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Khaled Malas

Khaled Malas () is a Syrian architect and art historian. He is principal and co-founder of the Sigil Collective, alongside Salim al-Kadi, Alfred Tarazi and Jana Traboulsi.

Malas studied architecture at the American University of Beirut and at Cornell University. He is currently a doctoral candidate in medieval Islamic Art History at the Institute of Fine Arts at New York University. Prior to joining the Institute, he was an architect at the Office for Metropolitan Architecture and Herzog & de Meuron.

His work has been widely exhibited and published. Sigil's work has also been shown around the world including in Venice, Oslo, Annandale-on-Hudson, Beirut, Dubai, Marrakech, and Milan. He has taught at Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP), and at Columbia University's Columbia Global Center/Studio-X in Amman, where he led the second Janet Abu Lughod seminar, which focused on Qusayr Amra. Malas has also taught on Medieval magic at New York University, Arabic literature at the Cooper Union, and art and design history at the Pratt Institute.

Malas is a member of the Arab Image Foundation's General Assembly.

Works

  • The Longest Words: Three Talismans for Conditioning the Air (2024), “And from my heart I blow kisses to the sea and houses”

Works as Sigil

Selected awards and honors

  • 2015: 'The Arab Fund for Arts and Culture Visual Arts Grant'
  • 2016: 'Distinguished Young Alumni Award of the Architecture & Design Department, Faculty of Engineering and Architecture, American University of Beirut, Awarded in recognition of interdisciplinary creativity and activism.

Selected writing

  • 2016: "Monuments of the Everyday" ‘After Belonging: The Objects, Spaces, and Territories of the Ways We Stay in Transit’ by Lluís Alexandre Casanovas Blanco, Ignacio G. Galán, Carlos Mínguez Carrasco, Alejandra Navarrete Llopis, and Marina Otero (eds.)(Zurich: Lars Muller, 2016)
  • 2016: "Review: Pattern, Color, Light: Architectural Ornament in the Near East (500–1000)," Journal of the Society of Architectural Historians, Vol. 75 No. 2 (2016): pp. 238–239
  • 2017: "The body, writhing in pain, sits before an intoxicated audience" ‘No to the Invasion: Breakdown and Side-effects’ edited by Fawz Kabra (Annandale-on-Hudson: CCS Bard, 2017)
  • 2018: A Cenotaph Broken Nature website

Further reading

  • Watenpaugh Heghnar Zeitlian, “Cultural Heritage and the Arab Spring: War over Culture, Culture of War, and Culture War,” "International Journal of Islamic Architecture 5" (2016): pp. 245–63
  • العربي الجديذ - خالد ملص: بحثاً عن عمارة الناس
  • Wilson-Goldie, Kaelen "Practical Magic: Can Art Make a Difference in Assad Syria?," Bookforum(Apr/May 2017): pp. 42–43
  • فوّاز طرابلسي "حفريات السماء - حفريات الأرض" دم الأخوين: العنف في الحروب الأهليّة (بيروت: رياض الريّس للكتب و النشر, 2017), pp. 207–227
  • Kafka, George "Active Witness", Icon Architecture and Design Culture (May 2019); pp. 52–60
  • Davidson, Cynthia "Paola Antonelli on Broken Nature", Log (Winter/Spring 2019); page 51
  • Roche, Daniel “The Chicago Architecture Biennial’s fifth iteration, embodies the “beauty and horror” of our global moment, The Architect’s Newspaper November 9, 2023

References