Key works of Carolingian illumination are those Illuminated manuscripts of the Carolingian period which are recognised in art historical scholarship as works of particular artistic significance (especially those included in general overviews).
The first work to be considered Carolingian is the Godescalc Evangelistary, which was created for Charlemagne between 781 and 783. Until this point, Merovingian and Insular illumination had continued without a breach. The developers of Carolingian illumination were the so-called "court school of Charlemagne" at the Palace of Aachen, which created the manuscripts of the "." Contemporary was the "Palace School" which was probably based in the same place, but whose artists were from Byzantium or Byzantine Italy. The codices of this school are also known as the "group of the Vienna Coronation Gospels" after their most outstanding examples. After the death of Charlemagne, the centre of illumination shifted to Rheims, Tours and Metz. Since the Court School dominated in the time of Charlemagne, it was more influential in later times than the works of the Palace School. The high point of Carolingian illumination came to an end in the late ninth century. In late Carolingian times a developed which incorporated forms from insular illumination, before a new epoch began at the end of the tenth century with the development of