John Paul Hammond (November 13, 1942 â February 28, 2026) was an American blues singer and guitarist whose career spanned six decades. He was the son of record producer John Henry Hammond Jr., and performed as John Hammond and John Hammond Jr.
John Hammond was the oldest son of record producer and talent scout John Henry Hammond and his first wife, actress Jemison McBride. He was a descendant of Cornelius Vanderbilt, the patriarch of the prominent Vanderbilt family, through his paternal grandmother Emily Vanderbilt Sloane Hammond. He was the fourth and last generation of John Hammonds descended from General John Henry Hammond, a Union army officer, John Henry Hammond, a lawyer, and John Henry Hammond, the record producer. He had a brother, Jason, and a stepsister, (Esme) Rosita Sarnoff, the daughter of his father's second wife, Esme O'Brien Sarnoff. His middle name, Paul, was in honor of his godfather and friend of his father, the singer, actor and civil rights activist Paul Robeson. He grew up in the West Village with his mother and only saw his father a few times a year while growing up.
He began playing guitar in high school, partially inspired by the album Jimmy Reed at Carnegie Hall. He attended Antioch College in Yellow Springs, Ohio for a year but dropped out to pursue a career in music. By the mid-1960s he was touring nationally and living in Manhattan's Greenwich Village. He befriended and recorded with many electric blues musicians while in New York, including Jimi Hendrix, Eric Clapton, Levon Helm's New Hawks (later known as The Band), Mike Bloomfield, Dr. John, and Duane Allman.
"I first became aware of blues music when my father brought me to hear Big Bill Broonzy in 1949. I was seven years old, and it made a big impression on me. I remember the music and the man. He was a friend of my father's so I was introduced to him, and he was just this huge guy, with a very gentle spirit and a fantastic guitar player."
"I always gravitated towards blues music for whatever reason. By the time I was in my early teens, I was a blues fanatic. I never thought that I would ever play an instrument or be a professional player but, I mean, I loved the music. When I got a guitar, that was it. Solo is, for me, where the art belongs. If you could pull it off solo, you were really doing it."
"I eventually began to buy records and become aware of this music that was so compelling to me. During the '50s I was a teenager and beginning to form my tastes and blues was at the forefront. I was into artists like Sonny Terry and Brownie McGee and Josh White, Big Bill Broonzy, of course, Leon Bibb and LeadBelly. When rock and roll hit the scene in the mid-'50s I liked artists like Bo Diddly and Chuck Berry, Little Richard, Eddie Cochran, Gene Vincent and the Blue Cats. All of these fantastic players that were, you know, into the music. And it was â for the first time you were hearing black and white artists together and, I don't know, I was just very excited by the music and the way it made me feel."
Hammond sang and played in a passionate barrelhouse style and moved easily between acoustic and electric guitars, primarily playing acoustic guitars, favoring a steel-bodied National Reso-Phonic Guitar that was older than he was. In 1963, he made his debut recording, on Vanguard Records. That album, John Hammond, was one of the first blues albums by a white artist during the folk boom years along with one by Koerner, Ray and Glover both of which were preceded by Dave Van Ronk. Thereafter, he recorded 34 albums.
In July of 1963, he played at the Newport Folk Festival and was featured in the Blues Workshop alongside John Lee Hooker, Mississippi John Hurt, Dave Van Ronk, and Sonny Terry. He returned there in July, 1964 as part of a line up that included Muddy Waters, Skip James, Mississippi John Hurt, Sleepy John Estes, Son House, Reverend Robert Wilkins, and Mississippi Fred McDowell.
He was critically acclaimed especially later in his career and enjoyed modest commercial success along with having a strong and loyal fan base and earning respect from John Lee Hooker, Roosevelt Sykes, Duane Allman, Rory Gallagher, Willy Deville, Robbie Robertson, Mike Bloomfield, and Charlie Musselwhite, among others, all of whom contributed their musical talents to his records.
Hammond was the only person who had both Eric Clapton and Jimi Hendrix in his band at the same time. His longtime booking agent, Mike Kappus, said, about the engagement at The Gaslight Cafe in Greenwich Village in 1968, "When Jimi was performing as Jimi James and was suddenly out of work in New York, John lined up a gig with his band, inviting Jimi to join them. During that week-long gig, Chas Chandler (of Animals fame), caught the show and, impressed, brought Jimi to London where his career was launched. Jimi stopped back to see John after his first U.S. tour (opening for The Monkees) and once again sat in with John. Eric Clapton was also in NYC at that time, having just finished a U.S. tour with Cream and he too sat in for the rest of the gig. So John had both Jimi and Eric in his band that week".
According to Kappus, "John figured prominently with The Band connecting with Bob Dylan after Bob visited one of JohnâÂÂs recording sessions, which included Levon (Helm) and The Hawks backing John. After touring with Dylan they went on to become The Band." after a famed and tumultuous world tour.
In 1970, he created the soundtrack for the film Little Big Man starring Dustin Hoffman which was nominated by the British Academy of Film and Television Arts, (the BAFTAs), for their Award for Best Original Music, formerly known as the Anthony Asquith Award for Film Music. In 1971, two Chuck Berry tunes, Maybelline and No Money Down, tracks from his first two albums, made it onto the soundtrack of the movie Two-Lane Blacktop.
In 1985, he earned a Grammy Award for his performance on the album, Blues Explosion, and was nominated for six more between 1993 and 2006. In the early 1990s, he began recording for the Pointblank Records label. His album,"Got Love If You Want It" with his cover of the Slim Harpo title track was a 1993 Grammy nominee.
Hammond hosted the 1991 Bravo UK television documentary The Search for Robert Johnson, detailing the life of the legendary Delta bluesman. He had a longstanding friendship with songwriter Tom Waits and performed Waits' songs on occasion. In 2001, he released Wicked Grin, an album consisting of Waits' compositions and the traditional spiritual, "I Know I've Been Changed." Waits played guitar and sang backing vocals on the album and was also its producer. In 2001, he was back in the movies with Tom Waits' song "Get Behind the Mule" for the soundtrack of the film, The Last Castle.
In 2003, his album Ready for Love was released which David Hidalgo of Los Lobos produced. That year, the Blues Foundation voted him as the Blues Music Award winner (formerly the W.C. Handy Award) for Best Acoustic Blues Artist, which is among the highest honors a blues artist can get.
His 2009 album, Rough & Tough, was nominated for the Grammy Award for Best Traditional Blues Album in 2010. In 2011, he was the Blues Music Award winner for Acoustic Artist of the Year and was inducted into the Blues Hall of Fame. He was honored with two awards at the Hall of Fame induction and awards ceremony in Memphis, in 2015, for Best Acoustic Blues Album for "Timeless" and for Best Acoustic Blues Artist.
Hammond married his third wife, Marla, in 1993. His first wife, Dana McDevitt, and he were married in 1967. In 1981, Hammond and his second wife, Peggy Spoerri, married.
John Hammond died from cardiac arrest at a hospital in Jersey City, New Jersey, on February 28, 2026, at the age of 83. He is survived by his wife; his son, Paul, from his first marriage; a daughter, Amy, from his second marriage; his brother, Jason and his stepsister, Rosita Sarnoff.