Hong Kong Independent Film Festival (HKIndieFF) was founded by Ying e Chi in 2008.
In 1995, ifva was founded by the Council of Performing Arts, which was renamed the Hong Kong Arts Development Council that same year and added "Film and Media" to its funding categories. The 1st ifva participants, including Vincent Chui, were encouraged by then ifva president Gordon Chan to make low-budget commercial films as a way to sustain their filmmaking careers. Initially, they applied for project funding to produce individual works, and later used the funds to organize public screenings. In 1997, they screened their works under the name of "Ying e Chi" for the first time at Hong Kong Arts Centre and Hong Kong City Hall.
At the time, they also held screenings at Cine-Art House and Broadway Cinematheque. Cine-Art House was generally supportive, though it was cautious regarding overtly political works. One example was Leaving in Sorrow (2001), a film about the 1989 tiananmen square crackdown had good reception in the screening at Hong Kong Arts Centre. Another important partner was Shu Kei's Creative Workshop Limited (åµé 社) which assisted in distributing films on disc.
Around 2002, they started collaborating with Broadway Cinematheque, receiving a lukewarm response that year. In 2003, Esther Yeung (æ¥Âæ §èÂÂ) joined the team and launched the programme "Indie Is Fun?" (é»Â解ç¨ç«ÂÃ¥ÂÂéÂÂç®), which was praised and drew a larger audience. Thus, the two organizations co-founded the Hong Kong Asian Film Festival (HKAFF). The HKAFF quickly gained popularity, and the event grew larger each year, eventually overshadowing Ying e Chi. Although it was intended to promote non-mainstream and alternative cinema and providing a platform for discussions, it proved largely ineffective. Amid growing differences in vision and philosophy, Ying e Chi eventually parted ways with Broadway Cinematheque, and founded HKIndieFF in 2008.
Initially named Hong Kong Asian Independent Film Festival (HKAIFF), the event focused exclusively on Asian independent films. At the time, Ying e Chi operated with only two to three staff members. After its funding was completely cut by the Hong Kong Arts Development Council for three consecutive years beginning in 2011, the organization relied largely on a few university interns. Despite these challenges, HKIndieFF persisted, periodically introducing new program elements.
Over the years, the event was held irregularly due to the lack of funding, venue, or other reasons, and several major changes were introduced. After its first two years, the organizers concluded that the "Asian" in the title limited the film selection, particularly when they wanted to feature John Cassavetes' films, so they dropped it from the title. In 2010, returning to Hong Kong Arts Centre after two decades, the screenings of Shinsuke Ogawa's films selected in connection with a series of social events related to Tsoi Yuen Tsuen were proved successful. From then on, the organizers used this approach, selecting films connected to local social and cultural contexts to engage the audiences. They also decided to streamline the program by removing the press conference as well as the opening and closing scenes, retaining only a closing ceremony to thank the staff and volunteers, focusing on the audience and filmmakers. From 2014 onward, volunteers played a significant role in sustaining the festival.
A decennial book, On Earth We Stand, was released in 2017. The book reflects on the development of Hong Kong independent cinema as both an artistic practice and a form of social engagement. The editors wrote "By bringing together stories of films and the people behind them, the book highlights how independent cinema in Hong Kong functions not only as exhibition, but as a social movement shaping local cultural identity and public discourse."
In 2021, under the new national security law, the poster of the 13th HKIndieFF had the "Hong Kong Independent" words whited out, because the printers refused to produce festival posters. Under political pressure, HKIndieFF discontinued and Ying e Chi later disbanded.
The event was held at The Grand Cinema, Elements, Hong Kong, from 15 November to 30 November. A total of 45 drama, documentaries and shorts were selected for screening. Eight were from Hong Kong, while the remainder represented Japan, Korea, Taiwan, Iran, Israel, Laos, and Bangladesh.
The event was held at The Grand Cinema, Elements, Hong Kong, from 14 November to 29 November. A total of 30 films were selected, and presented in six categories: Memoirs of Sichuan (films about 2008 Sichuan earthquake), About Our World, Several Generations of Indie Spirit - , Relationships & Struggles, Woman's Stories, and Back to Homeland.