Eroica (released in some territories as Heroism) is a 1958 Polish film by Andrzej Munk, and his second feature film after Man on the Tracks (1956). Eroica is composed of two separate stories, presenting satirical critiques of two aspects of the Polish character: acquisitive opportunism, and a romantic fascination for heroic martyrs.
The filmâÂÂs title is an ironic reference to Ludwig van BeethovenâÂÂs Third Symphony, which the composer initially dedicated to then French head Consulate Napoleon Bonaparte. When Napoleon declared himself Emperor, Beethoven, a devout republican, withdrew the dedication in disgust and titled the work simply âÂÂEroica.âÂÂ
Eroica premiered on Polish Television in 1972 and depicts wartime couriers crossing the Tatra Mountains.
Eroica won the FIPRESCI Award at the 1959 Mar del Plata Film Festival.
The first part is a bitter, tragicomic story of Dzidziuà  ("Babyface"), a street-wise bon-vivant, drunkard, and coward who unwillingly joins the Home Army during the Warsaw Uprising. Dzidziuà Â' wife, Zosia, is having an affair with a Hungarian officer and Dzidziuà  reluctantly becomes the messenger between the Home Army and the Hungarian unit, which is considering changing sides.
The second part is set in a POW camp for Polish soldiers. Lt. Zawistowski, one of the internees, decides to attempt to escape. While none of his fellow inmates are sure whether he succeeded, his absence upsets the guards and provides hope and inspiration for the prisoners. Soon his legend grows, making him a hero within the camp and helping to boost the prisoners' morale. However, it turns out that Lt. Zawistowski didn't actually follow through on his escape plans, but is hiding in the attic of one of the barracks.
Historian Dorota Niemitz offers this on the cinematography of Eroica: