Moreà ¡ka is a traditional sword dance from the town of KorÃÂula, on the Croatian island of the same name in the Adriatic. Dating back hundreds of years, the Moreà ¡ka is an elaborate production involving two groups of dancers, engaging in a mock battle over the fate of a veiled young woman. Originally performed rarely on special occasions, in modern times the Moreà ¡ka is performed weekly for visiting tourists. The two sides of battling dancers were originally Moors and Christians, recalling the Spanish battles of the Reconquista in the Middle Ages. However, at some point in the 19th century in KorÃÂula, the sides changed from Christians vs. Moors, to Croats vs. Moors, Turks vs. Moors or simply "White" and "Black", with the non-Moor side emerging victorious.
The Moreà ¡ka in KorÃÂula dates back to at least the mid-17th century, with its roots in the Middle Ages, from the several hundred years of battle between Muslims and Christians (Moros y cristianos) in Spain, specially in Catalonia where exist a traditional dance called La Morisca de Gerri de la Sal, during the Reconquista. Multiple European festivals and pageants have their roots from that period. By the 16th century the conquest theme with mock battles was introduced into the Americas and other world areas administered or culturally influenced by Spain. The version that is danced in KorÃÂula appears to be the only one in modern times which uses two swords held by each soldier (Moreà ¡kanti) in the elaborate mock battles.
The Moreà ¡ka was originally performed on special occasions only, perhaps once every few years, especially on the Feast Day of "Sveti Todor" (Saint Theodore, KorÃÂula's patron saint) in July, in a lavish presentation which could last for up to two hours. In modern times there are abbreviated performances of 20âÂÂ30 minutes which occur weekly in the summer for visiting tourists. Performers must be native to KorÃÂula, and local families take great pride in their participation.
The Black King enters dragging the captured Bula maiden in chains. He tries to persuade her to respond to his advances, but she replies that she is in love with the White King. The two kings and their armies confront each other, and battle escalates from taunts, to the kings in battle, to both armies clashing, with a mixture of solos and varying rhythms through seven different dances. The Black soldiers are eventually surrounded and defeated, and the White King rescues the Bula.
There are two societies (groups) which perform the Moreà ¡ka in the town of KorÃÂula, and other societies on the island which perform another variant of sword dance, known as the Kumpanija. Certain towns and villages have Kumpanija groups, which perform on the respective village feast day, as well as on other festive dates during the summer tourist season: