Hitomi Kaneko (éÂÂå ä»Âç¾Â) is a female Japanese classical music composer.
Background
Born in Japan in 1965, Ms. Kaneko graduated from the composition class at Toho Gakuen School of Music in 1988, and completed postgraduate studies in 1994. She went to study in France with a French Government scholarship in 1990. She then began to study at the Paris Conservatoire. She also attended the Summer Music Festivals in Avignon and Darmstadt with scholarships in 1992. In September 1997, she went to Paris to study at IRCAM. She is at present a full-time professor of Toho Gakuen School of Music.
Awards and prizes
- First Prize in the 6th Competition of French-Japanese Contemporary Composition (1988)
- First Prize for Composition in the 59th Japan Music Competition (1990)
- E. Nakamichi Prize (1990)
- Awarded the 9th Muramatsu Prize (January 1997)
Compositions
Orchestral works
- æÂ²ãÂÂã¿ã®èª习Tristesse (for orchestra)(1989)(First Prize and the E. Nakamichi Prize at the 59th Japan Music Competition, 1990): 8'
- ã©ãÂȋÂÂã¨ã¹ La Piece (for 15 Players)(1993/94): 10'
- ãÂÂã«ã¼ãÂÂÃ¥ÂÂå¥ÂæÂ² Concerto (for Flute and Orchestra)(1995): 14'
- ã«ãÂȋÂÂãÂÂãÂȋ·ã¥㹠Le Processus (for 15 Players)(1996): 15'
- æ°ÂéÂ
 å°ºåÂ
«ã¨ãªã¼ã±ã¹ãÂÂã©ã®ãÂÂãÂÂã® Kehai (for Shakuhachi and Orchestra)(1998): 24'39"
- ã°ãªã¼ã¤ã®墠Le Tombeau de Gerard Grisey (for Chamber Orchestra)(2000): 20'
- æÂ¨å³¶å¹³è®ÂæÂ Hymn To Kijima-Daira (for Mixed Chorus and Orchestra)(2000): 4'45"
- 大好ãÂÂæÂ¨å³¶å¹³ Our Favorite Kijima-Daira (for children's chorus and Orchestra)(2000): 4'40"
- ç¥ÂÃ¥Â
¸åºÂæÂ²ãÂÂæÂ°ãÂÂãÂÂçÂÂå½ï¼ÂãÂÂã®ã¡ï¼Âã«ã Ouveture De Fete "Pour une nouvelle vie" (for Orchestra)(2001/02): 10'
Chamber works
- ã´ã¡ã¤ãªãªã³ãÂȋ½ãÂÂã¿ Sonata (for Violin and Piano)(1985): 17'
- 弦楽åÂÂéÂÂå¥ÂæÂ² String Quartet(1986): 16'30"
- ã½ãÂÂã¿ Sonata (for Flute, Violoncello and Piano)(1987): 14'
- å¼ã³声 Appel (for string quartet)(1988): 7'15"
- ãÂÂãÂÂã¡ãÂÂã¦ã¹ Promtheus (for Flute and Piano)(1988): 10'30"
- éÂÂ
Miyabi(= elegance) (for two Flutes)(1991): 7'
- ãÂÂãÂÂæÂ¥ãÂÂã¢ãÂÂ㨠Un Jour Avec Le Piano (for Piano)(1992): 5'30"
- ã¨ã¹ãÂÂã¹/㋾ãÂÂã³ã¹ Espace / Resonance (for Harp, Violin, Viola and Double bas)(1992): 10'15"
- ç·Âã®åÂ
Âç· Rayon Vert (for Violin, Viola, Violoncello and Piano)(1993): 16'
- é 忠Centrifuge (for Flute solo)(1994/96): 7'
- 幻影ã®空é Espace / Vision (for Horn and Trumpet)(1996): 6'
- æÂ©ãÂÂãÂÂãÂÂæÂ I Le Temps Tordu I (for Tom-tom and Marimba)(1996): 4'
- å¼å¸ï¼ÂãÂÂãÂÂï¼ÂI - a, b, c, d, e, f Respiration I - a, b, c, d, e, f (for Clarinet solo)(1996/98): a(1996): 1'30" / b(1998): 3' / c(1996): 3'30" / d(1996/97): 5'15" / e(1998): 1'30" / f(1998): 1'30"
- ã·ã§ã«ã¿ã¼ã®ä¸Âã§ Dans L'abri (for Piano)(1997): 10'
- 交å Le Croisement (for Oboe, Violin and Double bass)(1997): 24"
- å°Âé³¥ã¯é£Âã³ç«Âã¨ãÂÂã¨ãÂÂã¦ãÂÂãÂÂ... Le Petit Oiseaux Va Sortir... (for Piccolo and Trombone)(1997): 6'
- ã¯ãÂÂãÂÂãÂÂ=ã«ã¼ãÂÂã‹ÂÂã Knecht Ruprecht (for Piano)(1997): 3'
- ç£Âç Champ Magnetique (for String Quartet)(1997): 14'
- 空éÂÂ/é§ Espace / Brume (for Marimba and Bass Clarinet)(1998): 7'
- æÂ©ãÂÂãÂÂãÂÂæÂ III Le Temps Tordu III (for 2 Congas and 2 Bongos)(1998): 6'
- é£æÂ I Renga I (for Shakuhachi, Violin and Harp)(1998): 17'
- æ®Âé¿ La Reverberation (for Violin, Violoncello and Piano)(1998): 9'
- é£æÂ II Renga II (for Flute, Clarinet, Percussion, Violin, Cello and Piano)(1999): 13'30"
- å¼å¸ï¼ÂãÂÂãÂÂï¼ÂII - ä¸ÂæÂÂã®ç¶Âç¶ Respiration II - Continuation de l'interruption (for Flute and Violin)(1999): 11'
- ãÂÂã¼ã‹®æÂ¹æ³ L'expression Methodique D'une Fugue (for Piano)(2000): 6'-7'30"
- ã¢ã«ãÂÂã¹ã®調ã¹ Accord Des Alpes (for Piano)(2000/01): 3'
- Ã¥ÂÂç´ã®æÂ Le Chant Vertical (for Shakuhachi and the Computer)(2000/01): 16'12"
- ãÂÂãÂÂãÂÂã®ãÂÂã³ã¹ Whale's Dance (for Piano)(2000): 4'
- æµÂç·ÂÃ¥ÂÂã®æÂ Le Temps Carene (for Oboe, Violin and Cello)(2000/01): ca.16'
- æÂ©ãÂÂãÂÂãÂÂæÂ IV - æÂÂè¦Âã®æÂÂé Le Temps Tordu IV - le temps du sens (for Percussion)(2001): 8'50"
- M.Y.ã®ãÂÂãÂÂã®èªÂçÂÂæÂ¥ã®æÂ Anniversary Song For Y.M. (for Doublebass)(2001): 2'
- æÂ©ãÂÂãÂÂãÂÂæÂ V Le Temps Tordu V (for Percussion)(2001): 5'
- é³ã®彫å» La Sculpture Sur Les Sons (for Marimba)(2001): 7'38"
- æ°Â泡 La Bulle (for Alto Saxophone and Piano)(2001): 9'30"
- 軽äºÂæ²¢ã®åÂÂå¾ Afternoon in Karuizawa (for Piano)(2001): 3'
- äºÂ人é Futari Shizuka, une recitation des vers du No (for Yo(voice), Nokan, Shooko, flute and Percussion)(2001/02): 18'40"
- æµÂã The Stream (for Strings)(2002): 5'
- ã¢ãªã©ã³å¤Âå¥ÂæÂ² Variations Sur Un Theme D'arirang (for Piano)(2002): 5'20"
- ãÂÂã ãÂÂã ãÂÂã Song, Song, Song (for Piano)(2002): 3'
- å¼å¸ï¼ÂãÂÂãÂÂï¼ III ?å¤ç‹®åÂ
±å Respiration III - Coexistence des isolements (for Oboe, Clarinet and Bassoon)(2002): 12'35"
- å°ÂãÂÂãªæÂ La Petite Etoile (for children's chorus and guitar)(2003): ca.3'
Other works
- ã¨ãÂÂãÂ¥ã¼ã I Etude I (for Tape)(1991): 3'
- ã¨ãÂÂãÂ¥ã¼ã II Etude II (for Tape)(1992): 12'
- æÂ©ãÂÂãÂÂãÂÂæÂ II Le Temps Tordu II (for Miburi and Three Dancers)(1997): 8'
- Ã¥ÂÂè§£ Iï¼Âå°ÂÃ¥Â
Â¥ Decomposition I - Introduction (for Computer)(1998): 3'
- Ã¥ÂÂè§£ IIï¼Âã²ã¼ãÂÂã®åÂÂãÂÂãÂÂã§ Decomposition II - Beyond the gate (for Computer)(1999): 6'
- ã·ã§ã«ã¿ã¼ã®ä¸Âã§ Dans L'abri (Revised Version for Piano and Computer)(1997/2002): 14'56"
Writings
- ãÂÂæÂ¹æ³Âã®表ç¾ãÂÂã¾ã§/ãÂÂã Up to and/or From 'Expressive Method' (2001)
Published in Quarterly magazine "ExMusica" Vol.3, March 2001
- ãÂÂãÂÂä½ÂæÂ²æÂÂæ³Âã¨ã³ã³ãÂÂãÂ¥ã¼ã¿ã¨ã®é¢俠On the relationship between My Compositional Method and the Computer (2002)
Read at the 17th Congress of the International Association of
Empirical Aesthetics(IAEA), on 5 August 2002, in Takarasuka.
Discography
Orchestra
- Concerto (for flute and orchestra)(1995) DEUTSCHE GRAMMOPHON/POCG-1947
- Kehai (for shakuhachi and orchestra)(1998) GREEN CONCERTS/OCD-98113-1
Chamber music
- Miyabi (for two flutes)(1991) RUGGINENTI EDITORE/RUSSY CLASSICA/RUS-555019. 2DDD
- L'expression methodique d'une fugue (for piano)(2000) ZEN-ON/ZP-2000
External links
References