Khánh Ly (born as Nguyá» n Thá» Lá» Mai; 6 March 1945) is a Vietnamese-American singer. She performed many songs written by Vietnamese composer Trá»Ânh Công Sán and rose to fame in the 1960s. She married South Vietnam journalist Nguyá» n Hoàng ÃÂoan in 1975.
Khánh Ly was born to a traditional family and grew up in Hanoi. Before moving to South Vietnam, her family lives at Hàng Bông Street. As a child, she would fall asleep to her father's soothing voice. His serenades planted a love for music inside her, which grew stronger every day against her family's wishes. In 1954, at 9, she entered a small contest in the city of Hanoi singing "Thá Ngây"; she did not win.
By 1956, she accompanied her mother to the southern regions of Vietnam. At the end of that very same year, she secretly entered a children's talent-search contest produced by Radio France Asie (ÃÂài Phát-thanh Pháp-ÃÂ), at Norodom Stage in Saigon. Mai traveled to the contest by sneaking into the back of transport trucks and hitching a ride from ÃÂàLạt City to Saigon. She won second prize singing Pham Duy's famous song, "Ngày Trá» Vá»Â". Mai lost to child-star Quá»Âc Thắng who would also later become an iconic figure in the music world. She was only 11.
Mai's musical career did not officially begin until she debuted at Club Anh Và © on 43 Bùi Viá»Ân Street in Saigon when she was only 17 (1962). At this point, she adopted the stage name Khánh Ly, a combination of Khánh Kỵ and Yêu Ly, both are characters from Chronicles of the Eastern Zhou Kingdoms, her favorite novel. By the end of 1962, she relocated to ÃÂàLạt and stayed there for four years performing at various clubs and resorts. Night after night, she serenaded lovers, tourists, and the youths of Vietnam. On a rainy night in 1964, she met Trá»Ânh Công Sán (TCS), at that time a young composer and a teacher at a school in Bảo Lá»Âc. They became fast friends. Fascinated by her voice, Trinh had asked her on several occasions to accompany him in his performances in Saigon. Still in love with the romantic hills of Da Lat, she declined.
During a trip to Saigon in 1967, she ran into Trá»Ânh on the streets of Lê Thánh Tôn. After several serenades and coffee at a small shop called Quán VÃÂn, the legacy of Khánh Ly and Trá»Ânh Công Sán had begun. Within the next several decades, Khánh Ly and Trá»Ânh Công Sán sang together at small coffee shops, clubs, and even on the steps of VÃÂn Khoa University in Saigon (a liberal arts school). During the escalation of a bloody war, his anti-war lyrics in the Yellow-Skin Songs and her voice appealed to those who grew weary of the battles and bloodshed; their plea for peace propelled them to the top. From the educating fields of large universities to farm lands, she was heard, known, and hailed as "Nữ Hoàng Chân ÃÂất" (the barefoot diva) or "Nữ Hoàng Sân Cá»Â." (the grassy fields diva) Together, Khánh Ly and Trá»Ânh Công Sán took the Vietnamese music world by storm. Their phenomenal fame gave her the chance to be the first Vietnamese woman to headline her own show. During the late 1960s to early 1970s, she also collaborated with multiple production companies and played a large part on the recorded tracks from famous videos such as the Phạm Mạnh Cðáng Program, Trðá»Âng Sán Centre, Sán Ca Productions, Hoạ Mi, Jo Marcel Productions, etc.
Up until her emigration in 1975, Khánh Ly achieved disproportionate fame around the world. She opened Club Khánh Ly on Tá»± Do Street in Saigon along with a small shop named Há»Âi Quán Cây Tre, a gathering place for musicians and students alike. In addition, she was sponsored by the Vietnamese government to hold performances in Europe to promote the worldwide collaboration of the rising generation of Vietnamese students ("Ná»Âi Vòng Tay Lá»Ân") ("United Circle of Hands"). She also performed in the United States, Canada, and Japan at the Osaka Fair in response to an invitation from Nippon Columbia Label (a large production company). Here, she recorded an album featuring Trá»Ânh Công Sán's songs Diá» m Xða and Ca Dao Mẹ (sang in both languages), which went gold shortly after its debut. These songs became top hits in Japan and remained so for several decades. Khánh Ly was the first Vietnamese singer to achieve international fame.
In 1975, Khánh Ly, along with thousands of Vietnamese refugees, crossed the Pacific Ocean and settled in America. Like many, she struggled to find jobs on American soil to provide for her four children. Even though the first few years were difficult, Khánh Ly's renowned status did not fade from the music world. In the late 1970s and throughout the 1980s, Khanh Ly was invited back to Japan on numerous occasions by Nippon Columbia Label, Toci Film, and Japan's largest television station to record and perform. Her second record with Nippon Columbia (1979) went gold short after its release; there were 2 million copies sold in Japan alone. Her third and final album with Nippon also featured classic hits such as Wandering Man. In addition, both Toci Film and Japan's largest television station featured her voice in the theme song to several movies and television series regarding Vietnam's culture as well as the "Boat People" phenomenon; her most notable recording was "Lá»Âi Ru Cho ÃÂàNẵng" in 1987, music by Japanese artist Hako Yamasaki and words by former newspaper editor and Khánh Ly's husband, Nguyá» n Hoàng ÃÂoan. She was also featured in the Asian Music Festival held in Japan, along with famous singers from Korea, Hong Kong, Thailand, and the South Pacific. Her fame in Japan continued to escalate when she was named one of the top 10 most famous people, alongside Gandhi, Gucci, and Martin Luther King Jr.'s wife, among others. In 1996, Japan's television station NHK and famous producer Hideo Kado produced a 50-minute documentary about the life of Khánh Ly, which aired on 29 April 1997, 22 years after the day she left Saigon. In September of that year, NHK also published a 270-page biography about Khánh Ly.
In the later part of the 1980s and early 1990s, Khánh Ly travelled vigorously and performed in Russia, the Czech Republic, Poland, and in a concert in East Germany after the Berlin Wall was taken down in 1989. Being a devout Catholic, she also sang at many church-sponsored events in which her most memorable performance was at the Canonization of 117 Vietnamese Priests in Vatican City (1988) where she met Pope John Paul II. In 1992, during the World Youth Festival in Denver, Colorado, Khánh Ly had the honour of meeting the Pope for a second time. In 1996, she, several other renowned singers, and songwriter Trầm Tá» Thiêng hosted a Charity Concert to raise money to build houses/shelters for 2000 Vietnamese refugees in the Philippines.
She now lives with her husband, former newspaper editor/writer Nguyá» n Hoàng ÃÂoan in Cerritos, California, recording for Thúy Nga-Paris by Night, Asia, May Productions, etc., touring the world, and co-owns her own production company, Khánh Ly Productions, which has produced more than 30 CDs, 4 videos, and several DVDs to date. Aside from her paid performances, she also writes weekly columns for various Vietnamese newspaper and magazines throughout the world (Há»Ân Viá»Ât, VÃÂn Nghá» Tá»± Do, VÃÂn Nghá» Magazine, Thá»Âi Báo, Báo Mai, etc.). Khánh Ly has also devoted the majority of her time to humanitarian acts and charitable organisations for Vietnamese orphans and refugees worldwide. She found music boldly, imprinted in history an irreplaceable voice, and dazzled the world with her graceful, witty, and humble personality. She has only one simple wish: "To breathe my last breath on the stage which gave me life...."
On 9 May 2014, she had her first concert in Vietnam National Convention Center, Hanoi, Vietnam, at which she performed many famous songs of hers to thousands of fans.
She was married the first time to Minh Di and had two children with him. Her second marriage was to Mai Bá Trác, a soldier of South Vietnam and they had a daughter. Khánh Ly later married Nguyá» n Hoàng ÃÂoan, a Vietnamese journalist.
There were rumors about her love for musician Trá»Ânh Công Sán, but Trá»Ânh Công Sán denied it and said that they were just good friends.
In an interview reported by BBC, Khánh Ly said that she was not bothered by the Vietnamese Government's censorship of overseas songs because "singing songs that people don't allow will cause troubles", and "sometimes, what we like is not necessarily what others like".