This is a list of compositions by Christoph Willibald Gluck.
Wq. Number by Alfred Wotquenne (1867-1939).
Opera
- Wq.1 â Artaserse (1741)
- Wq.2 â Demetrio â or Cleonice (1742)
- Wq.3 â Demofoonte (1743)
- Wq.4 â Artemene (1743), 1st Version
- â Il Tigrane (1743)
- Wq.5 â La Sofonisba â Siface (1744)
- Wq.6 â La finta schiava (1744)
- Wq.7 â Ipermestra (1744)
- Wq.8 â Poro (1744)
- Wq.9 â Ippolito â Fedra (1745)
- Wq.10 â La caduta de' giganti (1746)
- Wq.11 â Artemene (1746), 2nd Version
- Wq.12 â Le nozze d'Ercole e d'Ebe (1747)
- Wq.13 â La Semiramide riconosciuta (1748)
- Wq.14 â La contesa dei numi (1749)
- Wq.15 â Ezio (1749), 1st Version; Revised in 1763
- Wq.16 â La clemenza di Tito (1752)
- Wq.17 â Issipile (1751-1752)
- Wq.18 â Le cinesi (1754)
- Wq.19 â La danza (1755)
- Wq.20 â L'innocenza giustificata (1755), Revised as La vestale (1768)
- Wq.55 â Les amours champêtres (1755)
- Wq.21 â Antigono (1756)
- Wq.22 â Il re pastore (1756)
- Wq.23 â L'île de Merlin, ou Le monde renversé (1758)
- Wq.24 â La fausse esclave (1758)
- Wq.25 â L'arbre enchanté, ou Le tuteur dupé (1759), 1st Version
- Wq.26 â La Cythère assiégée (1759)
- â Le diable àquatre, ou La double métamorphose (1759)
- Wq.27 â Tetide (1760)
- Wq.28 â LâÂÂivrogne corrigé (Der bekehrte Trunkenbold) (1760)
- Wq.29 â Le cadi dupé (Der betrogene Kadi) (1761)
- â Arianna (Pasticcio) (1762)
- Wq.30 â Orfeo ed Euridice (1762), Italian Version
- Wq.31 â Il trionfo di Clelia (1763)
- â Ezio (1763), 2nd Version
- Wq.32 â La rencontre imprévue â Les pèlerins de la Mecque (1764)
- â Enea e Ascanio (1764)
- Wq.33 â Il Parnaso confuso (1765)
- Wq.34 â Telemaco, ossia LâÂÂisola di Circe (1765)
- Wq.35 â La corona (1765)
- Wq.36 â Il prologo (1767)
- Wq.37 â Alceste, Italian Version of Alceste, Wq.44 (1767)
- â La vestale (1768), Revision of LâÂÂinnocenza giustificata, Wq.20 (1755)
- Wq.38 â Le feste d'Apollo (1769)
- Prologue
- Bauci e Filemone
- Aristeo
- Orfeo (Early version of Orfeo ed Euridice)
- â Philémon et Baucis, Opéra-Ballet
- Wq.39 â Paride ed Elena (1770)
- â Die unvermuthete Zusammenkunft (1772), German Version of La rencontre imprévue, Wq.32 (1764)
- Wq.40 â Iphigénie en Aulide (1774)
- Wq.41 â Orphée et Eurydice (1774), French Version of Orfeo ed Euridice, Wq.30 (1762)
- Wq.42 â LâÂÂarbre enchanté, ou Le tuteur dupé (1775), 2nd Version
- Wq.43 â La Cythère assiégée, Opéra-Ballet (1775), Revision of the 1759 Opera
- Wq.44 â Alceste (1776), French Version of Alceste, Wq.37 (1767)
- Wq.45 â Armide (1777)
- Wq.46 â Iphigénie en Tauride (1779), French Version
- Wq.47 â Echo et Narcisse (1779), 1st Version
- â Echo et Narcisse (1780), 2nd Version
- â Iphegenie auf Tauris (1781), German Version of Iphigénie en Tauride, Wq.46 (1779)
Ballet-Pantomime
- Wq.51 â LâÂÂOrfano della china (1761), [doubtful work]
- Wq.52 â Don Juan, ou Le festin de Pierre (1761)
- â La Citera assediata (1762), Dance version of La Cythère assiégée, [music lost]
- â Alessandro (Les amours dâÂÂAlexandre et de Roxane) (c.1755)
- Wq.56 â Semiramis (1765)
- â Iphigénie (1765), [music lost]
- â Marche in G Major
Orchestral
- â Sinfonia No.1 in F Major
- â Sinfonia No.2 in D Major
- â Sinfonia No.3 in D Major
- â Sinfonia No.4 in D Major
- â Sinfonia No.5 in D Major
- â Sinfonia No.6 in E Major
- â Sinfonia No.7 in F Major
- â Sinfonia No.8 in G Major
- â Sinfonia No.9 in F Major
- About 18 Sinfonias total, some doubtful works
- â Flute Concerto, in G major, [doubtful work]
- â Violin Concerto, in G major, arr of the flute concerto
Chamber
- (Wq.53) â mis-attributed to Gluck - Six Trio Sonatas for 2 Violins and Basso continuo, publ. 1746
- in C Major
- in G Minor
- in A Major
- in Bâ Major
- in Eâ Major
- in F Major
- (Wq.54) â mis-attributed to Gluck - Trio Sonata in E Major for 2 Violins and Basso continuo
- GluckWV 5.2.1 - authenticated Trio Sonata in F Major for 2 Violins and Basso continuo
Sacred Vocal
- â Miserere (1744-1745), [music lost]
- â 2 Motets (1779)
- Wq.59 â Almæ sedes, Motet for Solo and Orchestra (c.1785)
- Wq.59 â Voces cantate
- Wq.50 â De profundis, Motet for Chorus and Orchestra (1782)
Vocal
- Wq.48 â Morceaux de chant détachés
- Oh Dei che dolce incanto, for Soprano and Orchestra
- Per tutto il timore, for Soprano and Orchestra
- Benché copra al sole il volto (1749), for Soprano and Orchestra
- Và, ti sarò fedele, for Soprano and Orchestra
- Pace, Amor, torniamo in pace, Cantate de Métastase
- Che legge spietata, for Soprano, Flute Solo and Orchestra
- Berenice, ove sei; Ombre che pallida, Scene and Aria for Soprano and Orchestra
- Ah pietÃÂ se di me senti, Duetto for Soprano, Alto and Orchestra
- Nò, che non ha la sorte; Si, vedrò quell'alma ingrata, Recitativo and Aria for Soprano and Orchestra
- Vaterlandlied
- Wir und Sie
- Schlachtgesang
- Der Jüngling (2nd version)
- Die Sommernacht
- Die frühen Gräber
- Die Neigung
- Wq.57 â Der Jüngling, 1st version (1775), [doubtful work]
- Wq.60 â Amour en ces lieux for Voice, 2 Violins and Bass (c.1780)
- Wq.61 â Quand la beauté lance for Voice, 2 Violins and Bass (c.1780)
- Wq.58 â Ode an den Tod (c.1783, Published 1792)
- Wq.62 â Die Sommernacht, 2nd version (1785)
- Wq.63 â Minona lieblich und hold haucht reine Liebe, Duet (Published 1795)
- â Siegsgesang für Freie (Published 1795)
- â I lamenti dâÂÂamore, Cantata arranged from Alceste, Act III
- â Blütenmai herbei!
- â Einem Bach der flieÃÂt
- â In einem kühlen Grunde
Works without Wq number
References