was a Japanese judoka, educator, politician, and the founder of judo. Judo was one of the first Japanese martial arts to gain widespread international recognition, and the first to become an official Olympic sport. Pedagogical innovations attributed to Kanà  include the use of black and white belts, and the introduction of dan ranking to show the relative ranking among members of a martial-art-style. Well-known mottoes attributed to Kanà  include and .
In his professional life, Kanà  was an educator and a promoter of multiple sports in Japan, including swimming, athletics, weightlifting and other forms of physical education. Aside from judo, he is considered by some to be the originator of modern strength training in Japan. He also helped Gichin Funakoshi and other masters to introduce and systematize karate in the country. He was also a high member of the Dai Nippon Butoku Kai martial arts organization, and played a key role in making judo and kendo part of the Japanese public school programs. His cousin Kenji Kanà Â, founder of one of the first western boxing clubs in Japan, was also influenced by him.
Important postings included serving as director of primary education for the from 1898 to 1901, and as president of Tokyo Higher Normal School from 1900 until 1920. He was the educational founder of Nada High School in Kobe, Japan. Accomplishments included being the first Asian member of the International Olympic Committee (IOC) (serving from 1909 to 1938), officially representing Japan at most Olympic Games held between 1912 and 1936, and serving as a leading spokesman for Japan's bid for the 1940 Olympic Games.
His official honors and decorations included the First Order of Merit and Grand Order of the Rising Sun and the Third Imperial Degree. Kanà  was inducted as the first member of the International Judo Federation (IJF) Hall of Fame on 14 May 1999.
Kanà  Jigorà  was born to a sake-brewing family in the town of Mikage, Japan (now within Higashinada-ku, Kobe). The family sake brands included "Hakushika", "Hakutsuru", and "Kiku-Masamune". However, Kanà Â's father Kanà  Jirà Âsaku (née Mareshiba Jirà Âsaku) was an adopted son and he did not go into the family business. Instead he worked as a lay priest and as a senior clerk for a shipping line. Kanà Â's father was a great believer in the power of education in the modern world, and he provided Jigorà Â, his third son, with an excellent education. The boy's early teachers included the neo-Confucian scholars Yamamoto Chikuun and Akita Shusetsu. Kanà Â's mother died when the boy was nine years old, after which his father moved the family to Tokyo. The young Kanà  was enrolled in private schools, and had his own English language tutor. In 1874 he was sent to a private school run by Europeans, Ikuei Academy, to improve his English and German language skills. He was fluent in English, kept his diary in that language and wrote it in a very elegant style.
At the time of his adolescence, Kanà  stood but weighed only . He was frequently bullied at Ikuei due to this small size and his intellectual nature, to the point other students sometimes dragged him out of the school buildings to beat him up, so he wished he were stronger in order to defend himself. One day, Nakai Baisei, a friend of the family who was a member of the shà Âguns guard, mentioned that jà «jutsu was an excellent form of physical training, and showed Kanà  a few techniques by which a smaller man might overcome a larger and stronger opponent. Seeing potential for self-defense on this, Kanà  decided he wanted to learn the art, despite Nakai's insistence that such training was out of date and dangerous. By the time Kanà  moved to Kaisei Academy, his bullying had died off, but his interest in jà «jutsu had not. His father also discouraged him from jà «jutsu, as he ignored the bullying his son had suffered, but after noting Kanà Â's deep interest in the art, he allowed him to train on condition Kanà  would strive to master it.
Kanà  matriculated at the University of Tokyo in 1877 and graduated with a B.A. in Political Science and Philosophy in 1882. During his time at the university, he started looking for jà «jutsu teachers. He first looked for bonesetters, called seifukushi. His assumption was that doctors who knew the martial art were better teachers. His search brought him to Yagi Teinosuke, who had been a student of Emon Isomata in the Tenjin Shin'yà Â-ryà « school of jà «jutsu. Yagi, in turn, referred Kanà  to Fukuda Hachinosuke, a bonesetter who taught Tenjin Shin'yà Â-ryà « in a 10-mat room adjacent to his practice. Tenjin Shin'yà Â-ryà « was itself a combination of two older schools: the Yà Âshin-ryà « and Shin no Shindà Â-ryà «.
Fukuda's training method consisted mostly of the student taking fall after fall for the teacher or senior student until he began to understand the mechanics of the technique. Fukuda stressed applied technique over ritual form. He gave beginners a short description of the technique and had them engage in free practice (randori) in order to teach through experience. It was only after the student had attained some proficiency that he taught them traditional forms (kata). This method was difficult, as there were no special mats for falling, only the standard straw mats (tatami) laid over wooden floors.
Kanà  had trouble defeating Fukushima Kanekichi, who was one of his seniors at the school. Therefore, Kanà  started trying unfamiliar techniques on his rival. He first tried techniques from sumo taught by a former practitioner named Uchiyama Kisoemon. When these did not help, he studied more, and tried a technique ("fireman's carry") that he learned from a book on western catch wrestling. This worked, and kataguruma, or "shoulder wheel", remains part of the judo repertoire, although at this moment the judo organizations of some countries prohibit this throw in competition judo.
On 5 August 1879, Kanà  participated in a jà «jutsu demonstration given for former United States president Ulysses S. Grant. This demonstration took place at the home of the prominent businessman Shibusawa Eiichi. Other people involved in this demonstration included the jà «jutsu teachers Fukuda Hachinosuke and Iso Masatomo, and Kanà Â's training partner Godai Ryusaku. Fukuda died soon after this demonstration, at the age of 52. Fukuda's students were not a large group, and among them Kanà  was suitably skilled in randori and was clearly the most advanced in kata, and so Fukuda's widow chose Kanà  to inherit the scrolls of his school. She also asked that the dojo remain open under Kanà Â's leadership, and he did assume this teaching responsibility for a time, but he soon decided that he should train more before accepting the duty of being a lead instructor.
Kanà  began studying with Iso, who had been a friend of Fukuda. Despite being 62 years old and standing only tall, Iso had gained a powerful build from jà «jutsu training. He was known for excellence in kata, and was also a specialist in atemi, or the striking of vital areas. In Iso's method, one began with kata and then progressed to free fighting (randori). Due to Kanà Â's intense practice and his solid grounding in the jà «jutsu taught by Fukuda, Kanà  became an assistant instructor at Iso's school. Iso Masatomo died in 1881. While under Iso's tutelage, Kanà  witnessed a demonstration by the Yà Âshin-ryà « jà «jutsu teacher Totsuka Hikosuke and later took part in randori with members of Totsuka's school. Kanà  continued to associate with students and teachers of the other schools of his era, and learned that Motoyama Masahisa, who was on a baseball team with Kanà  and also was a graduate of the University of Tokyo, was the son of a master of the Kità Â-ryà « school. The senior Motoyama was now elderly and taught only kata, but Kanà  had been seeking a teacher to train under actively after his previous teacher had died. Due to Kanà Â's persistence, Motoyama introduced Kanà  to Iikubo Tsunetoshi as a more suitable Kità Â-ryà « master.
Kanà  began training in Kità Â-ryà « with Iikubo Tsunetoshi (Kà Ânen). Iikubo was an expert in kata and throwing, and fond of randori. Kanà  applied himself thoroughly to learning Kità Â-ryà «, believing Iikubo's throwing techniques in particular to be better than in the schools he had previously studied. Iikubo issued Kanà  a formal jà «jutsu rank and teaching credential, namely a certificate of menkyo in Kità Â-ryà «, dated October 1883.
During the early 1880s, there was no clear separation between the jà «jutsu that Kanà  was teaching and the jà «jutsu that his teachers had taught in the past. Kanà Â's Kità Â-ryà « teacher, Iikubo Tsunetoshi, came to Kanà Â's classes at the early Kodokan two or three times a week to support Kanà Â's teaching. Eventually student and master began to exchange places, and Kanà  began to defeat Iikubo during randori:
After these events, Iikubo granted Kanà  menkyo. Iikubo conferred this certification "along with a densho (a document that a master confers on a student who gains master-level proficiency) and everything else that he could bestow". Kanà  continued to offer instruction in Kità Â-ryà « jà «jutsu for a few years after this, and the limited records documented from the era show that he was further granted menkyo kaiden: a hontai-no-maki scroll of Kità Â-ryà « Takenaka-ha (issued in June 1885 to Saigà  Shirà Â) survives which bears the signature of Kanà  Jigorà  personally.
To name the gradually evolving system he was teaching at the Kodokan, Kanà  revived a term that Terada Kan'emon, the fifth headmaster of the Kità Â-ryà «, had adopted when he founded his own style, the Jikishin-ryà «: "jà «dà Â". The name combined the characters , meaning "pliancy", and dà Â, which is literally "The Way", but figuratively meaning 'method.'
From a technical standpoint, Kanà  combined the throwing techniques of the Kità Â-ryà « and the choking and pinning techniques of the Tenjin Shin'yà Â-ryà «. As such, judo's Koshiki-no-kata preserves the traditional kata of Kità Â-ryà «, while Itsutsu-no-kata is from Tenjin Shin'yà Â-ryà «; in both cases there are only minor differences from the mainline tradition of each school as learned by Kanà Â. Similarly, a number of techniques from Tenjin Shin'yà Â-ryà « are preserved in judo's Kime-no-kata, although Kime-no-kata itself was newly composed by Kanà  for his judo students.
Kanà Â's initial work was influenced by various methods and institutions. As he wrote in 1898, "By taking together all the good points I had learned of the various schools and adding thereto my own inventions and discoveries, I devised a new system for physical culture and moral training as well as for winning contests." However, after judo was introduced into the Japanese public schools, a process that took place between 1906 and 1917, there was increasing standardization of kata and tournament technique.
Kanà  also oversaw the development and growth of his judo organization, the Kodokan Judo Institute. This was a remarkable effort in itself, as the Kodokan's enrollment grew from fewer than a dozen students in 1882 to more than a thousand dan-graded members by 1911.
In May or June 1882, Kanà  started the Kodokan judo with twelve mats, in space belonging to the , a Buddhist temple in what was then the Shitaya ward of Tokyo (now the Higashi Ueno district of Taità  ward), with Iikubo attending the dà Âjà  three days a week to help teach. Kanà  had only a handful of students at this time, but they improved their technique through regular contests with local police jà «jutsu teams.
The Kodokan moved to a 60-mat space in April 1890. In December 1893, the Kodokan started moving to a larger space located in Tomizaka-cho, Koishikawa-cho, and the move was completed by February 1894.
The Kodokan's first kangeiko, or winter training, took place at the Tomizaka-cho dojo during the winter of 1894âÂÂ1895. Midsummer training, or shochugeiko, started in 1896. "In order to inure the pupil to the two extremes of heat and cold and to cultivate the virtue of perseverance", Britain's E.J. Harrison wrote:
During the late 1890s, the Kodokan moved two more times; first to a 207-mat space in November 1897, and then to a 314-mat space in January 1898. In 1909, Kanà  incorporated the Kodokan, and endowed it with 10,000 yen (then about US$4,700). The reason, said Japan Times on 30 March 1913, was "so that this wonderful institution might be able to reconstruct, for that is what it really does, the moral and physical nature of the Japanese youth, without its founder's personal attention."
The Kodokan moved once again during Kanà Â's lifetime, and on 21 March 1934, the Kodokan dedicated this 510-mat facility. Guests at the opening included the Belgian, Italian, and Afghan ambassadors to Japan. In 1958, when the Kodokan moved to its current eight story facility, that now has more than 1200 mats, the old building was sold to the Japan Karate Association.
On 18 April 1888, Kanà  and Reverend Thomas Lindsay presented a lecture called "Jiujitsu: The Old Samurai Art of Fighting without Weapons" to the Asiatic Society of Japan. This lecture took place at the British Embassy in Tokyo. Its theme was that the main principle of judo involved gaining victory by yielding to strength.
Being an idealist, Kanà  had broad aims for judo, which he saw as something that simultaneously encompassed self-defense, physical culture, and moral behavior.
In 1915, Kanà  gave this definition to judo:
In 1918, Kanà  added:
During March 1922, Kanà  brought all this to fruition through the introduction of the Kodokan Bunkakai, or Kodokan Cultural Association. This organization held its first meeting at Tokyo's Seiyoken Hotel on 5 April 1922, and held its first public lecture three days later at the YMCA hall in Kanda. The mottoes of the Kodokan Cultural Association were "Good Use of Spiritual and Physical Strength" and "Prospering in Common for Oneself and Others." Although those are literal translations, the phrases were usually translated into English as "Maximum Efficiency with Minimum Effort" and "Mutual Welfare and Benefit." The theories of this organization were described in some detail in an article published in an American magazine Living Age in September 1922.
Aside from his role in Kodokan, Kanà  became an important member of the Dai Nippon Butoku Kai, the largest martial arts organization in Japan. He was appointed president of the committee for the establishment of jujutsu randori in 1899 and of jujutsu kata in 1906. He was also one of the three members of the council tasked with establishing the teaching ranks of all martial arts, called hanshi and kyoshi, along with Kunimichi Kitagaki and Noboru Watanabe. Kanà  himself was appointed judo hanshi, being one of the youngest masters in the organization. Moreover, he was president of the committee tasked with surveying all martial arts in the Butoku Kai in 1914, covering judo, kendo, iaido, kyà «jutsu and sà Âjutsu, among others.
Kano acknowledged that while not all koryu styles practised randori principles, there were many of them worthy to preserve, like Daità Â-ryà « Aiki-jà «jutsu and Yagyà « Shingan-ryà «. He visited their dojos to manage the recopilation of the techniques he did not deem useful to be integrated into judo.
In 1927, following his maxim, Kanà  created the , a method of multipurpose physical education for children, adults and elders alike. It was divided in two forms, the , based around judo and karate moves, and the , a mix of movements from dance, noh theater and natural principles similar as those found in the judo itsutsu-no-kata. Kanà  considered that judo principles had to be applied not only to judo and physical education, but other national sports like kenjutsu and bà Âjutsu, western sports like boxing and wrestling, and eventually the whole society. This National Physical Education is still practiced in judo as the Seiryoku Zen'yo Kokumin Taiiku no Kata.
Related to the previous, Kanà  also developed the , an artistic form mixing judo techniques with dance moves, conceived to popularize judo among Japanese women of the 20th century. It was taught by one of the Kodokan's first female instructors, Atsuko Futase, and staged in championships and events. It eventually died out with the popularization of women's judo and the death of Futase in 1998.
Although Kanà  promoted judo whenever he could, he earned his living as an educator.
Kanà  entered University of Tokyo during June 1877. He majored in political science and economics, which at that time were taught by the Department of Aesthetics and Morals. One of his most beloved teachers was the American scholar Ernest Fenollosa. He graduated in July 1882, and the following month he began work as a professor, fourth class, at the Gakushuin, or Peers School, in Tokyo. In 1883, Kanà  was appointed professor of economics at Komaba Agricultural College (now the Faculty of Agriculture at University of Tokyo), but during April 1885, he returned to Gakushuin, with the position of principal.
In January 1891, Kanà  was appointed to a position at the Ministry of Education. In August 1891, he gave up this position to become a dean at the Fifth Higher Normal School (present-day Kumamoto University). One of the teachers at Fifth Higher between 1891 and 1893 was Lafcadio Hearn. Around this same time, Kanà  married. His wife, Sumako Takezoe, was the daughter of a former Japanese ambassador to Korea. Eventually, the couple had six daughters and three sons.
During the summer of 1892, Kanà  went to Shanghai to help establish a program that would allow Chinese students to study in Japan. Kanà  revisited Shanghai during 1905, 1915, and 1921.
In January 1898, Kanà  was appointed director of primary education at the Ministry of Education, and in August 1899, he received a grant that allowed him to study in Europe. His ship left Yokohama on 13 September 1899, and he arrived in Marseille on 15 October. He spent about a year in Europe, and during this trip, he visited Paris, Berlin, Brussels, Amsterdam, and London. He returned to Japan in 1901. Soon after returning to Japan, he resumed his post as president of Tokyo Higher Normal School, and he remained in this position until his retirement on 16 January 1920. He also helped establish Nada Middle High School in 1928 at Kobe, which later became one of highest-ranked private high schools in Japan.
Considering that he majored in political science and economics, Kanà Â's family thought that after graduating from university, he would pursue a career in some government ministry. Indeed, through influential friends of his father's, he was initially offered a position with the Ministry of Finance. However, his love for teaching led him instead to accept a position teaching at Gakushuin. The students of Japan's elite attended Gakushuin and were of higher social positions than their teachers. The students were allowed to ride in rickshaws (jinrikisha) right to the doors of the classes, whereas teachers were forbidden. The teachers often felt compelled to visit the homes of these students whenever summoned to give instruction or advice. In effect, the teachers were treated as servants.
Kanà  believed this to be unacceptable. He refused to play such a subservient role when teaching his students. To Kanà Â, a teacher must command respect. At the same time, he employed the latest European and American pedagogical methods. The theories of the American educator John Dewey especially influenced him. Kanà Â's manner had the desired effect upon the students, but the administration was slower to warm to his methods and it was not until the arrival of a new principal that Kanà Â's ideas found acceptance.
All this is to say that Kanà Â's educational philosophy was a combination of both traditional Japanese neo-Confucianism and contemporary European and American philosophies, to include Instrumentalism, Utilitarianism, and "evolutionary progressivism", as Social Darwinism was then known.
The goals of Kanà Â's educational philosophies and methods (indeed, the goals of most Japanese educational programs of the early 20th century) were: to develop minds, bodies, and spirits in equal proportion; to increase patriotism and loyalty, especially to the Emperor; to teach public morality; and to increase physical strength and stamina, especially for the purpose of making young men more fit for military service.
Calisthenics, especially as done in the huge formations favored at the time, could be boring, and at the high school and college levels, games such as baseball and rugby were more often spectator sports than a practical source of physical exercise for the masses. Moreover, at elite levels, baseball, football, and even judo did not put much emphasis on moral or intellectual development. Instead, elite coaches and athletes tended to emphasize winning, at almost any cost.
For Kanà Â, the answer to this conundrum was one word: judo. Not judo in the sense of simply throwing other people around, and definitely not judo in the sense of winning at any cost. Instead, it was judo in the sense of "Maximum Efficiency with Minimum Effort" and "Mutual Welfare and Benefit." Or, as Kanà  himself put it to a reporter in 1938: "When yielding is the highest efficient use of energy, then yielding is judo."
Kanà  became active in the work of the International Olympic Committee (IOC) in 1909. This came about after Kristian Hellström of the Swedish Olympic Committee wrote to the governments of Japan and China to ask if they were going to send teams to the 1912 Olympics. The Japanese government did not want to embarrass itself on an international stage by saying no, so the Ministry of Education was told to look into this. The Ministry logically turned to Kanà Â, who was a physical educator with recent experience in Europe. Kanà  agreed to represent Japan at the International Olympic Committee, and, after talking to the French ambassador to Japan and reading pamphlets sent by the Swedes, developed, in his words, "a fairly good idea of what the Olympic Games were."
Toward fulfilling his duties as a member, in 1912, Kanà  helped establish the Japan Amateur Athletic Association (Dai Nippon Tai-iku Kyokai), which had the mission of overseeing amateur sport in Japan. Kanà  was the official representative of Japan to the Olympics in Stockholm in 1912, and he was involved in organizing the Far Eastern Championship Games held in Osaka during May 1917. In 1920, Kanà  represented Japan at the Antwerp Olympics, and during the early 1920s, he served on the Japanese Council of Physical Education. He did not play much part in organizing the Far Eastern Championship Games held in Osaka in May 1923, nor did he attend the 1924 Olympics in Paris, but he did represent Japan at the Olympics in Amsterdam (1928), Los Angeles (1932), and Berlin (1936). From 1931 to 1938, he was also one of the leading international spokesmen in Japan's bid for the 1940 Olympics.
Kanà Â's chief goal in all this was, in his words, to gather people together for a common cause, with friendly feeling. His goals did not, however, particularly involve getting judo into the Olympics. As he put it in a letter to Britain's Gunji Koizumi in 1936:
Kanà  got in contact with western strength training in 1900, when he read Sandow's System of Physical Training by pioneer bodybuilder Eugen Sandow. Becoming immediately interested in its workings, he acquired the book's rights to publish it in Japanese under publisher Zoshikai, and also imported Sandow's signature weightlifting gear for its commercialization in Japan. He further researched into the topic while visiting Vienna in 1933 the as part of his work in the COI, leading to introduction of powerlifting to the Japanese Ministry of Education. His activities deeply influenced Takemaru Wakaki, considered the pioneer of Japanese bodybuilding, who also trained judoka like Masahiko Kimura and karateka like Mas Oyama.
In May 1922, thanks to his influence in the Ministry of Education, Kanà  authorized a karate exhibition by pioneer and Shotokan founder Gichin Funakoshi, marking the beginning of the expansion of karate in Japan. In June of the same year, he invited Funakoshi to demonstrate karate at the Kodokan, which preceded much collaboration between the two. Kanà Â's martial philosophy went to influence several other karate masters, like Chà Âjun Miyagi and Kenwa Mabuni, founders of the Goju-ryu and Shità Â-ryà « schools respectively. He met them upon visiting Okinawa in 1927 to survey the local karate expertise, after which he urged them to move to Tokyo and share their teachings.
Kanà  was a member of the , one of the two groups that emerged after the Russo-Japanese War from the , a group that sought to replace written Japanese with a romanized script instead of kanji and kana. The Rà Âmaji Hirome-kai supported Hepburn romanization, while the other group, the , supported Nihon-shiki romanization. In 1908, Hepburn romanization was revised by Kanà  and others of the Rà Âmaji Hirome-kai, which began calling it the or .
In 1934, Kanà  stopped giving public exhibitions. The reason was his failing health, probably compounded by kidney stones. The British judoka Sarah Mayer wrote "People don't seem to think he will live much longer" to his friends in London. Nevertheless, Kanà  continued attending important Kodokan events such as kagami-biraki (New Years' ceremonies) whenever he could, and he continued participating in Olympics business.
In May 1938, Kanà  died at sea, during a voyage that he made as member of the IOC on board the NYK Line motor ship Hikawa Maru. Because the Japanese merchant fleet of the 1930s used Tokyo time wherever it was in the world, the Japanese date of death was 4 May 1938 at about 5:33 am JST, whereas the international date of death was 3 May 1938 at 20:33 UTC. The cause of death was officially listed as pneumonia but other sources list food poisoning as the cause of death. During the 1990s, there appeared allegations that Kanà  was murdered by poisoning rather than dying of pneumonia. Although there is no known contemporary documentation to support this claim, Kanà Â's opposition to Japanese militarism was well-known, and many others who also opposed it were allegedly assassinated.
Judo did not die with Kanà Â. Instead, during the 1950s, judo clubs sprang up throughout the world, and in 1964, judo was introduced as an Olympic sport when Tokyo eventually hosted the 1964 Summer Olympics, and was reintroduced for good at the 1972 Summer Olympics. The women's judo events were first introduced at the 1992 Summer Olympics. Kanà Â's posthumous reputation was therefore assured. Nonetheless, his true legacy was his idealism. As Kanà  said in a speech given in 1934, "Nothing under the sun is greater than education. By educating one person and sending him into the society of his generation, we make a contribution extending a hundred generations to come."
Kanà  has also been compared to the 9th Marquess of Queensberry in the way his legacy left a whole new set of rules: