Kà «sankà « () is a kata of karate and is practiced mainly in the Shuri-te lineage. It is also called Kà «shankà « (), Kà Âshà Âkun () or Kankà « ().
Variations of Kà «sankà « include Dai and Shà Â, which have been known since the early 20th century, but today differ from school-to-school. Additionally variations exist, such as Chatan Yara Kà «shankà «. There is a theory that Kà «sankà « originated with Kà Âshà Âkun (Okinawan dialect: Kà «sankà «), who visited Okinawa during the Ryukyu Kingdom in the mid-18th century, but no primary historical evidence has been found to substantiate this theory.
In Shotokan, the kata has been known as Kankà « (観空, ) ever since it was renamed in 1935 by Funakoshi Gichin. This kata is also practiced in Tang Soo Do as Kong Sang Koon (ê³µìÂÂêµ°) in Korean according to the hangul rendering of the hanja . Most schools of Tang Soo Do only practice the "Dai" version but a handful do practice both the latter and "Shà Â" versions.
Kà «sankà « is a cornerstone of many styles of karate. It is characterized by the use of flowing techniques that resemble those found in White Crane Kung Fu. It also has a wide variety of open-handed techniques. In Matsubayashi-ryu karate, the kata is known for its flying kick and its "cheating" stance, which robs the opponent of opportunities to attack by extending one leg along the ground and squatting as low as possible on the other (ura-gamae). One possible bunkai for this technique allows the practitioner to escape a bear hug from behind by twisting and dropping out of their grasp. The hand techniques that accompany the stance block the head, while allowing for a strike to the groin, knee, or foot. Because of the complexity of its techniques, Kà «sankà « is the highest ranking and most complex kata in Matsubayashi-ryà «, and is said to take more than ten years to master.
In Shotokan, Kankà «-dai consists of 65 movements executed in about 90 seconds. It is a major form of the kata; its equivalent minor form is called Kankà «-shà Â. Kankà «-dai was one of Gichin Funakoshi's favorite kata and is a representative kata of the Shà Âtà Âkan system. The embusen (path of movement) of Kankà «-shà  is similar to that of Kankà «-dai, but it begins differently. It is a compulsory Shà Âtà Âkan kata and of high technical merit. As a result of Anko Itosu's efforts, the Heian kata contain sequences taken from Kankà «-dai.