The Roland JD-990 Super JD is an updated version of the Roland JD-800 synthesizer in the form of a module with expanded capabilities, which was released in 1993 by Roland Corporation. JD-990 is a multitimbral synthesizer utilising PCM sample-based synthesis technology. In a sense it is not a true module version of a JD-800 as it has many expanded features and as a result the two are incompatible in exchanging presets. It is equipped with 6 MB of ROM containing sampled PCM waveforms, four sets of stereo outputs that are assignable to individual, internal, instruments, and standard MIDI in/out/through ports. JD-990 has a large LCD and programming takes place through a keypad on the front panel of the unit. The unit can generate multi-timbral sounds reminiscent of the vintage analogue synthesizers but is also capable of generation of modern digital textures. There are several expansion boards available for JD-990 that can be installed in the provided expansion slot in the chassis of the unit.
The JD-990 had the following features which were not available on the JD-800:
The JD-990 is compatible with the following:
The Factory presets of the JD-990 were created by Eric Persing and Adrian Scott.
The JD-990 has been used by artists such as Klaus Schulze, Paul Shaffer, Steve Duda, Vangelis, The Prodigy, Apollo 440, ATB, and Mirwais. Apollo 440 used the JD-990 for atmospheric sounds on the track "The Machine in the Ghost", on the album Gettin' High on Your Own Supply. On the Faithless song "Insomnia", the pizzicato hook is from a JD-990, with added reverb. Ronnie Martin from Joy Electric also used the JD-990 to synthesise every sound heard on the "We Are The Music Makers" album before moving onto more vintage synthesisers.