In Russian Orthodox tradition, Holy Wisdom () is a conventional topos of iconography, attested since at least the late 14th century.
The "Novgorod type" is named for the icon of Holy Wisdom in Saint Sophia Cathedral in Novgorod (16th century), but represented by the older icon in the Cathedral of the Annunciation, Moscow, dated to the early 15th century. Also known as "fire-winged" (þóýõúÃÂÃÂûþù), this type shows Holy Wisdom as a fiery angel with wings, seated on a throne and flanked by the Theotokos and by Saint Cosmas of Maiuma.
A related but highly divergent type is known as "Wisdom hath builded her Home" (). The name is a quotation of Proverbs 9:1 and references the incarnation of Christ the Logos, identified with Holy Wisdom, the "house" being the Theotokos. The earliest icon known under this title is a late-14th-century fresco in the Church of the Assumption in Volotovo Field, Veliky Novgorod, but its most notable representation is the mid-16th-century icon from the Cathedral of Athanasius and Cyril of the Alexandrian Kirillov Monastery near Novgorod. The composition of these icons develops during the 17th and 18th century in a reflection of the developing views in Russian mysticism, culminating in the "Sophiology" dispute in the early 20th century. The main point of contention is the question whether "Wisdom", i.e. Christ, or the "House", i.e. the Theotokos, should take center stage. In the original conception of this type, the Volotovo Field icon and derived examples of the 16th century, "Wisdom" is depicted as in the Novgorod type, as a fiery winged angel sitting on a throne, while the Theotokos with Child is shown separately. By the 18th century, there are two competing variants, one centered on crucified Christ and the other the Theotokos.
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References
- Hunt, Priscilla, "The Novgorod Sophia Icon and 'The Problem of Old Russian Culture' Between Orthodoxy and Sophiology", Symposion: A Journal of Russian Thought, vol. 4âÂÂ5, (2000), 1âÂÂ41.
- Lifshits, L., ëáþÃÂøàÃÂÃÂõüÃÂôÃÂþÃÂÃÂàÃÂþöøÃÂû ò ÃÂÃÂÃÂÃÂúþù øúþýõ, ÃÂðÃÂõ ÃÂðÃÂûõôøõ 65 (2003).
- Lukashov, A. M., ëáþÃÂøàÃÂÃÂõüÃÂôÃÂþÃÂÃÂàÃÂþöøÃÂû in: áþÃÂøàÃÂÃÂõüÃÂôÃÂþÃÂÃÂàÃÂþöøÃÂ: òÃÂÃÂÃÂðòúð ÃÂÃÂÃÂÃÂúþù øúþýþÿøÃÂø XIII-XIX òõúþò ø÷ ÃÂþñÃÂðýøù üÃÂ÷õõò àþÃÂÃÂøø (2000), 152.
- Lukashov, A. M., ëÃÂÃÂõüÃÂôÃÂþÃÂÃÂàÃÂþ÷ôð ÃÂõñõ ôþüû in: áþÃÂøàÃÂÃÂõüÃÂôÃÂþÃÂÃÂàÃÂþöøÃÂ: òÃÂÃÂÃÂðòúð ÃÂÃÂÃÂÃÂúþù øúþýþÿøÃÂø XIII-XIX òõúþò ø÷ ÃÂþñÃÂðýøù üÃÂ÷õõò àþÃÂÃÂøø (2000), 198–200.
- (ed.), Philotheus I of Constantinople, Three Sermons to Bishop Ignatius explaining the verse of Proverbs: "Wisdom has built a house for herself." [âÃÂø ÃÂõÃÂø ú õÿøÃÂúþÿàÃÂóýðÃÂøààþñÃÂÃÂÃÂýõýøõü ø÷ÃÂõÃÂõýøàÃÂÃÂøÃÂÃÂø ëÃÂÃÂõüÃÂôÃÂþÃÂÃÂàÃÂþ÷ôð ÃÂõñõ ôþüû] Greek text and Russian translation. Novgorod, 1898.
- ÃÂóýðÃÂøù, ðÃÂÃÂ
øõÿ. "On the icon of St. Sophia in Novgorod's St. Sophia Cathedral" [ÃÂñ øúþýõ áò. áþÃÂøø ò ýþòóþÃÂþôÃÂúþü áþÃÂøùÃÂúþü ÃÂþñþÃÂõ], Imperial Archaeological Society 11, St. Petersburg (1857), 244–269.
- Filimonov G.D., "Essays on Russian Christian iconography: Sophia the Wisdom of God" [ÃÂÃÂõÃÂúø ÃÂÃÂÃÂÃÂúþù ÃÂ
ÃÂøÃÂÃÂøðýÃÂúþù øúþýþóÃÂðÃÂøø: áþÃÂøàÃÂÃÂõüÃÂôÃÂþÃÂÃÂàÃÂþöøÃÂ], Bulletin of the Society for Old Russian Art (1876), 1–20.
- Afanasev, A., áþÃÂøàÃÂÃÂõüÃÂôÃÂþÃÂÃÂàÃÂþöøàò ÃÂ
ÃÂøÃÂÃÂøðýÃÂúþù øúþýþóÃÂðÃÂøø, ÃÂÃÂà8 (1982), 75.
- Kvlividze, N. V., ÃÂúþýð áþÃÂøø ÃÂÃÂõüÃÂôÃÂþÃÂÃÂø ÃÂþöøõù ø þÃÂþñõýýþÃÂÃÂø ýþòóþÃÂþôÃÂúþù ûøÃÂÃÂÃÂóøÃÂõÃÂúþù ÃÂÃÂðôøÃÂøø ò úþýÃÂõ XV òõúð, in: áðúÃÂðûÃÂýðàÃÂþÿþóÃÂðÃÂøàÃÂÃÂõôýõòõúþòþóþ óþÃÂþôð: ÃÂ÷òõÃÂÃÂøàøýÃÂÃÂøÃÂÃÂÃÂð ÃÂ
ÃÂøÃÂÃÂøðýÃÂúþù úÃÂûÃÂÃÂÃÂÃÂàÃÂÃÂõôýõòõúþòÃÂàvol. 1 (1998), p. 98.
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