<br>(1821) | data-sort-value="2006,399" | <br> | data-sort-value="405,00" | IV, 5 | data-sort-value="Blumen Schmerz, Der" | Der Blumen Schmerz | data-sort-value="text Wie tont es mir so schaurig" | Wie tönt es mir so schaurig | data-sort-value="1821-09-01" | September<br />1821 | data-sort-value="Text by Majlath, Janos, Wie tont es mir so schaurig" | Text by Majláth; Publ. as Op. posth. 173 No. 4 in 1867 |- | data-sort-value="732" | 732<br />683 | 732 | data-sort-value="XXX,1833" | (1833)<br />(1834)<br />(1867)<br />(1882)<br />(1892) | data-sort-value="1505,009" | <br><br /><br> | data-sort-value="206,01" | II, 6aâÂÂc<br />IV, 14 | Alfonso und Estrella | data-sort-value="theatre (Opera in 3 acts)" | (Opera in three acts) | data-sort-value="1822-02-27" | 20/9/1821âÂÂ<br />27/2/1822 | data-sort-value="Text by Schober, Franz von Alfonso und Estrella" | Text by Schober; For two sopranos, two tenors, bass, two baritones, SATB and orchestra (piano reduction in 1882 publ.); Overture (also used as overture to , publ. 1867, piano reductions: and 773) â Act I: Nos. 1âÂÂ10 (No. 8 publ. 1833 with piano reduction) â Act II: Nos. 11âÂÂ22 (No. 11 was also and some of its music reappears in No. 19 of , No. 13 publ. 1834 with piano reduction) â Act III: Nos. 23âÂÂ34</onlyinclude>