Kelly Wood (born 1962) is a Canadian visual artist and photographer from Toronto, Ontario. WoodâÂÂs artistic practice is primarily based in Vancouver, B.C. and London, Ontario.
Wood obtained a diploma from Emily Carr University of Art and Design in 1988 and an M.F.A. from the University of British Columbia in 1996. While studying at the University of British Columbia, Wood was advised by Vancouver School artists Jeff Wall and Ian Wallace.
WoodâÂÂs practice primarily focuses on photography from a feminist perspective and has been regarded for her vibrant "photographic maneuvers." In 1996, Wood had her first solo commercial exhibition at Catriona Jeffries Gallery.
Wood has been recognized for her exhibition the Continuous Garbage Project: 1998âÂÂ2003, exhibited at the Morris and Helen Belkin Art Gallery and Catriona Jeffries Gallery. The project included photographs of transparent garbage bags taken over the course of five years. Through the exhibition, Wood explored labour, craft, and photography, with photographs "reminiscent of Man RayâÂÂs photographs of the âÂÂdust breeding.âÂÂ" Wood has written articles for Border Crossings, including a review of Stan Douglasâ work entitled "Still Supplementation: Stan DouglasâÂÂs Cuba Photographs." Wood is currently a professor at Western University in London, Ontario.
In 2008, Wood collaborated with Polish artist Monika Grzymala on a site specific installation at Catriona Jefferies Gallery. The exhibition combined GryzmalaâÂÂs digital background with WoodâÂÂs photography to create an installation titled Binary Sound System. In 2013, Wood worked with Canadian artist Kelly Jazvac at Diaz Contemporary Gallery in Toronto on an exhibition titled, "Impel with Puffs." The exhibition combined WoodâÂÂs photographic work with JazvacâÂÂs "salvaged vinyl [sculptures]." Wood has also exhibited with artists Myfanwy Macleod, Ron Terada, and Yoko Takashima.
In 2003 Wood won the annual Shadbolt Foundation VIVA Award, alongside artist Geoffrey Farmer.