Han Seung-won (; born 1939) is a South Korean writer. He primarily writes about people who struggle against their fate in Jangheung, a county situated off the southern coast of the Korean peninsula where Han himself was born. Han's work tends to have a strong sense of place; his stories are often set in his coastal hometown and contain the local dialect. He is the father of 2024 Nobel laureate for literature, Han Kang.
Han Seung-won was born in Jangheung County, South Korea, in 1939. He is a visiting professor of creative writing at Chosun University. He attended Jangheung Middle School, Jangheung High School, and Seorabeol Art University for creative writing. Han took a course taught by writer Kim Tong-ni and became acquainted with a number of classmates who went on to become writers, including Lee Mun Ku, Park Sang-ryoong, Cho Sehee, and Kim Won il. He made his literary debut in 1966 when he won the Shina Ilbo New Writer's Contest for his short story âÂÂGajeungseureoun badaâ (ê°Âì¦Âì¤ë° ë°Âë¤ Despicable Sea). He began teaching at Jangdongseo Elementary School and has also taught at Kwangyang Middle School and Gwangju Dongshin Middle School.
Han's short story âÂÂMokseonâ (목ì Wooden Boat) won a writing contest by Daehan Ilbo in 1968, boosting his literary career. In 1972, he founded Soseol Munhak (âÂÂfiction and literatureâÂÂ), an association of writers based in Gwangju, South Korea. Members included Mun Sun-tae, Kim Sin-un, Kang Sun-sik, and Lee Gye-hong. He relocated to Seoul in 1980 and wrote full-time, producing bestsellers such as Aje aje bara-aje (ìÂÂì ÂìÂÂì Âë°Âë¼ìÂÂì  Aje aje bara-aje). The novel was made into a movie.
Over his 50-year career, he has persistently written stories inspired by the shores of his hometown. He moved back to Jangheung in 1997 and has resided there since. His two children, Han Kang and Han Dong-rim, are also writers. Both Han Seung-won and Han Kang have won the Yi Sang Literary Award and Kim Tong-ni Literary Award.
Han Seung-won's works usually involve characters who are driven mad by desire and struggle against their tragic fate. While these characters express a deep sentiment of han, they are not entirely helpless against fate. Some destroy themselves in a fit of insanity, while others commit sins to fulfill their desires. They become trapped in a vicious cycle of suffering, reinforcing the theme of fate in Han's works.
One of Han's best-known works is the novella Hyebyeonui gilson (ôë³Âì 길ì Wanderer on the Shore), which is loosely based on an ancient Korean hero myth. The book spans decades from Japanese colonial rule through the chaotic post-liberation period to the Korean War, modernization, and finally the Gwangju Uprising in the 1980s. The turmoils of modern Korean history is reflected in the tragic life of the protagonist Hwang Du-pyo. In a storyline reminiscent of Cain and Abel, the novel centers around the conflict between Hwang and his little brother, who is smarter and more loved by their parents. Literary critic Wu Han-yong writes: âÂÂThe tragedy of Hwang Du-pyoâÂÂs family originates from his inferiority complex and is correlated to Korean modern history; the tragedy of an individual expands into that of the nation. Another way to understand the novel is to focus on the psychology of its characters. In this kind of reading, one sees how HwangâÂÂs bitter sense of inferiority grows as he experiences the tumults of history and how that compromises his integrity.âÂÂ
Often set in his coastal hometown of Jangheung County, Han's stories have a strong sense of place. The language, people, and environment of his hometown feature heavily in his works. Han has described the sea as âÂÂthe womb of the universeâ and the source of his creative inspiration.
Fiction
1. ãÂÂìÂÂì°ë 첩첩ÃÂÂê³ ãÂÂ, ì°½ìÂÂê³¼ë¹ÂÃÂÂì¬, 1977.
Deep is the Mountain Before Me. Changbi, 1977.
2. ãÂÂë°Âë¤ì ë¿ÂãÂÂ, ëÂÂÃÂÂì¶ÂÃÂÂê³µì¬, 1982.
Horns of the Sea. Donghwa, 1982.
3. ãÂÂë¶Âì ë¸ãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 1983.
The Daughter of Fire. Moonji, 1983.
4. ãÂÂê·¸ ë°Âë¤ ëÂÂë©° ëÂÂì¹Âë©°ãÂÂ, ì²ÂÃÂÂ문ÃÂÂì¬, 1983.
As the Sea Boils Over. Cheonghan Munhwasa, 1983.
5. ãÂÂìÂÂì ÂìÂÂì  ë°Âë¼ìÂÂì ÂãÂÂ, ì¼ì±, 1985.
Aje aje bara-aje. Samsung, 1985.
6. ãÂÂì°리ë¤ì ëÂÂÃÂÂãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 1988.
Our Stone Tower. Moonji, 1988.
7. ãÂÂ목ì ãÂÂ, ìÂÂ몬ì¶ÂÃÂÂì¬, 1989.
Wooden Boat. Simon, 1989.
8. ãÂÂìÂÂì¸ì ë ãÂÂ, ëÂÂê´Âì¶ÂÃÂÂì¬, 1989.
The Land of Wani. Donggwang, 1989.
9. ãÂÂëÂÂì§Âê°Âì ì“ÂÂãÂÂ, ì§ÂìÂÂì¬, 1991.
The Woman Like an Octopus. Jiyangsa, 1991.
10. ãÂÂìÂÂì ÂìÂÂì  ë°Âë¼ìÂÂì Â2ãÂÂ, ë²Âì¡°ì¬, 1991.
Aje aje bara-aje 2. Beomjosa, 1991.
11. ãÂÂìÂÂì ÂìÂÂì  ë°Âë¼ìÂÂì Â3ãÂÂ, ë²Âì¡°ì¬, 1991.
Aje aje bara-aje 3. Beomjosa, 1991.
12. ãÂÂë´ ê³ ÃÂÂ¥ ë¨쪽 ë°Âë¤ãÂÂ, ì²ÂìÂÂì¶ÂÃÂÂì¬, 1992.
The Southern Seas, My Hometown. Chunga, 1992.
13. ãÂÂìÂÂð맠ì‘ÂÂë¤ãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 1993.
People of the New Settlement. Moonji, 1993.
14. ãÂÂìÂÂì¸ì ì ãÂÂ, 문ì´ë¹, 1994.
The PoetâÂÂs Sleep. Munidang, 1994.
15. ãÂÂìÂÂë²Âì§Â를 ìÂÂÃÂÂì‹ÂÂ, 문ì´ë¹, 1995.
For Father. Munidang, 1995.
16. ãÂÂ목ì :ÃÂÂì¹ì ì¤Âë¨Ã¸ì Âì§Â1ãÂÂ, 문ì´ë¹, 1999.
Wooden Boat: Short Stories and Novellas by Han Seung-won. Munidang, 1999.
17. ãÂÂìÂÂ리ë ë³Â곡:ÃÂÂì¹ì ì¤Âë¨Ã¸ì Âì§Â2ãÂÂ, 문ì´ë¹, 1999.
Arirang Song: Short Stories and Novellas by Han Seung-won 2. Munidang, 1999.
18. ãÂÂëÂÂì´ì ëÂÂëÂÂ:ÃÂÂì¹ì ì¤Âë¨Ã¸ì Âì§Â3ãÂÂ, 문ì´ë¹, 1999.
My Sister and the Wolf: Short Stories and Novellas by Han Seung-won 2. Munidang, 1999.
19. ãÂÂôë³Âì 길ìÂÂ:ÃÂÂì¹ì ì¤Âë¨Ã¸ì Âì§Â4ãÂÂ, 문ì´ë¹, 1999.
Wanderer on the Shore: Short Stories and Novellas by Han Seung-won 4. Munidang, 1999.
20. ãÂÂë´ ê³ ÃÂÂ¥ ë¨쪽 ë°Âë¤:ÃÂÂì¹ì ì¤Âë¨Ã¸ì Âì§Â5ãÂÂ, 문ì´ë¹, 1999.
The Southern Seas, My Hometown: Short Stories and Novellas by Han Seung-won 5. Munidang, 1999.
21. ãÂÂê²ÂìÂÂëÂÂ기 ëÂÂ루미:ÃÂÂì¹ì ì¤Âë¨Ã¸ì Âì§Â6ãÂÂ, 문ì´ë¹, 1999.
Black-backed Crane: Short Stories and Novellas by Han Seung-won 6. Munidang, 1999.
22. ãÂÂÃÂÂì‹ÂÂ, ìÂÂê°Âì Âì , 2001.
Flowering Serpent. Jakkajungsin, 2001.
23. ãÂÂì´ÂìÂÂãÂÂ, ê¹ÂìÂÂì¬, 2003.
Choui. Gimmyoung, 2003.
14. ãÂÂìÂÂì¤ ìÂÂè(ì Â3ê¶Â)ãÂÂ, ë¹Âì±Â, 2006.
Wonhyo: A Novel Vol. 1-3. Viche, 2006.
15. ãÂÂì¶Âì¬(ì Â2ê¶Â)ãÂÂ, ì´림ìÂÂ, 2007.
Chusa Vol. 1-2. Yolimwon, 2007.
16. ãÂÂì맠ì¬ì§Âê´ÂãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 2009.
Photo Studio of Hope. Moonji, 2009.
17. ãÂÂ보리 ë· ëÂÂãÂÂ, 문ÃÂÂëÂÂë¤, 2010.
Five Dwe of Barley. Munhakdongne, 2010.
Poetry
1. ãÂÂì´ì ì¼기ãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 1995.
Diary of Passionate Love. Moonji, 1995.
2. ãÂÂì‘ÂÂì ë Ã¼ì 깨ì´ ìÂÂê² ÃÂÂê³ ãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 1995.
Love Always Keeps You Awake Alone. Moonji, 1995.
3. ãÂÂë ¸ì ìÂÂëÂÂì ÃÂÂëÂÂ를 ì¤Âë¤ãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 1999.
I Picked Up a Wave Under the Sunset. Moonji, 1999.
4. ãÂÂë¬ 긷ë ì§ÂãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 2008.
The House That Draws Up the Moon. Moonji, 2008.
Source:
1. ì´ì ìÂÂ, ï½¢ÃÂÂì¹ìÂÂì âÂÂÃÂÂìÂÂì¨âÂÂì ëÂÂÃÂÂì¬」,ãÂÂÃÂÂëÂÂ문ÃÂÂãÂÂ, 1975. 7
Lee, Seon-yeong. âÂÂOn Han Seung-wonâÂÂs Widow.â Hyundae Munhak, July 1975.
2. ì²Âì´ëÂÂ, ï½¢ÃÂÂì¹ìÂÂì âÂÂÃÂÂìÂÂì¨âÂÂì ëÂÂÃÂÂì¬」,ãÂÂìÂÂê°Â문ÃÂÂãÂÂ, 1975. 7
Cheon, I-du. âÂÂOn Han Seung-wonâÂÂs Widow.â Monthly Literature Magazine, July 1975.
3. ì¡ì“ÂÂ, ï½¢ÃÂÂì¹ìÂÂì âÂÂìÂÂì ë±ìÂÂë¶ÂâÂÂì ëÂÂÃÂÂì¬」,ãÂÂ문ÃÂÂì“ÂÂãÂÂ, 1976. 12
Song, Jae-yeong. âÂÂOn Han Seung-wonâÂÂs âÂÂOil Lamp.âÂÂâ Monthly Literature & Thought, December 1976.
4. ê¹Â좠철, ï½¢âÂÂìÂÂì°ë 첩첩ÃÂÂê³ â ìÂÂÃÂÂï½£,ãÂÂ문ÃÂÂê³¼ì§Âì±ãÂÂ, 1977 ê°ÂìÂÂ
Kim, Jong-cheol. âÂÂReview of Deep Is the Mountain Before Me.â Literature and Intelligence, Fall 1977 Issue.
5. ì¤ì¸ìÂÂ, ï½¢ë°Âë¤ì 문ÃÂÂï½£,ãÂÂìÂÂì´민ãÂÂ, 1977
Oh, Se-yeong. âÂÂThe Sea and Literature.â Seeomin, 1977.
6. ì´ì“ , ï½¢ê°Âë©´ê³¼ ì¼굴ì ë³Âì¦Âë²Âï½£,ãÂÂ문ÃÂÂì“ÂÂãÂÂ, 1978. 3
Lee, Jae-seon. âÂÂThe Dialectic of Faces and Masks.â Monthly Literature & Thought, March 1978.
7. ì´ëÂÂì´, ï½¢ìÂÂë§Âàì¶ì ÃÂÂìÂÂÃÂÂï½£,ãÂÂ문ÃÂÂê³¼ì§Âì±ãÂÂ, 1979 ì¬ë¦Â
Lee, Dong-yeol. âÂÂThe Image of a Bleak Life.â Literature and Intelligence, Summer 1979 Issue.
8. ì Âê·Âì , ï½¢ê°Âì¶°ì§ ë»」,ãÂÂì°½ìÂÂê³¼ë¹ÂÃÂÂãÂÂ, 1979 ì¬ë¦Â
Jeong, Gyu-ung. âÂÂHidden Meaning.â Changbi, Summer 1979 Issue.
9. ì´ÃÂÂëÂÂ, ï½¢ìÂÂì“ 물결과 ìÂÂ몠력ì ÃÂÂë¦Âï½£,ãÂÂìÂÂê°Âì¤ÂìÂÂãÂÂ, 1979. 12
Lee, Tae-dong. âÂÂThe Current of History and the Flow of Life.â JoongAng Monthly, December 1979.
10. ì ÂÃÂÂ기, 「무ë¹굿과 ìÂÂì¤ê°Âï½£,ãÂÂì°½ìÂÂê³¼ë¹ÂÃÂÂãÂÂ, 1979 겨ì¸
Jeong, Hyeon-gi. âÂÂShamanistic Rites and the Novelist.â Changbi, Winter 1979 Issue.
11. ì¡ì“ÂÂ, ï½¢ÃÂÂì¤과 ìÂÂë Â고리」,ãÂÂ문ÃÂÂì“ÂÂãÂÂ, 1980. 2
Song, Jae-yeong. âÂÂReality and Allegory.â Monthly Literature & Thought, February 1980.
12. 문ìÂÂÃÂÂ, ï½¢ÃÂÂì ÃÂÂì´ ë³´ë ¤ë ì¸ìÂÂï½£,ãÂÂ쓱ëÂÂìÂÂãÂÂ, 1980. 6
Mun, Sun-tae. âÂÂThe Struggle Against Han.â W Dong-A, June 1980.
13. ê¹Âë³Âì±, ï½¢ìÂÂì°ì ì´ë²Âê³¼ ì¸ê°Âì ì¶」,ãÂÂÃÂÂêµÂ문ÃÂÂãÂÂ, 1980. 12
Kim, Byeong-uk. âÂÂNatural Laws and Human Lives.â Korean Literature, December 1980.
14. ê¹Âë³Âì±, ï½¢ìÂÂìÂÂì ÃÂÂìÂÂï½£,ãÂÂÃÂÂêµÂ문ÃÂÂãÂÂ, 1981. 2
Kim, Byeong-uk. âÂÂThe Exploration of Self.â Korean Literature, February 1981.
15. ê¶ÂìÂÂ민, ï½¢ì¶â¤ì¸ê°Âê´Âê³Ââ¤기ÃÂÂï½£,ãÂÂÃÂÂêµÂ문ÃÂÂãÂÂ, 1981. 7
Kwon, Yeong-min. âÂÂLife. Relationships. Miscellaneous.â Korean Literature, July 1981.
16. ê¶ÂìÂÂ민, 「àìÂÂì±ì ÃÂÂê³Âì 그 ì§ÂìÂÂï½£,ãÂÂë§Âë¹ãÂÂ, 1982. 12
Kwon, Yeong-min. âÂÂThe Limitations and Transcendence of Locality.â Madang, December 1982.
17. ê¹ ÃÂÂ, ï½¢ìµìÂÂê³¼ ì ÂÃÂÂï½£, ãÂÂì Â3ì¸ëÂÂÃÂÂêµÂ문à3ãÂÂ, ì¼ì±ì¶ÂÃÂÂì¬, 1983
Kim, Hyeon. âÂÂSuppression and Resistance.â In Third-Generation Korean Studies Vol. 3 (Samsung, 1983).
18. ê¹Â주ì°, ï½¢ì¤머ëÂÂì¦Âì ÃÂÂêµÂì ì Âì ì¸ê°Âï½£, ãÂÂë¶Âì ë¸ãÂÂ, 문ÃÂÂê³¼ì§Âì±ì¬, 1983
Kim, Ju-yeon. âÂÂIs Shamanism the Spirit of Korea?â In The Daughter of Fire (Moonji, 1983).
19 ì¤Ã¥길, 「모ìÂÂë¡ ì°고ë¤ëÂÂë 고Ã¥」, ãÂÂì Â3ì¸ëÂÂÃÂÂêµÂ문à3ãÂÂ, ì¼ì±ì¶ÂÃÂÂì¬, 1983
Yun, Heung-gil. âÂÂWearing OneâÂÂs Hometown Around as a Hat.â In Third-Generation Korean Studies Vol. 3 (Samsung, 1983).
20. ê¶ÂìÂÂ민, ï½¢ê·ÂÃ¥과 ì´ÃÂ¥ì ë³Âì¦Âë²Âï½£, ãÂÂì구ãÂÂ, ì ÂìÂÂì¬, 1984
Kwon, Yeong-min. âÂÂThe Dialectic of Leaving and Returning Home.â In Port (Jeongeumsa, 1984).
21. ì´문구, ï½¢ÃÂÂë°±ì ìÂÂë¤」, ãÂÂÃÂÂëÂÂì ÃÂÂêµÂ문à15ãÂÂ, ë²ÂÃÂÂì¶ÂÃÂÂì¬, 1985
Lee, Mun Ku. âÂÂThe Son of Habaek.â In Modern Korean Literature 15 (Bumhan Book, 1985).
22. ê¹Âì¬ÃÂÂ, 「문몠젠ì¶ì ë¹Â극과 극복ì 문ì Âï½£, ãÂÂÃÂÂëÂÂì ÃÂÂêµÂ문à15ãÂÂ, ë²ÂÃÂÂì¶ÂÃÂÂì¬, 1985
Kim, Jae-hong. âÂÂThe Tragedy of Civilized Life and Overcoming It.â In Modern Korean Literature 15 (Bumhan Book, 1985).
23. ì²Âì´ëÂÂ, 「àìÂÂì±과 ìÂÂìÂÂìÂ񋫜, ãÂÂÃÂÂêµÂ문ÃÂÂì Âì§ 26ãÂÂ, ì¼ì±ì¶ÂÃÂÂì¬, 1986
Cheon, I-du. âÂÂLocality and Aboriginality.â In Korean Literature Series 26 (Samsung, 1986).
24. ì´ëÂÂàë ÃÂÂì¹ìÂÂ, 「문ÃÂÂë ¼ìÂÂï½£,ãÂÂëÂÂìÂÂì¼보ãÂÂ, 1986. 9. 12.
âÂÂLee Dong-ha vs. Han Seung-won: A Debate on Literature.â Dong-a Ilbo, September 12, 1986.
25. ì ÂÃÂÂ기, 「üëÂÂì ëÂÂ족ìÂÂì Ã¹ì 근ì¹ÂìÂÂê°Âï½£,ãÂÂÃÂÂêµÂ문ÃÂÂãÂÂ, 1987. 8
Jeong, Hyeon-gi. âÂÂA Chaotic Fratricide or Incest.â Korean Literature, August 1987.
26. ì²Âì´ëÂÂ, ï½¢ë¤ì°ì±ì ë ì¼굴」, ãÂÂÃÂÂêµÂëÂÂÃÂÂ문ÃÂÂì Âì§ 16ãÂÂ, ì¼ì¤Âë¹, 1988
Cheon, I-du. âÂÂThe Two Faces of Fertility.â In Representative Korean Literature Series 16 (Samjungdang, 1988).
27. ì´몠ì¬, ï½¢âÂÂë³´ìÂÂâÂÂì ÃÂÂì âÂÂì´ ë§Â물린 ë¶ÂìÂÂê°Âì ê°ÂëÂ񋫜,ãÂÂëÂÂìÂÂ문ÃÂÂãÂÂ, 1988. 7
Lee, Myeong-jae. âÂÂFather vs. Son, or Conservative vs. Liberal.â Dongsuh Literature, July 1988.
28. ê°ÂìÂÂô, ï½¢ëÂÂ깨빠ì¤ÃÂÂì ì Âõ과 ÃÂÂëÂÂìÂÂì¤」,ãÂÂê³Â몠ì´문ÃÂÂãÂÂ4, 1988
Kang, Eun-hae. âÂÂDokkebi Myths and Modern Literature.â Keimyung Korean Language and Literature 4 (1988).
29. ê¹ÂìÂÂÃÂÂ, ï½¢ÃÂÂì¹ìÂÂë¡ âÂÂâÂÂÃ¨ì¤ ìÂÂì ì ÃÂÂï½£,ãÂÂ문ÃÂÂì“ÂÂãÂÂ, 1988. 11
Kim, Sang-tae. âÂÂOn Han Seung-won: The Myth in Folktales.â Monthly Literature & Thought, November 1988.
30. ì´보ìÂÂ, ï½¢ë¶Âë¨ì ë¹Â극과 구ìÂÂì 문ì Âï½£,ãÂÂ문ÃÂÂê³¼ì¬ÃÂÂãÂÂ, 1989. 2
Lee, Bo-yeong. âÂÂThe Tragedy of the PeninsulaâÂÂs Division and the Issue of Salvation.â Literature and Society, February 1989.
31. ê¶ÂìÂÂ민, ï½¢ÃÂÂì¹ìÂÂë¡ âÂÂâÂÂàìÂÂì  ê³µê°Âê³¼ ÃÂÂì ì¸ê³Âï½£, ãÂÂÃÂÂêµÂÃÂÂëÂÂìÂÂê°Âì°구ãÂÂ, 민ìÂÂì¬, 1989
Kwon, Yeong-min. âÂÂOn Han Seung-won: Local Spaces and the World of Han.â In Criticism on Modern Korean Writers (Minumsa, 1989).
32. ìµÂ길ì±, ï½¢ÃÂÂêµÂì¸ì ÃÂÂï½£,ãÂÂì ì²Âì´문ãÂÂ18, 1989
Choi, Gil-seong. âÂÂThe Han of Koreans.â Sancheong Language and Literature 18 (1989).
33. ì ÂÃÂÂ기, ï½¢ìÂÂì£ÂìÂÂì 모ðë¸Âì ìÂÂì¤젠ÃÂÂÃÂÂï½£,ãÂÂ매ì§Âë ¼ì´ÂãÂÂ6, 1989
Jeong, Hyeon-gi. âÂÂThe Motif of Atonement in the Novel.â Maeji Nonchong 6 (1989).
34. ì´ì¼êµÂ, ï½¢ì¶과 ìÂÂì“ ì§Âì¤ì 찾ìÂÂìÂÂï½£,ãÂÂê¸Âø문ÃÂÂãÂÂ60, 1990
Lee, Sam-gyo. âÂÂSearching the Truth of Life and History.â Kumho Munhwa 60 (1990).