Kim Moon-soo (; 1939âÂÂ2012) was a Korean novelist. In his early works, he delves into an ordinary life of an individual being destroyed by the tragedy of the Korean War and the introduction of industrialism. In his later works, he deals with the conflicts between materialism and traditional ethics during the expansion of industrialization.
Kim Moon-soo was born in Cheongju, Chungcheongbuk-do, South Korea in 1939. He attended Dongguk University for his undergraduate and Kookmin University for his graduate degree. When Kim was a freshman, he won Jayu Shinmun New Writer's Contest for his first short novel Oeroun Saram (ì¸ë¡Âì´ ì‘ Lonely People) in 1959, and later won Chosun Ilbo New Writer's Contest for Idanbuheung (ì´ë¨ë¶ÂÃÂÂ¥ A Revival of Heresy). Since 1967, he has worked as a writer and a worker in the editorial department at a publishing house. Moreover, he served as a professor at Hanyang Women's University and later at Dongguk University, and worked in an active member at the Korean Writersâ Association and the Korea P.E.N. As a vigorous writer for 40 years, he published 10 novels, 90 novellas and short novels until he died due to his chronic disease in 2012.
The protagonists in his early works are mostly pensive and defensive, rather than active in problem solving. Kim Moon-soo adopts to weave each event together with psychological association, and in the conclusion of the story, he utilizes irony to give a twist. His characters are mainly ordinary people, so he used to be dubbed as âÂÂa writer for ordinary people.âÂÂ
His early works deal with ordinary lives of ordinary people who are eventually ruined by the tragedy of the Korean War and the wave of industrial revolution. The protagonists keep suffering inside after being traumatized when they are just kids. Over time, they migrate to big cities like Seoul to get a job, but they end up as bottom dwellers. One of the major works during Kim's early days is Jeungmyo (ì¦Âë¬Â, Sacrificing Cats 1971), a novella, which shed a light on the corruption of human virtue in the aftermath of the Korean War. The term âÂÂJeungmyoâ represents a superstitious action of human beings to avoid bad luck by sacrificing cats, and the story incorporates ethical conflicts of society at the time into the issue of female sexuality.
Kim's later works majorly illustrate the clash between materialism and traditional morals as modernization steadily expands in Korean society. The protagonists in his later novels go through constant failures and defeats due to materialism and egotismâÂÂthe dominant values in the industrial eraâÂÂbut still try to preserve their virtues in traditional ethics. A winner of the Dongin Literary Award, Manchwidanggi (ë§Âì·¨ë¹기, The Chronicle of Manchwidang, 1989), is one of the notable works during Kim's late career.
This novel examines the conflict between morality and the corrupted world where traditional familism coexists with the desire to be successful in modern society. After successfully getting a job as a civil servant, the protagonist enjoys success in life. However, he is threatened to be fired because of his disobedience to inappropriate orders from above, eventually leading him to move back to his family house, Manchwidang. His father is a conservative person who is obsessed with a familial prophecy that three ministers of states will come out from his family. To make his son the third one, the father forces his son to succumb to his superiors in work, by giving them a bribe. The protagonist's struggle to protect his belief against his father's obsessive quest resonates in the readersâ heart. In addition to The Chronicle of Manchwidang, his other remarkable novels are: Pamuneul Kiun Moraeal (ÃÂÂ문ì Ã¤ì´ 모ëÂÂìÂÂ, A Grain of Sand That Makes a Ripple, 1997), which navigates different aspects of human beings who live to fool each other in this contemporary world, with a backdrop of the collapse of Seongsu Bridge, and Gaji Aneun Gil (ê°Âì§ ìÂÂì 길, The Road not Taken, 1999) is a novel that illustrates the life of an agonized intellectual who refuses to compromise and tries to sustain life as a moral being.
ãÂÂì¦Âë¬Â(è¸ç«)ãÂÂ, ì¼ì±ì¶ÂÃÂÂì¬, 1972 / Jeungmyo (Sacrificing Cats), Samsung, 1972
ãÂÂì±ÃÂÂãÂÂ, ÃÂÂêµÂ문ÃÂÂì¬, 1975 / Seongheun (Stigmata), Hangungmunhaksa, 1975
ãÂÂë°ÂëÂÂìÂÂ, ì´ ìÂÂüìÂÂãÂÂ, 1979 / Barama, I Yeonghoneul (Wind and My Soul), Hanmaeumsa, 1979
ãÂÂëÂÂì ë®ì ìÂÂì´ãÂÂ, ê¸Âì±ì¶ÂÃÂÂì¬, 1984 / Doreul Dalmeun Ai (A Kid Who Resembles a Stone), Kumsung, 1984
ãÂÂ물ë ÂëÂÂ물ê½ÂãÂÂ, 문ìÂÂì¶ÂÃÂÂì¬, 1987 / Mullenamulkkot (Hypericum), Moonye, 1987
ãÂÂ머리 ë ë¬린 ìÂÂãÂÂ, 민족문ÃÂÂ문고ê°ÂÃÂÂÃÂÂ, 1987 / Meori Dul Dallin Sae (A Bird with Two Heads), Korean Culture Publishing Association, 1987
ãÂÂìÂÂì¸ì´ ì¢Âë¤ì§Âë§ÂãÂÂ, 문ÃÂÂìÂÂì¹´ë°미ì¬, 1991 / Seouri Jotajiman (Seoul Is Not That Nice), Munhagakademisa, 1991
ãÂÂê·¸ ì¸ìÂÂì ë¤ãÂÂ, 무ìÂÂë§Â, 1993 / Geu Seworui Dwi (After All These Years), Musumak, 1993
ãÂÂê°Âì¶ÂãÂÂ, ëµê²Â, 1997 / Gachul (Run Away), Dapge, 1997
ãÂÂ꺼ì¤ë¿Â리ãÂÂ, 주ë¥Âì±, 2002 / Kkeooppuri (Dog Meat), Juryuseong, 2002
ãÂÂë§Âì·¨ë¹기ãÂÂ, ëÂÂìÂÂìÂÂê¹Â, 2004 / Manchwidanggi (The Chronicle of Manchwidang), Dodeulsaegim, 2004
ãÂÂÃÂÂìÂÂì ì±ãÂÂ, ëÂÂê´Âì¶ÂÃÂÂì¬, 1978 / Hwansangui Seong (A Fantasy Castle), Daegwang, 1978
ãÂÂë°ÂëÂÂê³¼ ë ê°ÂãÂÂ, ê°Âì¸ì¶ÂÃÂÂì¬, 1980 / Baramgwa Nalgae (Wind and Wings), Gabin, 1980
ãÂÂê·¸ ì¬ë¦Âì ëÂÂÃÂÂê½ÂãÂÂ, ê°Âì¸ì¶ÂÃÂÂì¬, 1980 / Geu Yeoreumui Napalkkot (A Morning Glory in the Summer), Gabin, 1980
ãÂÂìÂÂë“´ ê½ÂãÂÂ, ÃÂÂëÂÂ문ÃÂÂ, 1988 / Seoreoun Kkot (A Sorrowful Flower), Hyundaemunhak, 1988
ãÂÂì´ë ì Â쪽ì ë¹ÂãÂÂ, ì¸ê³Âì¼보, 1990 / Eodum Jeojjogui Bit (A Light Beyond the Dark), Segye Ilbo, 1990
ãÂÂê°Âì§ ìÂÂì 길ãÂÂ, ì¢Âì ë , 1999 / Gaji Aneun Gil (The Road Not Taken), Joeunnal, 1999
ãÂÂì¸ì ëÂÂìÂÂìÂÂãÂÂ, ëÂ񉪬, 2001 / Sesang Kkeuteseo (On the Edge of the World), Deungmul, 2001
ãÂÂ민ìÂÂë¤ ì§ÂãÂÂ, ì ì§Âì¶ÂÃÂÂ, 1995 / Minane Jip (Mina's House), Woongjinbooks, 1995
ãÂÂê°Âì´ì Ã¤ì°ë ë³ÂãÂÂ, ëµê²Â, 1991 / Gaseume Kiuneun Byeol (A Star in the Heart), Dapge, 1991
ãÂÂì ìÂÂì ë 령ì´ ê·¸ ì 를 먹ì¼ëÂÂãÂÂ, ëµê²Â, 2000 / Soeeseo Nan Nogi Geu Soereul Meogeuni (The Rust Out of Iron Eats the Iron), Dapge, 2000
ãÂÂë§Âì·¨ë¹기ãÂÂ, ëÂÂìÂÂìÂÂê¹Â, 2004 / The Chronicle of Manchwidang, Jimoondang, 2003
ãÂÂê°Âì§ ìÂÂì 길ãÂÂ, ì¢Âì ë , 1999 / æÂªéÂÂæÂ©çÂÂè·¯, ä¸Âæµ·è¯ÂæÂÂåºçÂÂ社, 2009
Jayu Shinmun New Writer's Contest (1959) for âÂÂLonely PeopleâÂÂ
Chosun Ilbo New Writer's Contest (1961) for âÂÂA Revival of HeresyâÂÂ
21st Contemporary Literature (Hyundai Munhak) Award (1976) for Stigmata
4th Hankook Ilbo New Writer's Contest (1978) for Granulation
11th Korea Writer's Award (ÃÂÂêµÂ문ÃÂÂìÂÂê°ÂìÂÂ, 1986)
6th Yeon-Hyeon Cho Literary Award (ì¡°ì°ÃÂÂ문ÃÂÂìÂÂ, 1987) for Hypericum
20th Dongin Literary Award (1989) for âÂÂThe Chronicle of ManchwidangâÂÂ
5th O Yeong-su Literary Award (ì¤ìÂÂìÂÂ문ÃÂÂìÂÂ, 1997) for âÂÂA Grain of Sand That Makes a RippleâÂÂ