Kim Haengsook (Hangul ê¹ÂÃÂÂìÂÂ; born 1970) is a South Korean poet.
Kim Haengsook was born in Seoul, South Korea in 1970. She studied Korean language education at Korea University, where she also earned her master's and doctoral degree in Korean literature. She made her literary debut in 1999 when the journal Hyundae Munhak published "Ppul" (ë¿ Horn) and a few other poems. She is primarily associated with the Korean Futurism school of poetry, which emerged in the 2000s when young poets began writing experimental works that broke with the lyrical tradition of South Korea. Kim published her first poetry collection Sachungi (ì¬ì¶Â기 Adolescence) in 2003, which earned critical and popular acclaim for its unconventional style and put her alongside other Korean Futurist poets like Hwang Byungsng, Kim Kyung Ju, Kim Min-jeong, and Ha Jaeyoun. She won the 9th Nojak Literature Prize in 2009, the inaugural Jeon Bonggeon Literary Award in 2015, and the 16th Midang Literary Award in 2016. She was an editor for the quarterly journal World Literature, and currently teaches Korean literature at Kangnam University.
Kim Haengsook's work has been referred to as "a symptom of contemporary poetry" that "achieved a new kind of lyricism" by writer and literary critic Lee Jangwook. Starting with her first poetry collection Sachungi (ì¬ì¶Â기 Adolescence), the strangeness and ambiguity of her poems challenged readers to find new ways of interpreting them other than simply looking for meaning or images. In a commentary on her second poetry collection Ibyeoreui neungryeok (ì´ë³Âì ë¥력 The Ability to Part) (2007), literary critic Shin Hyeong-cheol argues that Kim "does not write with intuition but with the mind of a programmer" who has "the ability to enter into a particular world of feeling and to invite readers into that world."
Kim's language is open to various interpretations. It has been described as "sliding or floating across the signifier and the signified." Literary critic Shin Hyeong-cheol notes that Kim "breaks down the world into pieces of feeling and allows the self to become a vessel for each feeling. Her poetry is freely fantastical and unegotistically objective." Kim's third poetry collection Tainui uimi (ÃÂÂì¸ì ìÂÂ미 The Significance of Others) (2010) shows a slight change in style. The world of feeling she portrays in previous poems remains the same, but she focuses on the sensations born from the relationship between the self and the Other. The self strives to reach the Other, fails, and accepts a fate of solitude.
1. ãÂÂì¬ì¶Â기ãÂÂ(문ÃÂÂê³¼ì§Âì±ì¬, 2003)
Adolescence. Moonji, 2003.
2. ãÂÂì´ë³Âì ë¥력ãÂÂ(문ÃÂÂê³¼ì§Âì±ì¬, 2007)
The Ability to Part. Moonji, 2007.
3. ãÂÂÃÂÂì¸ì ìÂÂ미ãÂÂ(민ìÂÂì¬, 2010)
The Significance of Others. Minumsa, 2010.
ãÂÂìÂÂì½Âì ì´ÂìÂÂãÂÂ(문ÃÂÂê³¼ì§Âì±ì¬, 2014)
The Portrait of Echoes. Moonji, 2014.
1. ãÂÂ문ÃÂÂì ìÂÂë¡Âì´ ì´Ã´ãÂÂ(ìÂÂ몠ì¶ÂÃÂÂ, 2004)
A New Understanding of Literature. Somyung Books, 2004.
2. ãÂÂ문ÃÂÂì´ë 무ìÂÂì´ìÂÂëÂÂê°ÂãÂÂ(ìÂÂ몠ì¶ÂÃÂÂ, 2005)
What Was Literature? Somyung Books, 2005.
3. ãÂÂ창조ì ÃÂÂÃÂÂ를 ê°Âë¡Âì§Â르ë¤ãÂÂ(ìÂÂ몠ì¶ÂÃÂÂ, 2005)
Crossing Creation and Ruin. Somyung Books, 2005.
1. ãÂÂë§Â주침ì ë°Â몠ãÂÂ(ì¼ÂÓ´ë¶Âì¤, 2009)
The Invention of Encounters. Kephoi Books, 2009.
2. ãÂÂìÂÂë¡Âì¤ì ìÂÂì°ë¼ãÂÂ(민ìÂÂì¬, 2012)
Eros and Aura. Minumsa, 2012.
Source:
1. 2009: 9th Nojak Literature Prize
2. 2015: 1st Jeon Bonggeon Literary Award
3. 2016: 16th Midang Literary Award
1. ì¡°ì°ì Â, ï½¢ì‘ÂÂì ë¥력, ì´Ã 론모øÃÂÂï½£, ãÂÂ문ÃÂÂê³¼ì¬ÃÂÂã 겨ì¸Ã¸, 2007.
Cho, Yeon-jeong. "The Ability of Love: How Ambiguous." Literature and Society, Winter 2007 Issue.
2. ì ÃÂÂì² , ï½¢ìÂÂ뮬ë¼Ã¬르를 ì‘ÂÂô」, ãÂÂì´ë³Âì ë¥력ã Ã´ì¤, 문ÃÂÂê³¼ì§Âì±ì¬, 2007.
Shin, Hyeong-cheol. "A Love for Simulacrums." Afterword in The Ability to Part. Moonji, 2007.
3. ìÂ¥ìÂÂìÂÂ, ï½¢ì°ì¸ìÂÂì ì´ìÂÂì¼ë¡Âï½£, ãÂÂ문ÃÂÂê³¼ì¬ÃÂÂã ë´Âø, 2011.
Chang, Eun-seok. "From Lovers to Neighbors." Literature and Society, Spring 2011 Issue.
4. ì¡ì¹ÃÂÂ, ï½¢'ì“´'ì ë°Â견과 'ð 주체'ì 물ìÂÂï½£, ãÂÂì°½ìÂÂê³¼ë¹ÂÃÂÂã ë´Âø, 2011.
Song, Seung-hwan. "The Discovery of Betweenness and the Question of 'the Subject.'" Changbi, Spring 2011 Issue.
5. ë°ÂÃÂÂê²½, ï½¢ì¸ê³Âë¼ë ÃÂÂ구ì ìÂÂà」, ãÂÂ문ÃÂÂê³¼ì¬ÃÂÂã ì¬ë¦Âø, 2012.
Park, Hye-gyeong. "The Fictional Territory of the World." Literature and Society, Summer 2012 Issue.
6. ê¹ÂìÂÂìÂÂ, ï½¢ÃÂÂë ì“±ìÂÂì ëÂÂÃÂÂë '기괠ìÂÂë 몸'ì ìÂÂìÂÂ력과 ë ¸ì¥젠ì“ , ãÂÂÃÂÂì´문êµÂì¡ã 38ø, 2016.
Kim, Suna. "Laotzu's Way of Thinking and Imagination on 'Body without Organs' in Contemporary Female Poem." The Education of Korean Language and Literature 38, 2016.
1. [미ë¹÷éìÂÂìÂÂ문ÃÂÂì ìÂÂìÂÂìÂÂ] ì¸ê°Âì êµÂìÂ¥àì 깨ì§Âë 존ì¬...ìÂÂàè껠ì¬Ã¼Ã ì ìÂÂë¤면
"Winner of Midang & Hwang Sun-won Literary Awards: Humans Are Fragile...If We Can Share Each Other's Pain."
2. [ì Âì² ÃÂÂì ÃÂÂëÂÂì ì°챠ê°Âê°Âì ì°ê¸Âì ] ë§Â주침ì ë°Â몠... ìÂÂì¸ ê¹ÂÃÂÂìÂÂ
"Jeong Cheol-hun's Contemporary Poetry Walk, the Alchemy of Sensations: The Invention of Encounters...Poet Kim Haengsook."
3. ë¤ì Âèì ì¸ê³Â
"The World of Kindness."