Joseph Johann Baptist Woelfl (surname sometimes written in the German form Wölfl; 24 December 1773 â 21 May 1812) was an Austrian pianist and composer of the late Classical period.
Woelfl was born in Salzburg, where he studied music under Leopold Mozart and Michael Haydn.
He first appeared in public as a soloist on the violin at the age of seven. Moving to Vienna in 1790 he visited Wolfgang Amadeus Mozart and may have taken lessons from him. His first opera, Der Höllenberg, appeared there in 1795.
Woelfl was over 6 feet tall, with an enormous finger span (his hand could span a thirteenth, according to his contemporary Václav TomÃ¡à ¡ek); to his wide grasp of the keyboard he owed a facility of execution which he turned to good account, especially in his improvised performances. Like the virtuoso violinist Paganini, he probably had Marfan syndrome, which is associated with these physical characteristics.
Although he dedicated his 1798 sonatas Op. 6 to Beethoven, the two were rivals. Beethoven bested Woelfl in a piano 'duel' at the house of Baron Raimund Wetzlar in 1799, after which Woelfl's local popularity waned. However, Beethoven deeply admired his music following the duel. After spending 1801 to 1805 in Paris, Woelfl moved to London, where his first concert performance was on 27 May 1805. On 12 March 1806 he published Six English Songs which he dedicated to the English soprano Jane Bianchi.
In England, he enjoyed commercial if not critical success. In 1808 he published his Sonata, Op. 41, which he entitled "Non Plus Ultra" on account of its technical difficulty. In reply to the challenge, a sonata by Dussek which was originally entitled "" was reprinted with the title Plus Ultra, with an ironic dedication to Non Plus Ultra. He also completed for publication an unfinished sonata of George Pinto.
Woelfl suffered from tuberculosis, and died of the disease in Great Marylebone Street, London, on 21 May 1812. He is buried in St. Marylebone Churchyard.
His music was championed and performed by Romantic composers like Beethoven, Schubert, Mendelssohn, Chopin and Liszt.
Woelfl's works have long disappeared from the concert repertory. However, in 2003 four selected piano sonatas of his (Op. 25 and Op. 33) were recorded by the pianist Jon Nakamatsu (Harmonia Mundi CD # 907324). (An Adda CD in 1988 contained his three Opus 28 sonatas, played by Laure Colladant, who also recorded the sonatas Opus 6 for Adès in 1993 and the three Opus 33 sonatas for the label Mandala in 1995.)
In 2006, German pianist recorded Woelfl's piano concertos 1, 5 and 6 in addition to the second movement from the piano concerto 4, which was otherwise a re-release of concerto 1. The piano concertos closely resemble the later piano concertos of Mozart, who had revolutionized the genre; they can be distinguished from Mozart's works by the larger range of the piano, which had been extended shortly after Mozart's death. Nataà ¡a Veljkoviàhas since recorded the 2nd and 3rd Piano Concertos and the Concerto da Camera in E-flat major (1810) on CPO.
There are also now recordings of the two symphonies (Pratum Integrum Orchestra, 2008), three string quartets (Quatuor Mosaïques, 2012), and the Grand Duo for cello and piano. Toccata Classics has issued two CDs of the piano music (2017 and 2021). In 2021, Dutch pianist Mattias Spee recorded an album with works by Joseph Woelfl with record label .