Hamilton is a 2020 American musical historical drama film consisting of a live stage recording of the Broadway musical, which was inspired by the 2004 biography Alexander Hamilton by Ron Chernow. Co-produced by Walt Disney Pictures, 5000 Broadway Productions, RadicalMedia, Nevis Productions, and Old 320 Sycamore Pictures, it was filmed over three performances in 2016, directed by Thomas Kail, who co-produced it with Jeffrey Seller and Lin-Manuel Miranda. Miranda, who wrote the music, lyrics, and book, stars as Treasury Secretary/Founding Father Alexander Hamilton, along with the musical's original Broadway cast, including Leslie Odom Jr., Phillipa Soo, Christopher Jackson, Renée Elise Goldsberry, Daveed Diggs, Anthony Ramos, Jasmine Cephas Jones, Okieriete Onaodowan, and Jonathan Groff.
Originally planned for theatrical release on October 15, 2021, Hamilton was impacted by the COVID-19 pandemic and was instead released worldwide by Walt Disney Studios Motion Pictures to stream on Disney+ on July 3, 2020. Acclaimed by critics for its visuals, performances, and direction, it became one of the most-streamed films of 2020. The film was named as one of the best films of 2020 by the American Film Institute, and was nominated for Best Motion Picture â Musical or Comedy and Best Actor in a Motion Picture â Musical or Comedy (Miranda) at the 78th Golden Globe Awards, while Daveed Diggs was nominated for SAG Award for Outstanding Male Actor in a Limited Series or Television Movie. Hamilton was also nominated for 12 Primetime Emmy Awards, winning 2, including Outstanding Variety Special. The film was theatrically released on September 5, 2025 to celebrate the musical's tenth anniversary.
Carleigh Bettiol, Ariana DeBose, Hope Easterbrook, Sasha Hutchings, Elizabeth Judd, Austin Smith, and Seth Stewart also appear as ensemble members.
Act I
Act II
End Credits
Hamilton is edited together from three performances of Hamilton at the Richard Rodgers Theatre in Midtown Manhattan in June 2016 with the original principal Broadway cast members, prior to the departure of Miranda, Leslie Odom Jr., Phillipa Soo, and Ariana DeBose from the production, combined with a few "setup shots" recorded without an audience present. These shots included numbers that were captured with the use of a Steadicam, crane and dolly. The footage, shot by RadicalMedia, was originally filmed to be spliced into the 2016 documentary Hamilton's America. The film includes a one-minute intermission; this is extended to ten minutes for the 2025 theatrical release.
The film features the majority of the original Broadway cast, minus ensemble members Betsy Struxness and Emmy Raver-Lampman, who departed in March and April 2016 respectively â their roles are performed by Hope Easterbrook and Elizabeth Judd. Jonathan Groff, who departed the role of King George III in April and was replaced by Rory O'Malley, returned to reprise his role; he also provides, in character, the voice of the pre-show announcer at the beginning, welcoming the audience to the show.
On February 3, 2020, it was announced that Walt Disney Studios had acquired the worldwide distribution rights for the film for $75 million. Disney successfully outbid multiple competitors, including Warner Bros. Pictures, 20th Century Fox (which Disney had acquired in March 2019), and Netflix, who had all expressed interest in the film rights. The deal, reportedly one of the most expensive film rights acquisitions, was negotiated between Endeavor Content and Walt Disney Pictures president Sean Bailey and was placed into motion after Disney CEO Bob Iger approached the producers with personal interest in acquiring the film rights. The film is produced by Miranda, Jeffrey Seller, and Kail.
Hamilton was originally scheduled for an October 15, 2021 theatrical wide release by Walt Disney Studios Motion Pictures, but was later moved up to July 3, 2020, on Disney+, as announced by Disney and Miranda on May 12, 2020 in light of the impact of the COVID-19 pandemic on the film industry and the performing arts, which shut down the Broadway, West End, and touring productions. This move was also done to get the film released in time for the Fourth of July weekend, on the 244th anniversary of the independence of the United States.
The film was planned to be released for home media distribution by Walt Disney Studios Home Entertainment in 2022 after the streaming release, but nothing has since materialized.
Hamilton received a PG-13 rating by the MPA for "language and some suggestive material". Two instances of the expletive "fuck" were censored to avoid an R rating; a third, partially unfinished one used in "Say No to This" is retained, making it the first film released by Walt Disney Pictures to feature the expletive. A fourth expletive, "motherfucker", used in "The Adams Administration" is also kept in, but is intentionally bleeped for comedic effect as part of the show and its cast album.
On August 6, 2025, Disney announced that the film would finally be released in theaters in the United States and Canada on September 5, 2025 to celebrate the musical's tenth anniversary. This release includes new "Reuniting the Revolution" interviews with the original cast and creators. Further, it was also released in the United Kingdom and Ireland on September 26, and Australia and New Zealand on November 13.
On the weekend of the film's release, the Disney+ app was downloaded 266,084 times, a 72% increase from the past four weeks' total. TV analytics provider, Samba TV reported that 2.7 million U.S. households streamed the film in its first 10 days on Disney+. In August 2020, it was reported that a "staggering" 37.1% of subscribers (about 22 million) had watched the film over its first month (by comparison, the second-largest viewership portion on a platform was Netflix's Unsolved Mysteries with 13.7%). In November, Variety reported the film was the most watched straight-to-streaming title of 2020 up to that point. In December, research firm Screen Engine reported that Hamilton was the second-most watched straight-to-streaming title of 2020 behind HBO Max's Wonder Woman 1984.
In the United States and Canada, Hamilton was released alongside ', and was projected to gross $7âÂÂ8 million from 1,800 theaters in its opening weekend. It made $3.9 million on its first day (including $850,000 from Thursday previews), and it went on to debut to $10.1 million finishing in second place behind The Conjuring: Last Rites.
During its second weekend in theaters, Hamilton would fall 78%, making $2.2 million and ranking 7th at the domestic box office.
Peter Debruge, in his review for Variety, wrote: "For those fortunate enough to see Hamilton on stage, this will be a welcome reminder of being among the first to witness such a revolutionary piece of American theater. And if you couldn't get tickets at the time (some of which fetched more than the value of Cares Act stimulus payments), this 2 1/2-hour release represents an incredible equalizing moment". Justin Chang of the Los Angeles Times wrote "For those of us who have never seen the stage show, and have compensated by spending many happy hours with the soundtrack, it's a particular pleasure to be figuratively ushered into the live Richard Rodgers Theater audience, whose applause you often hear and whose presence you sometimes glimpse in passing. Unaltered from that initial staging, apart from some seamless editing (by Jonah Moran) and the silencing of a few family-unfriendly expletives, this filmed Hamilton is somehow both a four-year-old time capsule and a timely encounter with the present."
Rafer Guzmán of Newsday gave the film 3 stars out of 4, writing "Directed with a steady hand by Thomas Kail, Hamilton doesn't quite capture the electricity of a live performance, though mid-song laughs and cheers can occasionally be heard from the audience (there's also a one-minute intermission). Hamilton will surely return when Broadway does, but for now this document will serve nicely in its stead." David Ehrlich of IndieWire gave the film a grade of Aâ and said: "This is Hamilton as you always wanted to see it, and it always will be. And with Disney+ releasing it just in time for the Fourth of July, it doubles as a perfect reminder that America is only worth celebrating because of what it aspires to be â the version of it we see in our minds' eye, and not the one that's petrified on the pages of our history books."
David Rooney, in his review for The Hollywood Reporter, praised Kail's directing by writing "The art of the filmed performance has evolved considerably since the days when a camera or two were plonked down at the rim of the stage and the show unfolded as a static theatrical facsimile. Since staging Hamilton, director Thomas Kail has been sharpening his skills on television work like ' â still by far the best of the recent spate of live TV musicals â and Fosse/Verdon, a striking hybrid of theatrical performance and conventional narrative."
A. O. Scott of The New York Times named the film a "Critic's Pick", praising the timeliness of its release stating "One lesson that the past few years should have taught â or reconfirmed â is that there arenâÂÂt any good old days. [...] This four-year-old performance of Hamilton,' viewed without nostalgia, feels more vital, more challenging than ever." In 2024, Tim Grierson of RogerEbert.com named the film the "Best Fourth of July Release of the 21st Century," writing "So many Independence Day releases celebrate spectacle, but few embody the complex beauty of this country and its history. This one does, ravishingly."
Following its release and acclaim, there was speculation on whether it would be eligible for the Academy Awards. Major publications pointed to previous instances of Academy Award-nominated films featuring stage recordings, such as Othello (1965) and Give âÂÂem Hell, Harry (1975), suggesting the possibility of recognition for Hamilton. However, on July 6, 2020, the Academy of Motion Pictures Arts and Sciences disqualified Hamilton for the 93rd Academy Awards, citing a rule implemented in 1997 that "Recorded stage productions are not eligible for consideration." Disney included Hamilton in its awards consideration campaign and reportedly submitted the film to every organization and award guild, regardless of apparent eligibility. Unlike the Academy, other major organizations that present film awardsâÂÂsuch as the Golden Globe Awards and the SAG AwardsâÂÂhave no specific restrictions against filmed theater, and thus recognized the film.
A behind-the-scenes documentary about the making of the film, entitled Hamilton In-Depth with Kelley Carter, premiered on The Undefeated and Disney+ the same day as the film. It features journalist Kelley L. Carter hosting a roundtable discussion with Thomas Kail and members of the cast about the musical's origins, its significance in pop culture, and how its story and portrayal of historical events resonate with the modern-day discussions about social injustice and systemic racism.