is a naginatajutsu koryà « which claims to have descended from Kashima Shinden Jikishinkage-ryà «. Despite this claim, Jikishinkage-ryà « naginatajutsu does not appear to have any of the original rituals, esoteric teachings, body and weapon movements of Kashima Shinden Jikishinkage-ryà «.
Sometime during the 1860s, Satake Kanryà «sai (ä½Â竹éÂÂæÂ³æÂÂ) and his wife, Satake Shigeo (ä½Â竹èÂÂéÂÂ) developed a new naginata style which eventually came to be known as Jikishinkage-ryà « naginatajutsu. In the Bugei Ryà «ha Daijiten (æÂ¦è¸æµÂ派大äºÂå ¸), the name of this school is also rendered as Jikishin-ryà «-kage-ryà « (ç´å¿ÂæÂ³å½±æµÂ) .
It is usually claimed that Satake Kanryà «sai was an exponent of Kashima Shinden Jikishinkage-ryà « (鹿島ç¥Âå³ç´å¿Âå½±æµÂ) and Yanagikage-ryà « (æÂ³å½±æµÂ). However it is believed by some that Ryà «gà Â-ryà « (æÂ³åÂÂæµÂ) was instead the main influence of Jikishinkage-ryà « naginatajutsu, as Ryà «gà Â-ryà « was famous for using very long shinai (120 - 183 cm in length) as well as attacks to the lower legs, a technique which Jikishinkage-ryà « naginatajutsu itself became famous for. Additionally, the way the naginata is held in Jikishinkage-ryà « naginatajutsu appears to resemble that of a sword rather than a heavy pole weapon.
The school's main curriculum consists of twenty-five naginata kata and ten tantà  kata. In addition, there are five secret naginata gokui-waza (極æÂÂæÂÂ) and four kata forming the reiken-shihà Â-kiri (éÂÂå£åÂÂæÂ¹åÂÂ). Ten kusarigama kata from Chokuyà «shin-ryà « (ç´ç¶å¿ÂæµÂ) are also transmitted together with the naginata kata.
Jikishinkage-ryà « naginatajutsu and Tendà Â-ryà « are the two main classical schools of naginatajutsu which the modern practice atarashii naginata is mainly derived from.