Haris Vrondos (born 1951) is a modern Greek composer.
Biography
Haris Vrondos was born in 1951 in Vytina. In 1963 he started studying guitar in the Lefkada music school. Later, he would move to Athens and take piano lessons Eleni Zioga. At the same time he would also follow the seminars of Günter Becker about electronic music, that would result in the actual start of his career as a composer. The lessons of G.A. Papaioannou on counterpoint will complete his musical education.
He worked as a columnist and musical critic for the Greek newspaper Rizospastis from 1974 to 1976, continuing to write also on the Greek magazines Tipo, Mousiki, To Dentro, Kritiki kai Keimena, High Lights. Beyond these writings he also published four books containing essays and texts about music.
In 1982 he started to collaborate with the Greek National Radio (with the First Programme and the Third Programme) for the presentation and the production of musical and musicological transmissions. In 28 years of collaboration with the Hellenic Radio he reached over 3000 hours of broadcasting.
In 1983, together with other artists, they founded the magazine Nisos that printed musical cassettes with the music and the poetry of the artists affiliated to the journal. The action of the group was enriched by the many shows and recitals that they were doing in the city of Athens and in the close cities.
His relevance in the Greek musical scene brought him to be member of the board of the Union of the Greek Composers (from 1987 to 1990).
Musical career
His work can be divided into three periods:
1. 1969-80: a period that comprehends the amateur phase and the experimentation. It includes the works from ÃÂÃÂ
ÃÂÿúÃÂÿýïõà(1969) until ÃÂÿýÃÂûÿóÿ (1981).<br> 2. 1982-86: this period is characterised by works of mixed nature (Proti Simfonia, 1982, Mavri Mousiki, 1985, and Deuteri Simfonia, 1986) and stylistically emphasises the end of romanticism through elements of modernism.<br> 3. 1986 until present: this period is marked by the compositions of the operas: ÃÂù ÃÂñùüÿýùÃÂüÃÂýÿù (The Possessed), ÃÂûúùòùìô÷à(Alcibiades), áÃÂúòùõü ÃÂÃÂüìÃÂÿòñ (Requiem), àÃÂïú÷ (The Trial), ÃÂôñýùúÿï ñÃÂ
ÃÂÃÂÃÂõùÃÂõà(Idanikoi Autoxeires) and the cantata ÃÂÿÃÂ
ûùñýÃÂàÿ àñÃÂñòìÃÂֈ(Julian The Apostate). In this last period Vrondos searches for his personal style.<br>
Xaris Vrondos has composed music for associations like The Athens Concert Hall Association, ALEA III, the University of Boston, the Greek Ballet, the Union of Greek Composers, the Municipality of Thessaloniki and the Paris-Sorbonne University. He also made live concerts with his works of chamber music (àÃÂÿÿôõÃÂ
ÃÂùúÃÂàãÃÂýôõÃÂüÿàÃ¥ü÷ÃÂÃÂÿÃÂ, 1980 - éôõïÿ Athenaeum, 1995 - ÃÂøýùúî àùýñúÿøîú÷, 1996 - ÃÂÿÃÂ
ÃÂõïÿ ÃÂÃÂõýìú÷, 2002 úñù 2006), whereas also his soloist and orchestral works have been played in Greece and Abroad. Starting from 2014 he has been organising plays, presenting and writing pockets operas and chamber music.
Compositions
Source:
Cantatas
- 1976 - àõÃÂùüÃÂýÿýÃÂñàÃÂÿÃÂ
àòñÃÂòìÃÂÿÃÂ
ÃÂ - libretto by the composer, inspired from the poem of Konstantinos Kavafis Waiting for the Barbarians.
- 1997 - ÃÂÿÃÂ
ûùñýÃÂàÿ ÃÂñÃÂñòìÃÂֈ- libretto by the composer, comprehending two poems of Konstantinos Kavafis.
- 2005 - ÃÂüòñÃÂîÃÂùÿ ÃÂñóùñúÃÂÃÂÃÂúù - libretto by the composer, comprehending a poem of Vladimir Majakovskij.
Operas
- 1986 - ÃÂù ôñùüÿýùÃÂüÃÂýÿù, based on the novel Demons by Fyodor Dostoyevsky. - libretto by Alexandros Adamopoulos. Opera in three acts for symphonic orchestra, 21 soloist and choir.
- 1997 - àôïú÷, based on the novel The Trial by Franz Kafka. Libretto by the composer. Opera in three acts for soloist, choir and orchestra.
- 2000 - ÃÂûúùòùìô÷ÃÂ, based on the Alcibiades. Libretto by the composer. Opera in three acts for 23 soloists, choir and symphonic orchestra.
- 2003 - áÃÂúòùõü ÃÂÃÂüìÃÂÿòñ, with poems of Anna Akhmatova and X. Vlavianou. Libretto by the composer. Opera for soprano, baritone, clarinet, horn, piano and strings.
- 2007 - ÃÂ ÃÂÃÂ
ýñïúñ ÃÂֈÃÂìúÃÂ
øÿÃÂ, with text of D. Solomou. One act pocket opera for baritone, mezzo-soprano, violin, clarinet, cello and piano.
- 2008 - ÃÂôñýùúÿï ñÃÂ
ÃÂÃÂÃÂõùÃÂõÃÂ, libretto by the composer. One act pocket opera in three acts for 14 soloists and chamber orchestra.
- 2011 - äÿ ñÃÂÃÂÃÂ÷üñ, libretto by the composer. One act pocket opera for soprano, baritone, clarinet, cello and piano.
- 2011 - àúñÃÂùÃÂÃÂñ, libretto by the composer. One act pocket opera for soprano, baritone, clarinet, cello and piano.
- 2012 - àÃÂñóïôñ, libretto by the composer. One act pocket opera for soprano, tenor, clarinet, cello and piano.
- 2013 - àÃÂõÃÂñüÃÂÃÂÃÂÃÂÃÂ÷, based on the novel The Metamorphosis by Franz Kafka. Libretto by the composer. Opera for 6 soloists, oboe, clarinet, bassoon and piano.
- 2015 - H ÃÂÃÂÃÂÃÂõùÿÃÂ, libretto by the composer. Opera in two acts for soprano, baritone, clarinet, cello and piano.
- 2016 - O ÃÂÃÂñÃÂÃÂîÃÂ, based on the play The Lover by Harold Pinter. Libretto by the composer. Opera for soprano, baritone, oboe, clarinet, bassoon, cello and piano.
Ballet
- 1983 - Never Return - music in nine parts, for flute (piccolo) and two percussionists.
- 1988 - ãÃÂùóþ (The Sphynx), story based on the myth of Oedipus, for mezzo soprano - later sung by Ioanna Sfekas-Karvelas.
- 1993 - äÿ ÃÂ÷óìôù ÃÂ÷àñÃÂ
óîà- in four parts, for voice, flute, clarinet and piano.
Electronic mixes
- 1969 - ÃÂÃÂ
ÃÂÿúÃÂÿýïõÃÂ
- 1974 - àÃÂÃÂ-øõÃÂùÃÂ
- 1976 - àõÃÂùüÃÂýÿýÃÂñàÃÂÿÃÂ
àòñÃÂòìÃÂÿÃÂ
ÃÂ
- 1977 - ÃÂÿýÃÂûÿóÿàÃÂ
- 1988 - ãÃÂùóþ - work based on the myth of Oedipus.
Vocals
- 1976 - ÃÂÃÂÿ ÃÂÃÂñóÿÃÂôùñ, based on a poem of Konstantinos Kavafis. Work for mezzo-soprano, tube and piano.
- 1978 - äÃÂÃÂÃÂõÃÂñ ÃÂÃÂñóÿÃÂôùñ, for voice and chamber orchestra.
- 1984 - Wall Street , work for mezzo-soprano and chamber orchestra. Based on the poem Lament of the Frontier Guard by Ezra Pound.
- 1989 - ÃÂþÿüÿûÃÂó÷ÃÂ÷, from the opera ÃÂù ôñùüÿýùÃÂüÃÂýÿù - aria for baritone and chamber orchestra.
- 1992 - Serenity, based on Four Quartets by T. S. Eliot. Work for soprano and quintet (flute, oboe, horn, harp and cello).
- 1993 - Marina, based on Ariel Poems by T. S. Eliot. For soprano and orchestra.
- 1995 - ÃÂÃÂÿûõïÃÂõùý ÿ ÃÂõÃÂàÃÂýÃÂÃÂýùÿý, work for soprano, oboe, clarinet, cello and piano.
- 1995 - äÃÂÃÂÃÂõÃÂñ ÃÂÃÂñóÿÃÂôùñ, with poems of Christos Laskaris. Work for mezzo-soprano and cello.
- 1996 - ãÃÂ
ýñÃÂ
ûïñ, with poems of Takis Pavlostathis. Work for soprano, oboe, clarinet, horn, piano and string quartet.
- 1997 - äÃÂïñ õûû÷ýùúì ÃÂÃÂñóÿÃÂôùñ, work for soprano, clarinet and harp.
- 1999 - Le cimetière marin, based on the same titled work of Paul Valéry. Work for soprano and string orchestra.
- 2001 - Le Jeune Parque, based on the same titled work of Paul Valéry. Work for soprano and piano.
- 2004 - äÃÂÃÂÃÂõÃÂñ ÃÂÃÂñóÿÃÂôùñ, with poems of Takis Pavlostathis. Work for soprano, cello and piano.
- 2004 - ÃÂÃÂÿ ÃÂÃÂñóÿÃÂôùñ, with poems of Nikos Karouzos. Work for soprano, cello and piano.
- 2006 - æÃÂ
ÃÂìõù, work for soprano and piano.
- 2009 - äÿÃÂ
ø÷ÃÂïÿÃÂ
, work for voice, clarinet, violin, cello and piano.
- 2009 - àÃÂÃÂÃÂñÃÂùÃÂÃÂֈÃÂÿù÷ÃÂîÃÂ, work for voice, clarinet and piano.
- 2010 - ÃÂÃÂýñ úÿÃÂüï ÃÂÃÂÿ ôùñüÃÂÃÂùÃÂüñ, work for soprano, clarinet and piano.
- 2012 - ÃÂÃÂýñ ÃÂÃÂñóÿÃÂôù ÃÂõ ÃÂÿï÷ÃÂ÷ ãñÃÂÃÂÃÂÃÂ, work for soprano, flute, cello and piano.
Orchestra
- 1974 - ãÃÂÿÃÂ
ôî óùñ ÃÂóÃÂÿÃÂôñ - ÃÂtude for Strings.
- 1976 - äõÃÂÃÂìôùÿ, óùñ ÿÃÂÃÂîÃÂÃÂÃÂñ ôÃÂüñÃÂïÿÃÂ
.
- 1982 - àÃÂÃÂÃÂ÷ ãÃÂ
üÃÂÃÂýïñ, óùñ ÿÃÂÃÂîÃÂÃÂÃÂñ - 1st Symphony.
- 1985 - ÃÂñÃÂÃÂ÷ üÿÃÂ
ÃÂùúî (Black Music for Voice and Orchestra) - later also sung by Ioanna Sfekas-Karvelas.
- 1986 - ÃÂõÃÂÃÂõÃÂ÷ ãÃÂ
üÃÂÃÂýïñ, óùñ ÿÃÂÃÂîÃÂÃÂÃÂñ - 2nd Symphony
- 1992 - ÃÂÃÂ
ÃÂùúì, óùñ ÿÃÂÃÂîÃÂÃÂÃÂñ
- 1996 - ÃÂùÃÂûàúÿýÃÂÃÂÃÂÃÂÃÂÿ, óùñ òùÃÂûñ, òùÿûÿýÃÂÃÂÃÂûÿ úñù ÿÃÂÃÂîÃÂÃÂÃÂñ - Double Concerto for viola and cello.
- 2003 - ÃÂÿýÃÂûÿóÿÃÂ, óùñ ÿÃÂÃÂîÃÂÃÂÃÂñ õóÃÂÃÂÃÂôÃÂý - Monologue, for string quartet.
- 2007/2009 - ÃÂÿýÃÂÃÂÃÂÃÂÃÂÿ óùñ ÃÂùìýÿ úñù ÿÃÂÃÂîÃÂÃÂÃÂñ - Piano concerto.
Chamber music
- 1981 - ÃÂ÷ÃÂñÃÂúî ó÷ - óùñ òùÿûÿýÃÂÃÂÃÂûÿ úñù ÃÂùìýÿ
- 1983 - ãÃÂ
üÃÂÃÂýùúî ÃÂÃÂÿÃÂ
ôî, óùñ ÃÂüÃÂÿõ, ÃÂÿÃÂüÃÂñ ( î òùÿûÿýÃÂÃÂÃÂûÿ ) úñù ÃÂùìýÿ
- 1993 - ãõÃÂõýìÃÂñ - óùñ úûñÃÂùýÃÂÃÂÿ úñù úÿÃÂ
ñÃÂÃÂÃÂÃÂÿ õóÃÂÃÂÃÂôÃÂý (Serenade for clarinet and string quartet).
- 1995 - äÃÂïÿ, óùñ òùÿûï, òùÿûÿýÃÂÃÂÃÂûÿ úñù ÃÂùìýÿ - Piano Trio.
- 1995 - ÃÂÿÃÂ
ñÃÂÃÂÃÂÃÂÿ, óùñ ÃÂûìÿÃÂ
ÃÂÿ, úûñÃÂùýÃÂÃÂÿ, òùÿûÿýÃÂÃÂÃÂûÿ úñù ÃÂùìýÿ - Quartet for flute, clarinet, cello and piano.
- 1999 - ÃÂÿÃÂ
ñÃÂÃÂÃÂÃÂÿ õóÃÂÃÂÃÂôÃÂý, ÃÂõ ÃÂÃÂïñ üÃÂÃÂ÷ - String quartet.
- 2000 - ÃÂù ÃÂÿù÷ÃÂÃÂàÃÂÃÂÃÂñ ÃÂõÃÂóÿÃÂ
ý - óùñ òùÿûÿýÃÂÃÂÃÂûÿ úñù ÃÂùìýÿ
Solo works
- 1981 - ÃÂûüÃÂÿÃÂ
ü, ôõúñÃÂÃÂýÃÂõ üùúÃÂì úÿüüìÃÂùñ óùñ ÃÂÿÃÂüÃÂñ - Album, fifteen small pieces for tuba.
- 1981/1985 - ÃÂÿýÃÂûÿóÿàÃÂ, óùñ úÃÂÃÂýÿ - Monologue I for French horn.
- 1994 - ãÿÃÂ
ïÃÂñ ñÃÂ. 1 - Suite for solo cello No. 1.
- 1994 - ãÿÃÂ
ïÃÂñ ñÃÂ. 2 - Suite for solo cello No. 2.
- 1995 - ÃÂÿýÃÂûÿóÿàÃÂÃÂ, óùñ úûñÃÂùýÃÂÃÂÿ - Monologue II for clarinet.
- 1998 - ãÃÂÿÃÂ
ôî óùñ ÃÂùìýÿ - Piano étude
- 1998 - ÃÂÃÂ
ÃÂÃÂõÃÂùýî ìÃÂú÷ÃÂ÷, óùñ ÃÂùìýÿ
Music for theatre, cinema and television
- 1978 - ÃÂù óÃÂ
ýñïúõàÃÂîüõÃÂñ, documentary (Popi Alkouli)
- 1981 - ÃÂÃÂùúïýôÃÂ
ýÿ ÃÂñùÃÂýïôù, later known as Anametrisi, film (Giorgos Karypidis)
- 1987 - äÿ úñûÿúñïÃÂù ÃÂֈÃÂîôõùñÃÂ, film (Mpampis Plaitakis)
- 1987 - ÃÂÃÂìýý÷àÃÂñüÃÂÃÂûùÿÃÂ, radio show (Giorgos Xatzidakis)
- 1988 - äñ ÃÂÃÂÃÂÃÂÃÂÃÂñ ÃÂֈÃÂñóôñû÷ýîÃÂ, TV show (Kostas Xronopoulos)
- 1996 - Los tÃÂteres de Cachiporra, play based on the work of Federico Garcia Lorca.
Books
- 1982 - Diabolus in Musica (Gutenberg, ÃÂthina)
- 1997 - çñü÷ûî ó÷ (Nefeli)
- 1999 - ÃÂùñ ÃÂÿý ÃÂïúÿ ãúñûúÃÂÃÂñ (Nefeli)
- 2005 - ÃÂõÃÂÃÂÿýÃÂüÿàóùñ üùúÃÂÃÂàúñù üõóìûõàñÃÂÃÂÃÂ
øüïõà(Nefeli)
- 2013 - ÃÂôñýùúÿï ñÃÂ
ÃÂÃÂÃÂõùÃÂõà(Panas music, edition including 2 CD with the original compositions of the opera)
References