Jerzy Sosnkowski (23 October 1894 â 10 December 1954) was a Polish modernist architect, interior designer and writer.
Jerzy Sosnkowski was born on 23 October 1894 in Warsaw from Zofia (née Drabià Âska) (1858âÂÂ1938) and Józef Bogdan Sosnkowski (1832âÂÂ1896), a wealthy nobleman and owner of several villages.
Gentry traditions and Polish patriotism were deeply honored in the family. Sosnkowski had three sisters and two brothers, in addition to five other half-siblings from his father's first marriage.
He attended the gymnasium on Zà Âota Street in Warsaw. He then went to the private Polish Artur Jeà ¼ewski's School of Commerce (), where he passed his matura in June 1913. With his diploma, he left for Lviv to study architecture at Lviv Polytechnic which his brother Kazimierz was already attending.
There, he was a member of the local Riflemen's Association ().
On 2 October 1914, during the First World War, he enlisted as a corporal in the 1st Uhlan Regiment. He took part in the operations of the Austrian Army on the Russian front in the Lublin region and in Volhynia. In November 1915, he was temporarily released due to serious illness: he stayed in Sandomierz on the estate of his sister Wanda Choà Âocià Âska.
In March 1916, he transferred to Warsaw, in order to resume his studies at the Faculty of Architecture of the Warsaw University of Technology (), under the supervision of architect Czesà Âaw Przybylski. In September 1918, he passed the semi-graduate exam.
After Poland regained independence, Sosnkowski joined the 2nd Rokitnian Chevau-léger regiment as a volunteer, taking part in the winter campaign on the Volhynian front. From June to September 1919, he took a course at the Officer Cadet School in Warsaw and was accordingly promoted to second lieutenant; he was sent posted to the Staff of the Ministry of Military Affairs. He eventually ended his military service in September 1921.
Sosnkowski was rewarded the Cross of Independence on 12 May 1931, for "work in the effort to regain Independence".
In 1934, as an ancient mobilized officer, he was listed in the records of the 3rd Recruitment District Command of Warsaw, a military body responsible in particular for the administration of reserves. As such, Sosnkowski was assigned to the Reserve Officers' District Nr I, with the rank of lieutenant, "intended to be called back in wartime".
In 1917, Sosnkowski co-submitted several stamp designs, in the framework of the competition for the postal marks of the Kingdom of Poland.
Around 1921, together with Franciszek Biske (1895âÂÂ1938), also a student of the Faculty of Architecture at the Warsaw University of Technology, he founded the company "DECOR", which performed all types of works within the scope of applied artistic graphics and interior decoration.
From 1923 to 1931, he was an artistic inspector of the Warsaw City Council.
In Warsaw, Sosnkowski was actively involved in many artistic fields, staying several months for a course at the ÃÂcole des Beaux-Arts in Paris. At the time, he had been already identified by Józef Gawlikowski, a Warsaw Publishing House editor, as (...) "a successful architect, a theatre painter and interior decorator, an illustrator and a draftsman, appreciated in England."
He graduated on 31 June 1929, obtaining a diploma from the Department of Monumental Design, under the supervision of Czesà Âaw Przybylski. Right after (1930), he designed together with Juliusz à »Ã³rawski his first project, the Atlantic movie theater in Warsaw.
In 1927, he was part of the management team dealing with competitions organized at the Warsaw International Exhibition of Cinematographic Art ().
He became also a member of the Association of Polish Architects. Thanks to his brother's connections, Jerzy received military commissions from the Military Quartering Fund () which resulted in the construction of several military residential houses, according to his designs (1929âÂÂ1937). He created as well designs for furniture.
Together with Czesà Âaw Piaskowski, a Polish set designer and decorator, he created the scenography for the movie Rycerze mroku ('), directed by Bruno Bredschneider and Stefan Szwarc in 1932. In this period, he also designed theatre sets (operettas) and interiors. Namely, the interior of the à »ywiec restaurant in Warsaw was distinctive with its streamlined shapes, used in both architectural elements and furniture.
Thanks to his knowledge of foreign languages (French, German, Russian) and his artistic capabilities, Sonskowski travelled at length and published a number of articles in Tygodnik Illustrowany (The Illustrated Weekly), often with his own illustrations: Lviv (1922), Borysà Âaw oil basin (1925), Lublin (1927), Hutsulshchyna (1928), the French Riviera (1925), Czechoslovakia (1925), Denmark (1926), Amsterdam (1928), Venice (1932).
Sosnkowski survived the war in occupied Warsaw. His activity during the conflict was very low: the only known works are illustrations for Józef Krysià Âski's thriller Mieszkanie przy ul. Wielka, published in Warsaw in 1941. He was arrested by the Gestapo on charges of commanding a combat action in Radom and then released in 1944. In spring, the same year, his wife left to Lisbon.
Released in October from a Kraków prison, he fled the advancing Red Army towards Germany in early 1945. He was arrested in Nuremberg by the 3rd American Army, identified and evacuated by plane on 27 May to Paris. Living in camps between France and England, Sosnkowski decided in the middle of 1947 to emigrate to Argentina, where he arrived on 20 July 1947, in Campaña, near Buenos Aires. In parallel, his brother, Kazimierz, had left Poland for Canada.
During his stay in exile, he first participated in Polish community life before stepping out of it. Sosnkowski lived in an unfinished house in the district of Aguila Blanca in Merlo near the capital city, financially supported by friendly neighbors. During this period, he intensively created lead drawings and watercolours on architectural themes from cities of pre-war Poland. These works are now exhibited at the Polish Library in Buenos Aires.
He died in the district of Merlo on 10 December 1954.
His achievements, architectural, design and artistic projects were presented in a multimedia exhibition organized in the Dom Polski-Casa Polaca (), in Buenos Aires in October 2023.
In 1931, he co-founded the magazine WnÃÂtrze () and led it as the editor-in-chief till 1934. The aim of the publication was to promote modern, avant-garde forms, as well as to promote the best architects and designers, and to advertise professional construction companies and various manufacturers related to this field. Some of his articles on architecture and urban space appeared in the daily Kurier Warszawski. WnÃÂtrzes last issue was published in 1936.
Sosnkowski created illustrations, cartoons and articles (more than 180) for the Tygodnik Illustrowany and for Naokoà Âo à Âwiata, a series of travel literature published by the State Publishing House "Iskra".
In addition, he gave serial story lectures broadcast on the radio, such as UrzÃÂ dzanie wnÃÂtrz mieszkaniowych () in 1927 or Uroda miast portowych () in 1929.
Sosnkowski also wrote novels, short stories or illustrated other authors books. This activity mainly happened before his architectural graduation (1929).
In his books, Sosnkowski tackled fantasy themes, writing about still undiscovered territories, or in the case of a series of short stories à »ywe powietrze, about monsters, threats from space beings in space and creatures resembling characters from H.P. Lovecraft novels. In addition, his works ridiculed satirically Janusz Meissner's style.