Hu-Du-Men (, lit. Tiger Pass Gate), also known as Stage Door, is a 1996 Hong Kong comedy film directed by Shu Kei. The film was selected as the Hong Kong entry for the Best Foreign Language Film at the 69th Academy Awards, but was not accepted as a nominee.
"Hu-Du-Men" (èÂÂ度éÂÂ) refers to the "stage door" where actors and actresses enter the stage to perform in a Cantonese opera. The stage door is a gateway between the actor (or actress) and the role he (or she) is going to play; once goes out of that door and gets on stage, he has to forget who he is and be the person he is tasked to act.
It is believed that "Hu-Du-Men" (literally means "Tiger Passing Gate") is a mistranslation of "Kwai-Du-Men" (鬼度éÂÂ, literally means "Ghost Passing Gate") or "Du-Gu-Men" (渡å¤éÂÂ, literally means "Gateway to the Past"). The stage door is called "Ghost Passing Gate" or "Gateway to the Past" by non-Cantonese troupe (å¤Âæ±Âæ²çÂÂ) because actors and actresses are playing historical figures who have died a long time ago. When actors and actresses pass the stage door and step on stage, they are no longer themselves but the roles they are given.
A famous Cantonese opera actress Lang Kim-Sam (å·åÂÂå¿Â, played by Josephine Siao Fong-Fong, èÂÂè³è³) has been in the theater industry for thirty years, and finally has to face the "stage door" of her life: Cantonese opera has reached the time when it needs subtle reform, but there are many difficulties in implementing it. Meanwhile, her husband, Chan Yiu-Jo (é³èÂÂç¥Â, played by Chung King-Fai, é¾æ¯è¼Â) has reached a dead-end in his career and wants to move to Australia. He wants Kim-Sam to leave the theater troupe and joins him. To make things worse, her best friend and the male lead in the troupe, Ah Lung (æÂÂæÂÂé¾Â, played by Waise Lee Chi-Hung, æÂÂÃ¥ÂÂéÂÂ) has a crush on her and her fifteen-year-old daughter, Mimi Chan Man (é³é¯, played by Michelle Wong Man, é»Âé¯), is suspected of having homosexual tendencies and has a girlfriend. Even worse, her illegitimate son Wong Man-Chun (çÂÂæÂÂä¿Â, played by Daniel Chan Hiu-Tung, é³æÂÂæ±) who was born and abandoned in Nanyang twenty-two years ago, who happens to fall in love with Yip Yuk-Seung (èÂÂçÂÂéÂÂ), the female lead in the troupe (played by Anita Yuen Wing-Yee, è¢Âè© åÂÂ) flies from Canada to watch Yuk-Seung's performance, and meet Kim-Sam for the first time. On her last performance, with her abandoned son sitting in the audience and who appears to know nothing about his biologicial mother performing on stage, Kim-Sam choked with sobs and was almost unable to go on. She finally dries her tears and steps out of the "Hu-Du-Men" and plays the role on stage.