Julie Paama-Pengelly (born 1964) is a New Zealand tÃÂ moko artist, painter, commentator, and curator.
Paama-Pengelly is of MÃÂori (NgÃÂi Te Rangi, NgÃÂi Tà «whiwhia, NgÃÂi Tauaiti and NgÃÂtii Tapu) descent. She was educated at St Matthew's Collegiate School in Masterton. In 2003, she graduated with a Masters of MÃÂori Visual Arts degree with honours from Massey University, Palmerston North. Prior to that she graduated with a diploma in teaching (1989), and a Master of Philosophy in third-world development (2003) also both from Massey University in Palmerston North. Paama-Pengelly's undergraduate degree was a degree in social sciences (anthropology). She has also studied te reo MÃÂori through Te Ataarangi.
Her early work was in graphic design and advertising, Paama-Pengelly went into teaching and taught art at secondary schools and at tertiary level. During this time in the early 1990s, she began her artistic engagement with tÃÂ moko (traditional MÃÂori tattoo). At this time, it was very unusual for a woman to be involved in this art form. She was inspired to get into tÃÂ moko by Robert Jahnke and Derek Lardelli. She says in an interview about being captured by the power of tÃÂ moko, <nowiki>I witnessed someone getting significant moko. I realised it was a powerful way for our community to claim their pride ... reclaiming positive forms of identity. At the time, I had no idea it was going to become such a popular form of identity.</nowiki>
Paama-Pengelly was the head of faculty between 2004 and 2007 of Te Toi Whakarei, Art and Visual Culture at Te Whare WÃÂnanga o AwanuiÃÂrangi in WhakatÃÂne. Paama-Pengelly has also taught at the Western Institute of Technology, Taranaki and Massey University, Wellington. She established a tattoo studio in Mt Maunganui in 2011 called Art + Body.
Her art practice includes paintings, printmaking, installation, and tÃÂ moko. She has authored books on MÃÂori art, curated art exhibitions and contributed to critical discourse on MÃÂori art. Her work has helped lead to a revival of indigenous tattoos in both New Zealand, but also worldwide.
Writer Awhina Tamapara says of Paama-Pengelly's practice: "Exploring how MÃÂori are portrayed by others (as opposed to how they portray themselves) is a predominant concern of her work. Her paintings are paradoxical â a direct response to the stereotypical, negative images of MÃÂori. In her 'Broke' series, she has explored how MÃÂori are portrayed commercially."
In 2022, Paama-Pengelly was Trust chairperson for Te Tuhi Mareikura Trust.
Paama-Pengelly is of MÃÂori (NgÃÂi Te Rangi, NgÃÂi Tà «whiwhia, NgÃÂi Tauaiti and NgÃÂti Tapu) descent.