Jovan Despotović

Jovan Despotović (; born 16 April 1952) is a Serbian art historian and art critic who lives in Belgrade.

Biography

Jovan Despotović was educated in The University of Belgrade, (Academic Degree in Art History 1976), SFR Yugoslavia, today Republic of Serbia.

From 2001 to 2004, Despotović was the Deputy Minister of Culture for the Republic of Serbia. He was also director for the protection of cultural heritage at the Coordination Center for Kosovo and Metohija. 2004–2014, he has been editor of the Cultural and Information Desk at Third Programme of Radio Belgrade and Radio-Television Serbia. 2014-2015 Despotović was Director of The Museum of Contemporary Art in Belgrade. Since 2015 he is Editor in Chef of Documentary program on Serbian Broadcasting Corporation. Since 2017. he is in pension.

Despotović was the Yugoslav Commissioner at the 7th International Small Sculpture Exhibition in Budapest, 1987, and the 22nd Biennale in São Paulo in 1994.

Area of interest

Despotović has published over 2,000 articles, critical reviews, and essays and is the founder and editor of numerous journals: Sveske (edition Association of Art Historians of Serbia), Vreme umetnosti (special supplement of the Vreme weekly), Treći program (edition Radio Belgrade), Moment. His work has been translated into French, English, German, Finnish, Norwegian, Swedish, Greek, Italian, Spanish, Portuguese, Slovenian, Macedonian and Albanian.

New Now – New Wave

Published art criticism and articles since 1978. At the beginning of the 1980s, together with a group of young Serbian artists in Belgrade: Milovan Destil Marković, Vlasta Vulcano Mikic, Tahir Lusic, Nada Alavanja, Tafil Musović, Mrdjan Bajic, Slobodan Trajkovic etc., as an art critic, Despotović participated in the creation and development of New Wave in art and culture which opposed to traditional creativity in all areas – from visual arts to rock music, from theater to fashion and others. With numerous writings and art exhibitions Despotović contributed to this movement known as a New Image Painting (Nova Slika) to become very known in Serbia, former Yugoslavia and abroad.

Cultural policy

Despotović is interested in cultural policy, an active movement for political change and changes in arts and culture. The effort to establish a new, democratic order in the 1990s brought together many intellectuals, artists, NGOs, etc. For his contributions, Despotović was named Deputy Minister in the Ministry of Culture during Zoran Đinđić's term as prime minister. He has been involved in the protection of Serbia's cultural heritage, especially in Kosovo following the arrival of the United Nations Interim Administration Mission in Kosovo.

Books and monographs (selection)

General Sources

• New Now, (Galerija “Pinki”, Zemun, 1982)
• Umetnost osamdesetih, Art of the Eighties (as co-author, Muzej savremene umetnosti, Beograd, 1983, p.p. 10–12)
• Vera Božičković Popović (Umetnički paviljon “Cvijeta Zuzorić”, Beograd, 1984)
• Svetomir Arsić-Basara (Umetnički paviljon “Cvijeta Zuzorić”, Beograd, 1984–1985)
• Sava Å umanović (Jugoslovenska galerija umetničkih dela, Beograd, 1986)
• Darija Kačić, Dubravka Duba Sambolec, Aneta Svetieva (7th International Small Sculpture Exhibition of Budapest, Budapest, 1987, p.p. 138–139)
• Slika i informacija 1945–1989, Srpska fotografija 1839–1989 (Picture and information 1945–1989, Serbian photography 1839–1989, as co-author, Galerija SANU, Beograd, 1991, p.p. 122–126)
• Mića Popović – Drawings, 1941–1988 (as editor, “Mrlješ”, Beograd, 1994)
• Zdravko Joksimovic (22nd Biennale of São Paulo, São Paulo, 1994, p.p. 291–292)
• Rezime, Summary (Muzej savremene umetnosti, Beograd, 1995–1996)
• Dragoslav Djordjević (as editor, “Clio”, Beograd, 1996)
• A Saudade de Anica Vučetić (Museu de Arte Contemporanea da Universidade de São Paulo, São Paulo, 1995–1996)
• Sreten Stojanović (Jugoslovenska galerija umetničkih dela, Beograd, 1998)
• Umetnost i angažovanost devedesetih, Art and the involvement of the nineties (20 memorijal 'Nadežde Petrović', Umetnička galerija 'Nadežda Petrović', Čačak, 1998)
• Restoration of art, reconstruction criticism: criticism of art of the eighties (as co-author, The art at the end of the century I, “Clio”, Beograd, 1998, p.p. 117–139, 316–329)
• Vida Jocić – Apel za mir, Vida Jocic – Appeal for Peace (Centar za kulturnu dekontaminaciju, Beograd, 1999)
• Aktiver Widerstand, Zentrum für Kulturelle Dekontamination, Čedomir Vasiċ (as co-author,Dossier Serbien, Akademie der Künste, Berlin, 2000, p.p. 16–19, 32–34, 60)
• En fin (Galerie de l'UNESCO, Paris, 2000)
• Aktiver Widerstand, Zentrum für Kulturelle Dekontamination, Čedomir Vasiċ (as co-author, Dossier Serbien, Akademie der bildenden Künste, Wien, 2001, p.p. 16–19, 32–34, 60)
• Regionalno univerzalno, Regional univerzal (as co-author, Galerija savremene umetnosti, Pančevo, 2002, p.p. 49–74)
• Da Fattori a Morandi e La vie mediterranee dell'icona cristiana (preface, Narodni muzej, Beograd, 2001, La Collezione Grieco, Pinacoteca Provinciale, Bari, 2002, p. 7)
• Živko Grozdanić Gera, (as co-author, Umetnička galerija “Nadežda Petrović”, Čačak, Centar za savremenu kulturu Konkordija, VrÅ¡ac, Greelery Square Gallery, New York City, 2002, p.p. 50–53)
• Svetomir Arsić Basara, Or a foreword inevitably intended as an epilogue (preface, Srpska akademija nauka i umetnosti, Beograd, Narodna i univerzitetska biblioteka 'Ivo Andrić', PriÅ¡tina, 2004, p.p. 06-09)
• Old Now (Kulturni centar Beograda, Beograd, 2004)
• Čedomir Vasić, Red data Book (Umetnička galerija “Nadežda Petrović”, Čačak, 2004)
• Led art 1993–2003 – Documents (as co-author, Multimedijalni centar LED ART, Novi Sad, 2004, p.p. 19, 20, 169–172, 195–198, 240, 241)
• Nagrada za umetnost 'Mića Popović, Award for art Mića Popović (as co-author, 10 godina Galerije Haos, Umetnički paviljon “Cvijeta Zuzorić”, Beograd, 2005, p.p. 53–60)
• Nova slika, New Image Painting (“Clio”, Beograd, 2006)
• Za bolji put Srbije, For a better way of Serbia (as co-author, Demokratska stranka, Centar resornih odbora, Beograd, 2006, p.p. 414–415, 671–674)
• Madlena, (as co-author, Zepter internacional, Milan, Paris, 2006)
• Slobodan Trajković, Metamorfoze, Slobodan Trajkovic, Metamorphosis (Prodajna galerija “Beograd”, Beograd, 2007)
• Evgenija Demnievska, Discours sur les utopies du modernisme (Umetnički paviljon “Cvijeta Zuzorić”, Beograd, 2007)
• NebojÅ¡a Mitrić (as co-author, Spomen zbirka Pavla Beljanskog, Novi Sad, 2007, p. 117)
• Vojin Stojić, život i delo, Vojin Stojić, life and work (as co-author, “Apostrof”, Beograd, 2007, p.p. 45–50)
• Nežno i čvrsto, Gently and firmly (Galerija Zvono, Beograd, 2008)
• Milovan Destil Marković, DeStil Marković and the 'New Image' of the Eighties (as co-author, Umetnička galerija “Nadežda Petrović”, Čačak, 2008, p.p. 49–55)
• Živko Grozdanić Gera, 'Meteorska kiÅ¡a, Meteor Rain (as co-author, Simptomi singularizacije, Symptoms of singularisation, Biro za kulturu i komunikaciju, VrÅ¡ac, 2008, p.p. 46–47)
• Od 'džakova oraja' do održivosti javne umetnosti, From 'sacks of walnuts' to sustainability of public art (as co-author, Skulptura u urbanom prostoru, Sculpture in urban space, “Visart”, Novi Sad, 2008, p.p. 40–51)
• Živojin Turinski – Works 1958–1967 (Kulturni centar Beograda, Beograd, 2009)
• Umesto pogovora, Dosije Srbija – aktivizam devedesetih, Instead of the afterword, Dossier Serbia – activism of the nineties, (afterword Serbian edition in Collectivism after modernism, “University of Minnesota Press”, Minneapolis, 2007, , “Clio”, Beograd, 2010, p.p. 355–375)
• Pažnja kritika, 50 godina Oktobarskog salona, Attention to criticism, 50 years of October Salon (Kulturni centar Beograda, Beograd, 2009, p.p. 334–336, 436–438, 438–440)
• Ljubomir Erić, Kolekcija crteža, Art Collection (“Arhipelag”, Beograd, 2010)
• Milena Jeftić Ničeva Kostić (ULUS, Beograd, 2010)
• Pohvala stilu, Madlena, Decenije, Praise style, Madlena, Decades (as co-author, Zepter Book Word, Beograd, 2010, pp. 75–79)
• Džafo, (as co-author, Muzej savremene likovne umetnosti Vojvodine, Novi Sad, 2011)
• Above and Below, (preface, Slobodanka Stupar, Subjectil is Subjectil, Prodajna galerija “Beograd”, Belgrade, 2011)
• Josif, (Josif Vidojković, “Intelekta”, Valjevo, 2011)
• Nune and Magnet, (“Museum of Contemporary Art of Vojvodina”, Novi Sad, 2011)
• Slobodanka Stupar, (“Sales Gallery 'Belgrade'”, Belgrade, 2013),
• Odložba nije izložena (koautor), Kritičari su izabrali – Mrđan Bajić, Tahir LuÅ¡ić, De Stil Marković, str.162-164; Kritičari na delu, str. 215–219; Kulturni centar Beograda, Beograd, The postponement was not presented (as co-author), Critics chose - Mrđan Bajić, Tahir LuÅ¡ić, De Stil Marković, pp. 162–164; Critics in Action, pp. 215–219; Belgrade Cultural Center, Belgrade, 2019 (())

Bibliography (selection)

General Sources

Art

• Sintetički pejsaži, Synthetic Landscapes (Sveske, no. 11–12, DruÅ¡tvo istoričara umetnosti Srbije, Beograd, 1981, p.p 67–70)
• Otvorena umetnost, Open art (Politika Ekspres, Beograd, August 3, 1982, p. 8)
• Žestoki potezi bojom, Furious paint strokes (Književne novine, Beograd, September 9, 1982 p. 28)
• Beogradsko novo slikarstvo, Belgrade new painting (Pitanja, no. 1 Zagreb, January 1983, p.p 40–43)
• O dva posebna aspekta Postmodernizma, On two aspects of Postmodernism (Treći program, Radio Beograd, Beograd, August 25, 1983)
• Od tradicionalnog do Postmodernog, From Traditional to Postmodernism (Fotokino revija, no. 10, Beograd, October 1983, p.p. 11–12)
• Aux maniere fin de siècle (Treći program, Radio Beograd, Beograd, February 16, 1984)
• Umetnost osamdesetih: postmoderna u znaku osporavanja i/ili afirmacije, Art in eighties: postmodern challenges to the sign and/or affirmation (Treći program, Radio Beograd, Beograd, August 16, 1984)
• Slobodan Trajković, Å irenje saznanja o jugoslovenskoj kulturi, Slobodan Trajkovic, Spreading knowledge of Yugoslav culture (Pregled), no. 226, Beograd, 1984, p.p. 88–92)
• Izmedju umetnosti i kiča, Between art and kitsch (Jedinstvo, PriÅ¡tina, May 16, 1985, p. 9)
• Beograd osamdesetih – Pigmalionova maska ili Edipovo karakter, Belgrade eighties – Pygmalion mask or character of Oedipus (Moment, no. 3–4, Beograd, 1985–1986, p.p. 13–16)
• Policentrične mutecije – novosti i ponavljanja, Polycentric mutations – News and repetition (Moment, no. 6–7, Beograd, 1986, p.p. 28–31)
• Bez nazova: geometrija, No name: Geometry (Moment, no. 6–7, Beograd, 1986, p.p. 76–77)
• Vladimir Veličković (Umetnost 86, no. 68–69, new series 1–2, Beograd, 1987, p.p. 4–5)
• Fotografija i savremena umetnost, (pogled iz osamdesetih), Photography and contemporary art, (A view from the eighties) (Braničevo, no. 5, Požarevac, 1987, p.p. 72–74)
• Verbumprogram AG, (Moment, no. 10, Beograd, 1988, p.p. 91–92)
• Skulptura identiteta: Jedan primer – Mrdjan Bajić, Sculpture of identity: An example – Mrdjan Bajic (Moment, no. 13, Beograd, 1989, p.p. 23–24)
• Mladi beogradski skulptori, Young Belgrade sculptors (Moment, no. 18, Beograd, 1990, p. 91)
• Materialità – Geometry field (Moment, no. 21, Beograd, 1991, p. 92)
• Forma occidit (Moment, no. 22, Beograd, 1991, p. 89)
• Istočna paradigma u Beogradu, Eastern paradigm in Belgrade (Kulture istoka, no. 28, Beograd, April–July 1991, p. 75)
• Nacionalna tema u savremenom srpskom slikarstvu – Uvod, National issue in contemporary Serbian painting – Introduction (Projeka(r), no. 3, Novi Sad, July 1994, p.p. 46–49)
• Na iskustvima memorije, Experiences of Memory (Politika, Beograd, June 10, 1995, p. 15)
• Pametni mediji, Smart Media (Politika, Beograd, November 25, 1995, p. 15)
• Od mekog pisam do stroge misli, From soft letters to rigid thinking (Treći program, no. 107–108, Radio Beograd, Beograd, 1996, p.p. 47–60)
• Postmoderni dijalog, Postmodern dialogue (Treći program, Radio Beograd, August 9, Beograd, 1996)
• Pozni modernizam, Late modernism (KoÅ¡ava, no. 34–35, VrÅ¡ac, December 1997 p.p. 63–64)
• Marina Abramović, „Fin de siecle“ – Balkan variant (NaÅ¡a borba, Beograd, December 6 to 7, 1997, p. 17)
• Quadrifolium criticus (Danas, Beograd, December 5 to 6, 1998, p. 10)
• Prostorni narativi, Spatial Narratives (Jedinstvo, PriÅ¡tina, December 14, 1998)
• Jezik novo stvaralaÅ¡tva, Language of New Creativity (Jedinstvo, PriÅ¡tina, December 24 to 25, 1998, p. 11)
• Art Advertising (Danas, Beograd, January 19, 1999, p. 11)
• Virtual crossover, (Republika, no. 226, Beograd, December 1 to 15, 1999, p. 16)
• Glasovi novog veka, Voices of the New Century (Književne novine, no. 7, war issue, Beograd, June 4, 1999, p. 11)
• Sedam teza o novoj srpskoj skulpturi, Seven theses of recent Serbian sculpture (Treći program, Radio Beograd, March 17, Beograd, 2000)
• Strastvena pažnja kritičara, Passionate critical attention (Treći program, no. 111, Radio Beograd, Beograd, 2001, p.p. 29–38)
• Mirko Ilić (Treći program, Radio Beograd, March 11, Beograd, 2005)
• Neomodernističke utopije, Neo-modernist utopia (Politika, Beograd, April 9, 2005, p. 13)
• O normalnosti – umetnost u Srbiji 1989–2001, On Normality – Art in Serbia 1989–2001 (Treći program, Radio Beograd, January 24, Beograd, 2006)
• Bernar DeloÅ¡: ’Virtuelni muzej’, Bernard Deloche, Le musée virtuel (Treći program, Radio Beograd, July 25, Beograd, 2006)
• Vreme imaginarnih muzeja, Time of Imaginary Museum (Politika, Beograd, November 23, 2006, p. 11)
• Rasap umetnosti, rasap kritike: Kritika umetnosti devedesetih, Teze za tekst,, Dissolution of Art, Dissolution of Criticism: Art Criticism in the Nineties, Guidelines for a text (Anomalia, no. 2, Novi Sad, 2007, p.p. 137–142)
• Umetnost dezorijentacije, Arts of disorientation (Politika, Beograd, May 5, 2007, p. 07)
• Slikarstvo surovosti, Painting of brutality (Politika, Beograd, April 30, 2007, p.p. 1–2)
• Ideja projekta i posmoderna paradigma, The idea of the project and Postmodern paradigm (Treći program, Radio Beograd, no. 133–134, Beograd, 2007, p.p. 415–421)
• Dimenzioni radovi, Dimensional Works (Treći program, Radio Beograd, June 13, Beograd, 2008)
• De Stil Marković i Novo slikarstvo osamdesetih I-III, De Stil Marković and New Image Painting of Eighties I-III (Treći program, Radio Beograd, Beograd, July 16 to 18, 2008)
• Tumačenje enformela, Branko Protić, dela 1956–1966, Interpretation of informel, Branko Protić, works 1956–1966 (Treći program, no. 137–138, Radio Beograd, Beograd, 2008, p.p. 440–444)
• Andre Gob and Noemi Druge, Museology (Treći program, Radio Beograd, Beograd, April 15, 2009)
• Originalno kao neostvareni cilj umetnosti, Originally as an unfulfilled goal of art (Treći program, no. 139–140, Radio Beograd, Beograd, 2009, pp. 191–199)
• Muzejska institucija, Museum institution (Treći program, no. 141–142, Radio Beograd, Beograd, 2010, p.p. 517–522)
• Četiri muzejska predmeta, Four museum objects (Treći program, Radio Beograd, Beograd, December 13, 2010)

Cultural policy

• Umetnost – politika – ideologija, Art – politics – ideology (Moment, no. 18, Beograd, 1990, p. 55–57)
• Evropski govoriti, European speaking (Vreme umetnosti, no. 1, September Beograd, 1994, p. 1)
• Muzej Savremene umetnosti u raljam levog i desnog totalitarizma, Kultura vlasti, Index smena i zabrana I, Museum of Contemporary Art in the arms of left and right totalitarianism, The culture of government, and prohibition of dismissal, Index I (Radio B92, Beograd, 1994, p.p. 43–47)
• Ratna muzeologija, War museology (Vreme umetnosti, no. 6, Beograd, February 1995, p. 1)
• Kultura jeste pobuna, Culture is a rebellion (Demokratija, Beograd, January 5, 1997, p. 9)
• Beograd: barikade za bodočnost (Razgledi, Ljubljana, February 5, 1997 p.p. 10–11)
• Rasulo u Muzeju savremene umetnosti, Chaos at the Museum of Contemporary Art (Demokratija, Beograd, February 5, 1997, p. 8)
• Opozorila novi mestni oblasti (Delo, Ljubljana, March 28, 1997)
• Umetnost i angažovanost, Art and commitment (Republika, no. 181, Beograd, February 1–15, 1997, p. 13)
• Arti i rezistenës (Zeri, PriÅ¡tina, June 14, 1997, p. 26)
• Gjurmë (M, no. 6-7, PriÅ¡tina, 1997, p.p. 395–401)
• Umetnost Druge Srbije, Art of the Second Serbia (Razgledi-Delo, Ljubljana, March 3, 1998, p. 21)
• Kelneri i sobarice Njihovog režima, Waiters and chambermaids of Their regime (NaÅ¡a borba, August 12, Beograde, 1998, p. 7)
• Kulturno strančarenje, Cultural factions (Republika, no. 197, September 16–30, Beograd, 1998, p.p. 24–25)
• Off-artistic scene (Danas, Beograd, September 18, 1999, p. 13)
• Individualna kultura protesta, Individual culture of protest (Prava čoveka, Leskovac, November 9, 1999, p. 15)
• Proti državi kiča (Delo, Ljubljana, December 1, 1999, p. 9)
• Sistematski organizovana nebriga, Systematically organized neglect (Danas, Beograd, April 7, 2000, p. 6)
• Sudjenje umetničkim slobodama, The trial of artistic freedom (Republika, no. 236-237, Beograd, May 1–31, 2000, p. 18)
• Umetnost u raljama dnevne politike, Art in the jaws of daily politics (Republika, no. 245, Beograd, September 16–30, 2000, p. 24)
• Kulturna Yu alternativa – represija i izazovi, Cultural YU alternative – Repression and Challenges (Identitet, no.45, Zagreb, October 2000, p. 39)
• Dosije Srbija, Dossie Serbia (Treći program, Radio Beograd, November 28, Beograd, 2000)
• Kulturna politika i kulturna strategija, Cultural Policy and Cultural Strategy (Republika, no. 250, December 1–15, Beograd, 2000, p.p. 9–10)
• Merenje realnosti devedesetih, Measuring the reality of the nineties (Politika, January 13, Beograd, 2001, p. 5)
• BaÅ¡tina kao obaveza nacionalne politike, Heritage as a national policy commitments (Politika, April 21, Beograd, 2001, p. 5)
• Neka pitanja (nove) kulturne politike, Some questions of (new) cultural policy (Moment, new series, no. 1, Pančevo, January 2003, p.p. 2–3)
• Odbrana napadnute umetnosti, The defense of attacked Arts (Treći program, no. 121-122, Radio Beograd, Beograd, 2004, p.p. 31–35)
• Predvodnik revolucionarnih obrata, Leader of the revolutionary reversal (Treći program, no. 123-124, Radio Beograd, Beograd, 2004, p.p. 225–230)
• ZaÅ¡tita kulturne baÅ¡tine na Kosovu i Metohiji, Protection of cultural heritage on Kosovo and Metoh (Treći program, no. 125-126, Radio Beograd, Beograd, 2005, p.p. 427–441)
• Kulturna politika i tranzicija I-VIII, Cultural policy and the transition I-VIII (Treći program, Radio Beograd, Beograd, 2005–2006)
• Očuvanje kulturne baÅ¡tine, Preservation of cultural heritage (Leskovački zbornik, XLVII, Leskovac, May 2007, p.p. 19–28)
• ZaÅ¡tita nezaÅ¡tićenog, Privacy unprotected (Evropa, Beograd, September 27, 2007, p.p. 42–45)
• Evropski govoriti (drugi put), European speaking (second time) (Evropa, Beograd, November 1, 2007, p.p. 24–25)
• Slika politike – kulturno-politička hronika devedesetih, Image of politics – a cultural-political chronicle of the nineties (Treći Program, Radio Beograd, Beograd, September 12, 2009)

International art

• Tatljinov spomenik Trećoj internacionali, Tatlin's The Monument to the Third International (Tatlin's Tower) (3+4, Beograd, 1978, p.p. 26–31)
• Ideja i praksa ruskog konstruktivizma, The idea and practice of Russian Constructivism (Abstract Art (Delo, Beograd, June to July 1979, pp. 114–132)
• Étienne-Jules Marey Fotografija pokreta, Pictures of Movement (Student, Beograd, March 30, 1983, p. 14)
• Giulio Carlo Argan: Studije o modernoj umetnosti, Studies on modern art (Treći program), Radio Beograd, Beograd, April 19, 1983)
• Bill Brandt, Fotografije, Photos (Treći program, Radio Beograd, Beograd, Jule 6, 1983)
• Majstori svetskog slikarstva iz kolekcije dr Armana Hamera, Masters of world painting from the collection of Dr. Armand Hammer (Treći program, Radio Beograd, Beograd, October 27, 1983)
• William Klein (Moment, no. 1, Beograd, 1984, p. 62)
• Emilio Vedova (Moment, no. 1, Beograd, 1984, p.p. 55–56)
• Hans Hartung (Treći program, Radio Beograd, Beograd, January 1, 1984)
• Max Beckmann (Treći program, Radio Beograd, Beograd, November 1984)
• Renato Guttuso (Treći program, Radio Beograd, Beograd, November 1984)
• Ivan MeÅ¡trović, sculptures 1898–1918 (Sveske, no. 16, DruÅ¡tvo istoričara umetnosti Srbije, Beograd, 1985, p.p. 138–139)
• Man Ray (Treći program, Radio Beograd, Beograd, March 1985)
• Jan Dibbets (Treći program, Radio Beograd, Beograd, May 1985)
• Georges Braque (Treći program, Radio Beograd, Beograd, May 1985)
• August Sander (Fotokino revija, no. 11-12, Beograd, 1985, p.p. 12–13)
• Max Beckmann, graphics 1911–1946 (Sveske, no. 16, DruÅ¡tvo istoričara umetnosti Srbije, Beograd, 1985, p. 130)
• Renato Guttuso, graphics (Sveske, no. 16, DruÅ¡tvo istoričara umetnosti Srbije, Beograd, 1985, p. 131)
• Man Ray – Fotografije nove vizije vremena, Photos of a new vision of time (Moment, no. 5, Beograd, 1986, p. 15–16)
• Julio González (Moment, no. 5, Beograd, 1986, p.p. 49–50)
• Georg Baselitz (Moment, no. 6-7, Beograd, 1986, p.p. 34–35)
• Danski umetnici grupe COBRA, Danish artists from group COBRA (Sveske, no. 18, DruÅ¡tvo istoričara umetnosti Srbije, Beograd, 1987, p. 151)
• Max Bill (Moment, no. 8, Beograd, 1987, p.p. 60–61)
• Himna finskom graditeljstvu, Anthem Finnish architecture (Jedinstvo, PriÅ¡tina, April 21, 1987, p. 9)
• Robert Mapplethorpe (Moment, no. 9, Beograd, 1988, p. 30)
• Hans Hartung (Umetnost 87, no. 70-71-72, new series 3-4-5, Beograd, 1988, p.p. 32–33)
• Vizuelni poziv Barija Flanagana, Visual call of Barry Flanagan (Moment, no. 10, Beograd, 1988, p.p. 42–43)
• Dan Reisinger: Spisi o vatri, Writings on fire (Treći program, Radio Beograd, Beograd, January 1989)
• Tatljinov Spomenik i nova umetnost, Tatlin's Tower and the new art (Treći program, Radio Beograd, Beograd, April 1989)
• Christian Attersee (Moment, no. 17, Beograd, 1990, p.p. 38–40)
• Le Corbusier (Treći program, Radio Beograd, Beograd, October 1990)
• Urbane predstave Kita Heringa, Urban mages of Keith Haring (Vreme, Beograd, July 4, 1994, p. 47)
• Nemačka propagandna fotografija 1925–1988, Germany advertising photogrfaphy 1925–1988 (Treći program, Radio Beograd, Beograd, May 1995)
• Otvoreno delo Marsela DiÅ¡ana, Open Work of Marcel Duchamp (Borba, Beograd, July 113-14, 1996, p. 23)
• Manifesta I (Treći program, Radio Beograd, Beograd, September 2, 1996)
• Advertising (Danas, Beograd, January 19, 1999, p. 11)
• Novi Muzej savremene umetnosti u Njujorku, The new Museum of Modern Art in New York City (NaÅ¡a borba, Beograd, 1998)
• Stedelijk Museum (Treći program, Radio Beograd, December 12, Beograd, 2004)
• Dan Reisinger (Treći program, Radio Beograd, September 9, Beograd, 2005)
• Christian Attersee (Treći program, Radio Beograd, Beograd, June 30, 2006)
• Giulio Carlo Argan, Achille Bonito Oliva: 'Moderna umetnost 1770-1970-2000, Modern art 1770-1970-2000 (Treći program, Radio Beograd, Beograd, September 1, 2006)
• Dezorijetacija – mladi britanski umetnici I-III, Disorientation – Young British Artists I-III (Treći program, Radio Beograd, Beograd, September 29 to October 31, 2009)