Jonathan Gil Harris (born 1963) is a writer, critic, and professor of literature from New Zealand and based in India. He is the writer of non-fiction books of cultural history, The First Firangis: Remarkable Stories of Heroes, Healers, Charlatans, Courtesans, and Other Foreigners Who Became Indian (2015), Masala Shakespeare: How a Firangi Writer Became Indian (2018), and a hybrid memoir about his mother and the Silk Roads, The Girl from Fergana: Secrets of My MotherâÂÂs Chinese Tea Chest (2026). He is a renowned scholar of Shakespeare's drama, its Indian adaptations, early modern globalization and migration. He has been Professor of English at Ashoka University since its inception.
Jonathan Gil Harris studied at the University of Auckland, and completed his DPhil at the University of Sussex. At Sussex, he was part of a group of academics in the United Kingdom interested in interdisciplinary humanities, cultural materialism, and literary theory, taught by Alan Sinfield, Peter Stallybrass, Jonathan Dollimore, Homi Bhabha, Jacqueline Rose, and Geoffrey Bennington. He has since then taught literature, first in the United States at Ithaca College and George Washington University, where he was associate editor of Shakespeare Quarterly from 2006 to 2013, before moving to India, where he teaches at Ashoka University. He was also the founding Dean of Academic Affairs at Ashoka. He was President of The Shakespeare Society of India from 2014 to 2018 and continues to serve on its advisory board.
Jonathan Gil Harris was born in 1963 to Norman Harris and Stella Shulamit Harris (née Freud) in New Zealand. His maternal family is Jewish, and his mother was one of the many Polish Jews deported to Soviet Central Asia in the 1940s. Her time in the Fergana Valley, through which the Silk Roads passed for many centuries, is the centerpiece of Harrisâ 2026 book The Girl from Fergana.
Harrisâ library was featured in the photojournalist Mayank Austen Soofi's city-project The Delhi Walla as having âÂÂarguably the best collection dealing with Shakespeare.âÂÂ
He lives in Delhi, India. His partner is Madhavi Menon, literary critic and professor of literature.
Harris has written extensively on Shakespeare and Renaissance drama, early modern culture, and literary theory. He is especially interested in Renaissance ideas of globalization, the foreign, illness, temporality, and materialism. Since moving to Delhi in 2013, his writing has turned largely to histories of migration in the Indian subcontinent and along the Silk Roads.
While his early books are academic monographs and edited collections, Harris has been writing for a general audience since moving to India, and is a sought-after presence in literary festivals, both on national and global stages. He is also a follower and scholar of Bollywood cinema and has written public-facing articles in The Hindustan Times, The Globalist, and Outlook India.
The First Firangis: Remarkable Stories of Heroes, Healers, Charlatans, Courtesans, and Other Foreigners Who Became Indian is the first of Harris's hybrid crossover books in which cultural history, biography, and literary criticism work alongside autobiography. The First Firangis primarily chronicles the history of Western migration to the subcontinent before colonization and the establishment of Empire, by covering the lives of fourteen âÂÂfirangisâ who were some of the first migrant settlers in India. It features the stories, among others, of Thomas Stephens, Augustin Hiriart, Thomas Coryate, Garcia de Orta and Niccolo Manucci. The book received universal acclaim, is a bestseller, and is in print more than a decade after its publication. Writing in Open, the poet and critic Ranjit Hoskote called the book a âÂÂbrilliant, elegantly argued and richly detailed studyâÂÂ. Mark Tully reviewed the book favorably in Mint writing that âÂÂHarris tells fascinating stories of extraordinary men and women, and their lives lead him to consider what becoming Indian means.â Nandini Das recommends the book in a reading list of pre-colonial histories of India, and especially lauds Harris for âÂÂtackling the problem of recording lives of which the barest traces remain.â The book has been translated into Marathi by Rekha Deshpande.
Harris is currently at work on a sequel, The Last Firangis, which tells the stories of forty foreigners who could have left India after its independence but chose to remain.
In 2016, Harris received, with Madhavi Menon, the Dr Alice Griffin Fellowship of Shakespearean Studies at the University of Auckland, where he worked on his next book, Masala Shakespeare: How a Firangi Writer Became Indian, which was published in 2018. It explains the thematic and structural resonances of Shakespearean plays and Bollywood films. It uses âÂÂmasalaâ â derived from the âÂÂmasala filmâ â as a theoretical idea with which to understand the plurality of both Indian and early modern cultures. Masala Shakespeare was also a bestseller, featured by not only academic and book critics, but also film critics, as it contains many analyses of films that directly and indirectly related to ShakespeareâÂÂs texts. Noted film critic Baradwaj Rangan devoted an episode to the book in his Film Companion Recommends series.
The Girl from Fergana: Secrets from My MotherâÂÂs Chinese Tea Chest, on which he worked for twelve years, was released in 2026. Both a personal memoir and a book of cultural history, it tells the story of his mother, Stella Harris (nee Freud) and her family who were deported from what is now Ukraine to the Fergana Valley during World War II, and the larger history of Jewish migration across the Silk Roads. The book presents a commentary on modes of community and belonging that transcend the nation-state. It was reviewed as a "tender, evocative and poignant" book in The Tribune by Mandira Nayar, who admired the weave of the personal and the historical to "make sense of the complex pluralistic past." Calling it "an elegy for a syncretic world" in The Hindu, Sumana Mukherjee commended the book's urgency and erudition, observing that "Harris uses philology, etymology, sociology, theology, history, literature, and geography to deepen and widen the narrative."