The is a crown in the style worn by Empress Go-Sakuramachi (reigned 1762 - 1771) of Japan. It is designated as a () and is not open to the public.
The hà Âkan () is a crown worn by the female emperors of Japan during enthronement ceremonies, along with their ceremonial robes. It is the equivalent of the benkan worn by male emperors.
Empress Go-Sakuramachi was the first female emperor in about 120 years since Empress Meishà  (reigned 1629 - 1643). However, Empress Meishà Â's crown had already been lost and its specifications were unknown. It was probably destroyed by fire along with the benkan when the Kyoto Imperial Palace was burned down in 1653.
According to the Record of Lord Motomitsu, the diary of , Yamashina Yoritoki suggested that the crown of Empress Kà Âken (reigned 749 - 758, 764 - 770), which was in the Shà Âsà Âin Repository in Nara, be ordered as a reference, but this was rejected by the regent, Konoe Uchisaki.
then suggested that the crown worn by the statue of Tà Âfukumonin (Tokugawa Masako), the mother of Empress Meishà Â, at Kà Âunji Temple in Higashiyama, be used as a reference, and this suggestion was adopted.
He then had the crown of the seated statue copied, and the hà Âkan of Empress Go-Sakuramachi was produced by adding a sun-shaped ornament to it.
The hà Âkan of Empress Go-Sakuramachi does not have the black, thin silk koji (, cap) that is found on the benkan. This is probably because women do not wear topknots and thus do not need a koji to hold them in place.
Another significant feature is the absence of the board placed at the top of the crown and the that hang down from it. As described below, the hà Âkan in the of the Heian period (794 - 1185) had neither a benban nor chains, and thus Empress Go-Sakuramachi's crown is in keeping with the tradition of hà Âkan.
The lower part of the gilt-bronze openwork (oshikazura) is engraved with lines in the design of manji-tsunagi (, ). The manji tsunagi was a new design popular in Japan during the Edo period (1603âÂÂ1867), and was often used in the patterns of figured satin imported from China. The edge and back of the crown are covered with Japanese brocade with a design of .
The openwork carving with arabesque design is mountain-shaped, and 10 pieces are connected to form a ring, which is also similar to the crown of the seated statue of TÃ Âfukumonin.
The front of the oshikazura is adorned with three three-dimensional five-petaled floral ornaments with a precious stone or coral in the center. On the left and right sides of them, two similar floral ornaments are attached to the tips of gilt bronze stems. hang down from each side of the oshikazura.
In the center of the hà Âkan crown stands a gilt-bronze rod, at the end of which is a sun-shaped ornament, and below it is an auspicious cloud ornament, elements not found on the seated statue of Tà Âfukumonin.
A three-dimensional phoenix-shaped ornament is attached to the front of the crown. A chain is thought to have originally hung from the beak of the phoenix, but it seems to have been lost.
The July 4, 1036 page of 's diary, , describes the characteristics of the crown of a female emperor, which was kept in the imperial treasury at the time. According to the description, the crown has a hira-koji (, low cap) and a phoenix ornament, but it stands slightly to the left, suggesting that the other ornament originally on the right was lost. There is no description of a sun or cloud ornament.
There are three flower-shaped ornaments on the oshikazura, and it is said that they are decorated with branch-shaped ornaments, so there must have been three ornaments with flowers on the tips of the branches on the oshikazura.
The lack of a benban board and chains is similar to the crown of Empress Go-Sakuramachi, but it has recently been questioned whether this crown was not intended for a female emperor but for an empress (the emperor's wife).
If the crown was intended for a female emperor, it would be that of Empress Kà Âken of the Nara period (710âÂÂ794). However, the crown of Empress Kà Âken, which was presented to Shà Âsà Âin, is thought to have had a benban and chains.
The details of Empress Meishà Â's hà Âkan are unknown, but in the September 12, 1630 page of Nijà  Yasumichi's diary, , there is a description of Emperor Meishà Â's crown as a . Thus, it is thought that Empress Meishà Â's hà Âkan had a sun-shaped ornament.