KÃÂnhapÃÂ, Kanha or Kanhapada or Krishnacharya ( c 10th century AD) was one of the main poets of Charyapada, the earliest known example of Assamese, Bengali, Maithili, Bhojpuri, and Odia literature. He was a tantric Buddhist and a disciplle of Jalandhar.Page21 Kanhapada is also a prominent siddhacharya to Nath Sampradaya after Matsyendranatha and Gorakhnath. His poems in Charjyapad are written in a code, whereby every poem has a descriptive or narrative surface meaning but also encodes tantric Buddhist teachings. Some experts believe this was to conceal sacred knowledge from the uninitiated.
In one of his poems, Kanhupa wrote:
The language of Kanhupa's poetry bears a very strong resemblance to modern Bangla and Odia. For example,
Padama (Padma:Lotus), Chausatthi (64), Pakhudi (petals) Tahin (there, in that), Charhi (climb/rise), nachai (dances), Dombi (a Bengali or Odia woman belonging to the scheduled caste, Domi/Domni), Bapuri (a Bangla and Odia word for 'poor fellow'; âÂÂà ¦¬à ¦¾à ¦ªà §Âà ¦°, à ¦¬à ¦¾à ¦ªà §Âà ¦¡à ¦¼à ¦¾âÂÂ)
Somewhat modern poetic Bangla would be, âÂÂà ¦Âà ¦Âà ¦¶à § à ¦ªà ¦¦à §Âà ¦®à §Â/à ¦ªà ¦¦à ¦®à § à ¦Âà §Âà ¦·à ¦Âà §Âà ¦Âà ¦¿ à ¦ªà ¦¾à ¦Âà ¦¡à ¦¼à ¦¿/à ¦ªà ¦¾à ¦Âà §Âà ¦¡à ¦¼à ¦¿à ¥¤ à ¦¤à ¦¾à ¦¹à § à ¦Âà ¦¡à ¦¼à ¦¿à ¦¯à ¦¼à ¦¾/à ¦Âà ¦¡à ¦¼à ¦¿ à ¦¨à ¦¾à ¦Âà § à ¦¡à §Âà ¦®à ¦¿ à ¦¬à ¦¾à ¦ªà §Âà ¦¡à ¦¼à ¦¿/à ¦¬à §Âà ¦Âà ¦¾à ¦°à ¦¿à ¥¥âÂÂ
or
The above verse hardly requires any translation to be understood in present-day Bengali or Odia.
Modern poetic Bengali version of it will be âÂÂà ¦¹à §Âà ¦¯à ¦¾à ¦ à ¦²à § à ¦¡à §Âà ¦®à ¦¨à ¦¿/à ¦¡à §Âà ¦®à ¦¿, à ¦¤à §Âà ¦Âà §Â/à ¦¤à §Âà ¦¯à ¦¼ à ¦ªà §Âà ¦Âà ¦Âà ¦¿/à ¦Âà ¦¿à ¦Âà §Âà ¦Âà ¦¾à ¦¸à ¦¿/à ¦¶à §Âà ¦§à ¦¾à ¦ à ¦¸à ¦¦à §Âà ¦Âà ¦¾à ¦¬à §Âà ¥¤ à ¦Âà ¦¸à ¦¿à ¦¸-à ¦¯à ¦¾à ¦¸ à ¦¡à §Âà ¦®à ¦¿/à ¦¡à §Âà ¦®à ¦¨à ¦¿ à ¦Âà ¦¾à ¦¹à ¦¾à ¦°à § à ¦¨à ¦¾à ¦¯à ¦¼/à ¦¨à ¦¾à ¦Âà ¦¯à ¦¼à §ÂâÂÂ.