Kubo Shunman (; â 26 October 1820) was a Japanese artist and writer. He produced ukiyo-e prints and paintings, gesaku novels, and kyà Âka and haiku poetry.
Shunman was born in about 1757 (HÃ Âreki 7 on the Japanese calendar) with the surname of either Kubo () or Kubota () and the given name Yasubei ( or ). He was orphaned while young. He studied under , a poet, kokugaku scholar, and painter in the style of the Chinese Shen Quan. He later also studied under the ukiyo-e artist Kitao Shigemasa.
Upon finishing his apprenticeship took the art name Shunman (first spelt , later ). Other art names he used include Shà Âsadà  () and Sashà Âdà  (), both of which use the character å·¦ sa, meaning "left", as he was left-handed. Early in his career he published as a gesaku novelist under the names Nandaka Shiran () and Kizandà  (), as a kyà Âka poet under the name Hitofushi Chitsue (), and as a haiku poet under the name (). He had a heightened sense of beauty and devoted himself to the pleasure-seeking world.
Shunman's earliest works dates to 1774: a votive plaque copied from Nahiko. His works include some ukiyoe prints, book illustrations, paintings, illustrated novels, and poetry. He was the most prolific producer of paintings in the Kitao school; more than 70 of his paintings survive.
His best known prints come from the Tenmei (1781âÂÂ1789) through the Kansei (1789âÂÂ1801) eras, when Shunman tended toward boldly florid colours in his prints, and adhered to the ("red-hating") trend of avoiding reds and other flashy colours. His bijin-ga portraits of beauties were less in the stately style of his master Shigemasa than in that of the long, slender beauties of Torii Kiyonaga.
Shunman was a member of the poets' clubs Bakuro-ren and Rokujuen, and became head of Bakuro-ren. He stopped making designing commercial prints in 1790 to focus on deluxe commissioned prints, and provided poetry for the prints of Hokusai, Utamaro, and Eishi.