James Higginson (born April 21, 1957) is an American filmmaker, fine artist, and photographer based in Berlin, Germany. His artworks and films address social issues and expose human frailty.
Born James Harold Higginson, Jr in Pittsburgh, Pennsylvania to James Harold and Louise Betterly Higginson. He is the oldest of 5 children, raised in a suburb of Scranton, Pennsylvania.
Higginson received his BS in Marine Biology in 1978 from Pennsylvania State University. He attended night school at Museum of Fine Arts School, Boston, Mass. and attended Art Center College of Design (1982-4). He received his MFA in Studio Art from Claremont Graduate University in 1990.
Higginson was a biologist before becoming a fine artist. He worked as a research assistant for Texas State University at the St. Croix Marine Facility, USVI (1979) and as research technician at Boston University Biology Department (1980-2).
He moved to Los Angeles to attend Art Center College of Design (1982) and was hired by a Disney subsidiary to work on a childrenâÂÂs TV show, âÂÂWelcome to Pooh Cornerâ (1984) and then Production Designed the TV show âÂÂDumboâÂÂs CircusâÂÂ(1986).
In 1988, Higginson was awarded a Daytime Emmy with the creative team, Gary Panter, Ric Heitzman, Wayne White, Jeremy Railton, and Paul Rubens for the Production Design/Art Direction/Set Decoration of the CBS cult classic TV show, Pee-wee's Playhouse (1987-88). He worked as a set decorator for commercial director Joe Pytka and with set decorator Judi Giovanni on the film Sandlot (1993). He worked as the prop master for MADTV (1995-2003).
HigginsonâÂÂs artworks diverge from painting and sculpture in his early career through performance and photography in mid-career and then into film.
As a painter, Higginson was invited to collaborate with Chinese Master Xie Tien Cheng in 1989 on a body of 30 paintings that combined techniques of Western conceptual art making with elements of traditional Eastern painting. Over the course of the five-week collaboration, the two artists contemporized the subjects, modes, and styles of the TâÂÂang Dynasty (618-907 A.D.). as well, they addressed the tumultuous political climate of the current time and the events surrounding the Tiananmen Square Massacre. These paintings were exhibited at the Pacific Asia Museum, Pasadena, California in 1993.
HigginsonâÂÂs photography took focus by the late 1990s. In âÂÂPortraits of ViolenceâÂÂ, he tackled the issue of domestic violence with life-size, color, staged photographs. Using lectures, panel discussions, tours, and live performances, Higginson then expanded the dialogue between his artwork in the museum and the community. âÂÂPortraits of Violenceâ has been exhibited worldwide in galleries and museums in California, New York, Berlin (C/O Berlin), Budapest, and Cologne. A hardcover book of this photography series, POV:Portraits of Violence, was published in 2004.
James Higginson grounded the production companies Avonbiehl (2011-2019) and Allaluce Films (2022-present) in support of film and photographic projects. He has produced, directed, written, and worked as the DOP for
Higginson is a guest lecturer, having addressed audiences at the University of Southern California, Otis School of Art, Claremont Graduate University, and Laguna Art Museum in California (USA). He has also addressed audiences at BTK (today UE Germany), FHTW, C/O Berlin, HBG (Germany), FOTO K (Vienna, Austria), University of East London (UK), Fatamorgana (Copenhagen, Denmark) and Pearl Academy, St Pauls College for Women, and Atharva College/Mumbai University (India). Higginson is an Adjunct Faculty currently teaching Photography at .
Breaks the boundaries of distant memory and familiar present. Three interwoven narrative threads are reconstituted in an unconventional, experimental, kaleidoscopic rollercoaster ride that becomes this visual experience. Surreal and shocking, yet oddly meditative, is a stunning journey into personal choice and survival.
Provides a glimpse into the life of a 22-year-old Georgian Orthodox monk as he contemplates his understanding of faith. The film bears cinematic witness to his internalized struggle as it presents a visual portrait of the monks, their contemporary, ritualistic lives, and the work inside the monasteries.
A poetic blend of documentary and auteur cinema, interweaves themes of humanness, fear, love, judgement, and the never-ending cycle of water. SHUDDHI reveals the reality of Hansen's Disease (Leprosy) and its enduring stigma, creating a meditative portrait of familial tenderness and cultural respect against the backdrop of India's rivers, landscapes, and a remaining hospital for the disease.
HigginsonâÂÂs interest to serve the community has reached outside the Fine Art World. To utilize the arts as a tool to elevate public awareness of pressing social problems, Higginson established the graphic design company d3G in 1999. d3G created graphics, photography, and artwork for community-focused projects designed to educate, inform, and inspire current and future generations.
During 2000-01, d3G focused on HIV education creating a Safe Sex Campaign in cooperation with the US cities of West Hollywood and Los Angeles and organizations including Aid for AIDS, L.A. Shanti, and the Van Ness House. Media coverage of this campaign extended to Berlin, Germany, with magazine articles discussing the significance of Safe Sex in the gay community. In June 2001, HigginsonâÂÂs image, entitled Metamorphize, was selected to represent the event commemorating the 20th Anniversary of AIDS in Los Angeles. The d3G tagline, âÂÂbecome someone to admireâ branded the citywide, multi-media day of remembrance.