Lino Dinetto (born 1 September 1927) is an Italian painter, muralist and sculptor, recognised for his large-scale frescoes, metaphysical compositions, and evolving style ranging from realism to cubism and symbolism. He is particularly noted for his contributions to sacred and monumental art in both Italy and Uruguay.
Born in Este, Veneto, Dinetto began his artistic formation in Venice, studying the traditions of the Venetian school. Fascinated by en plein air painting, he found inspiration in the Euganean Hills. He later studied under Italian metaphysical painters Carlo CarrÃÂ and Mario Sironi, whose influence led him to explore order, harmony, and color as essential formal concerns.
DinettoâÂÂs early commissions were primarily ecclesiastical. In 1946, he was commissioned to recreate a 40-square-meter Last Supper mural at the Abbey of Monte Oliveto Maggiore in Tuscany, replacing a fresco destroyed during World War II.
In the early 1950s, Dinetto moved to Montevideo, Uruguay, where he spent nearly five years painting the interior of the Cathedral of San José. The work was widely praised and brought him considerable recognition. From 1955 to 1960, he taught drawing and painting at the Instituto de Bellas Artes San Francisco in Montevideo.
During his time in South America, Dinetto transitioned artisticallyâÂÂembracing Cubism and Constructivism, heavily influenced by the legacy of JoaquÃÂn Torres GarcÃÂa. His style evolved from figurative traditions to increasingly abstract compositions. His series âÂÂI Portiâ and âÂÂIl Cosmoâ won him national awards at the Salón Nacional de Montevideo (1955, 1957) and the Grand National Prize in Punta del Este (1959). That same year, the Museu de Arte Moderna de São Paulo organized a solo exhibition in his honor.
After the São Paulo exhibition, he returned to Italy in 1960, and his mural and stained-glass work resumed intermittently. In 1963, he completed the "Monastic Stories" in the cloister of Santa Maria in Campis in Foligno, followed by stained-glass windows for the Abbey of Monte Oliveto Maggiore in 1964. He later carried out commissions in Lombardy, Tuscany, Lazio, and his home region of Veneto, including decorations at the "Manfredini Institute" in Este.
Among his notable clients was Prince Rainier of Monaco, who commissioned a complete stained-glass cycle for the new church in Monte Carlo. From the late 1970s onward, DinettoâÂÂs artistic output increasingly turned toward philosophical and symbolic compositions such as âÂÂDimensione Parallela,â which explored memory, myth, and narrative abstraction.
Over the following decades, Dinetto turned to female figures, nudes, and symbolic landscapes, often revisiting themes from the Veneto region. His works convey optimism, serenity, and a humanist vision.
Notable exhibitions include:
In 2004, his body of work was declared National Historic Heritage by the Uruguayan government.