Jasenko Houra (born 3 June 1960) is a Croatian and former Yugoslav rock musician, best known as the guitarist, occasional vocalist, leader and principal songwriter of the popular band Prljavo Kazalià ¡te.
Houra started his musical career in 1977 at the age of 17, when he formed Prljavo Kazalià ¡te with the members of the band Ciferà ¡lus. The group gained popularity with their punk rock self-titled debut, establishing themselves as one of the most prominent acts of the Yugoslav new wave scene with their second, more ska-oriented album Crno bijeli svijet. After the group's vocalist Davorin Bogoviàwas excluded from the group in 1981, Houra took over lead vocal duties for the band's third album Heroj ulice, with which they moved towards more conventional rock sound. Bogoviàreturned in 1983, and was later replaced by Mladen Bodalec, Houra continuing to occasionally provide lead vocals for some of the band's tracks. He has been Prljavo Kazalià ¡te's principal composer and lyricist since its formation, and since 2022 remains the only original member of the band's original incarnation.
Houra started his career at the age of 17, when he joined the members of Zagreb-based band Ciferà ¡lus (Zipper), Davorin Bogovià(vocals), Zoran Cvetkovià"Zok" (guitar), Nino Hrastek (bass guitar) and Tihomir Fileà ¡ (drums). With Houra's arrival in the autumn of 1977, the group started performing under the name Prljavo Kazalià ¡te. The band soon gained attention of the Yugoslav public and media with their punk rock sound and their 7-inch singles. Houra debuted as vocalist in the track "NoÃÂ", released in 1978 as the B-side of the band's second single "Moj otac je bio u ratu" ("My Father Fought in the War"). The band's debut self-titled album, released in 1979, brought them considerable popularity and critical acclaim, largely owing to Houra's provocative lyrics with direct social commentary. With their following release, Crno bijeli svijet (Black and White World), the group moved towards ska- and 2 Tone-influenced sound, establishing themselves as one of the leading acts of the Yugoslav new wave scene. After the band's frontman Davorin Bogoviàwas excluded from the group in 1981, Houra provided lead vocals for the band's third studio album Heroj ulice (Hero of the Street), released in 1982, with which the group moved towards more conventional rock sound. Bogoviàreturned for the band's 1983 album Korak od sna (One Step Away from the Dream), and was replaced by Mladen Bodalec for the band's fifth album Zlatne godine (Golden Years), released in 1985. Houra has remained the band's guitarist and principal songwriter, occasionally providing lead vocals for some of the band's songs, the group establishing itself during the 1990s as one of the most popular Croatian rock acts. After the 2022 fallout between the last two remaining original members of the group, Houra and drummer Tihomir Fileà ¡, two incarnations of the band were formed, one led by Houra and fronted by Bodalec, and the second led by Fileà ¡ and fronted by BogoviÃÂ, Houra thus remaining the only original member of the band's original incarnation.
In the early 1990s, Houra formed the music label CBS, the name being a pun to CBS Records and the abbreviation for the title of the band's 1980 album Crno bijeli svijet. The label has released Prljavo Kazalià ¡te albums, as well as albums of Croatian traditional music.
Houra's late 1970s and early 1980s lyrics have been widely praised for their social commentary and for describing the reality of the Yugoslav youth of the era. However, his early 1990s patriotic songs, recorded by Prljavo Kazalià ¡te during the Croatian War of Independence, have often been perceived as nationalistic in other former Yugoslav republics, especially in Serbia. Houra's song "Mojoj majci" ("To My Mother"), written by himself in 1988 and dedicated to his recently deceased mother, would become one of Prljavo Kazalià ¡te's most popular and most controversial songs. At that time, shortly before the upcoming breakup of Yugoslavia, tensions broke out between the constituent republics of the Yugoslav federation, so the issue of an eventual Croatian independence from Yugoslavia started to rise. Hence the verse "Zadnja ruà ¾a Hrvatska" ("Last Croatian rose") made the song very popular in CroatiaâÂÂespecially in pro-independence part of Croatian public, which embraced it as a return to Croatian national sentimentâÂÂbut also led to criticism in some parts of Yugoslavia due to (perceived) nationalist undertones, which were considered politically incorrect for the Yugoslav policy of brotherhood and unity. Houra has denounced accusations of nationalism on numerous occasions, describing the band's 1990s patriotic songs as "à ¡vejkian".
In 1998, the album Crno bijeli svijet was ranked as the 36th on the list of 100 Greatest Albums of Yugoslav Popular Music in the book ' (YU 100: The Best Albums of Yugoslav Pop and Rock Music). In 2015, Prljavo Kazalià ¡te was polled No.23 and Crno bijeli svijet was polled No.24 on the list of 100 Greatest Yugoslav Albums published by the Croatian edition of Rolling Stone.
In 2000, four Prljavo Kazalià ¡te songs appeared on the Rock Express Top 100 Yugoslav Rock Songs of All Times list: "Mi pleà ¡emo" ("We Dance") polled No.49, "Crno bijeli svijet" polled No.74, "Ma kog me boga za tebe pitaju" ("Why in the Heaven's Name Are They Asking Me about You") polled No.77 and "Marina" polled No.93. In 2011, "Mi pleà ¡emo" was polled No.42 and "Crno bijeli svijet" was polled No.60 on the B92 Top 100 Yugoslav songs list.
Houra's lyrics for the songs "U mojoj opÃÂini problema nema" ("There Are No Problems in My Municipality"), "Sretno dijete" ("Happy Child"), "Nove cipele" ("New Shoes"), "Moderna djevojka" ("Modern Girl") and "Neka te nià ¡ta ne brina" ("Nothing Should Worry You") were included in Petar JanjatoviÃÂ's ' (Songs of Brotherhood, Childhood & Offspring: Anthology of Ex YU Rock Poetry 1967 â 2007).