"Let Me Go" (stylised as "Let Me Go!" on the sleeve of the single) is a song by the English synth-pop band Heaven 17, released on 22 October 1982 by Virgin Records as the lead single from their second studio album The Luxury Gap (1983). It reached #41 on the UK singles chart, the lowest chart placement among the singles from that album but their highest at the time of its release.
In 1983, the song also spent five weeks at #4 on the American dance chart and entered the US Billboard Hot 100.
AllMusic cites the song as "a club hit that features Glenn Gregory's moody, dramatic lead above a percolating vocal and synth arrangement."
Band member Martyn Ware has acknowledged "Let Me Go" as Heaven 17's finest song: "There's a certain sonata form to it as well where it builds and then it dies down towards the end. You end with the same chord as the first chord. It feels like an integrated piece of art to me."
The song was recorded at AIR Studios, Oxford Circus, London, and made heavy use of its expansive facilities; the opening chord of the song, for instance, consists of 118 multi-tracked voices singing in fourteen-part harmony.
"Let Me Go" was one of the first commercial releases to feature the Roland TB-303, a bass synthesiser which would play a pivotal role in the acid house movement that emerged in Chicago and Manchester later in the decade.
A music video was produced to promote the song. Directed by the Irish-British filmmaker Steve Barron, the video was primarily filmed in black and white, and starts at Lothbury showing a deserted London. Filming also took place at Marylebone station, which was filmed during the night after the station had closed to passenger services. Behind the scenes footage from the filming at the station featured in an edition of the BBC arts series Riverside, which was broadcast on 29 November 1982.
Upon its release, David Hepworth of Smash Hits considered "Let Me Go" to be unremarkable on first hearing, "giving the impression that someone's read a book about dance music and decided to give it a whirl". However, he noted that "after a while a subtle insistence is revealed, at its most potent on the twelve inch version where the interplay between Gregory's grave baritone and a nifty bass line starts to strike sparks." Sunie of Record Mirror described it as "clever and well-crafted as one might expect, and utterly unmemorable". Gavin Martin of the NME was negative in his review, calling it a "depressing song full of mock sorrow and refined angst". He continued, "Glenn Gregory comes on like a caller on LBC Radio's Problem Hour and the group are similarly inspired dragging everything down into the depth of despair with a steamhammer beat, monotonous drones and a melody it would be kind to call ponderous."
The song appeared at #81 on Q101 Top 500 Songs of "All Time".
Credits are adapted from the album's liner notes and the original single back cover.
Heaven 17
Additional personnel
7" Single
12" Single