Gregorios Zevgolis (; Athens, 1886 â Athens, 20 February 1950) was a Greek sculptor and painter, originating from Naxos.
Biography
He studied from 1903 to 1908 at the Higher School of Fine Arts of Athens with teachers Nikiforos Lytras in painting and Georgios Vroutos in sculpture. He continued his studies at the Académie Julian at Paul Landowski's side and the ÃÂcole Supérieure des Beaux-Arts in Paris.
In 1911, on his return to Athens, he opened a workshop with Nikolaos Lytras at 21 Epirou Street, near the National Archaeological Museum of Greece. Along with the latter, he was one of the founding members of the Art Group. He participated in various group exhibitions such as the Association of Greek Artists and the Art Group (1917). He was a member of the Chamber of Fine Arts of Greece.
Works
Zevgolis was deeply influenced by Auguste Rodin's sculpture and the contemporary artistic currents that prevailed during his studies in the French capital. As noted by Stelios Lydakis, Zevgolis is one of the most prominent representatives of Rodin and post-Rodin sculpture in Greece, which uses data from Rodin sculpture with symbolic realism.
Zevgolis was one of the most productive Greek sculptors of the interwar period. Among others, he painted the Heroes of Keratea (1916), Mytilene (1919) and Giannitsa (1925). Also, as a representative of outdoor sculpture, he made the busts of "Nikitaras" (1937), from marble, in Pedion tou Areos in Athens, of artist "Pericles of Byzantion" on Diogenous Street in Plaka, by the poet Lambros Porphyras in Chios, Aspasia Manos and more.
One of Zevgolis' most prominent works is the "Eva" nude marble bodysuit, which has been erected since 1995 at the site now located in Nikolopoulou Square (formerly Rostan Square) in the Kypriadou district of Ano Patisia, Athens.
Another well-known work is the Statue of Liberty in Mytilene.
Zevgolis presented his work in solo exhibitions (Athens, 1919), while he took part in pan-Hellenic and group exhibitions of the Association of Greek Artists (1915, 1917).
Black Statue of Giannitsa
The "Black Statue", as it was established to be called, is the Hero of the city of Giannitsa, a work by the sculptor Grigorios Zevgolis that was placed there in 1926 in memory of the warriors who gave their lives for the liberation of the city from the Ottomans during the Balkan Wars of 1912âÂÂ1913. This statue represents the Winged Time, and at his feet the mother Greece, having embraced her son, a killed soldier. It is located at the eastern entrance of the city by Egnatia Street (at coordinates ).
References
Sources
- ãÃÂÃÂûùÿàÃÂÃÂ
ôìú÷ÃÂ: "ÃÂù ÃÂûû÷ýõàÃÂûÃÂÃÂÃÂõÃÂ: H ýõÿõûû÷ýùúî óûÃÂ
ÃÂÃÂùúî, ùÃÂÃÂÿÃÂïñ â ÃÂÃÂ
ÃÂÿûÿóïñ â ûõþùúàóûÃÂ
ÃÂÃÂÃÂý", ÃÂÃÂü. 5ÿÃÂ, ÃÂõû. 322, ÃÂúôÿÃÂùúÃÂàÿïúÿà"ÃÂÃÂÃÂÃÂããÃÂ", ÃÂøîýñ. 1981.
- ÃÂÃÂÃÂÃÂñ ÃÂýÃÂÃÂýÿÃÂÿÃÂûÿÃÂ
: "äñ óûÃÂ
ÃÂÃÂì ÃÂֈÃÂøîýñÃÂ: ÃÂ¥ÃÂñïøÃÂùñ óûÃÂ
ÃÂÃÂùúî 1834 â 2004", ÃÂõû. 47, 71, 97 & 104, ñàÃÂúôÿÃÂ÷, ÃÂúôÃÂÃÂõùà"àÿÃÂñüÃÂÃÂ", ÃÂøîýñ, 2003.
- ÃÂóúÃÂ
úûÿÃÂñïôõùñ àìÃÂÃÂ
ÃÂÿÃÂ-ÃÂñÃÂÿÃÂÃÂ-ÃÂÃÂÃÂùÃÂìýùúñ, ûîüüñ "ÃÂõÃÂ
óÃÂû÷ÃÂ, ÃÂÃÂ÷óÃÂÃÂùÿÃÂ", ÃÂÃÂü. 26, ÃÂõû. 33, ÃÂúôÃÂÃÂõùààìÃÂÃÂ
ÃÂÿÃÂ, ÃÂøîýñ, 1996.
- ÃÂýÃÂýÃÂ
üÿÃÂ, ëÃÂñûûùÃÂõÃÂýùúñï õúøÃÂÃÂõùÃÂ. ÃÂÃÂÃÂÃÂñ-ÃÂõÃÂ
óÃÂû÷û, àùýñúÿøîú÷, ÃÂÃÂÿàÃÂÃÂÃÂ, ÃÂ. 228, æõòÃÂÿÃÂ
ìÃÂùÿà1920, ÃÂ. 106âÂÂ107 (http://pleias.lis.upatras.gr/index.php/pinakothiki/article/view/34722/34703) (30 April 2015)
- ÃÂýÃÂÃÂýïñ ÃÂùñýýÿÃÂ
ôìú÷, ÃÂøýùúî àùýñúÿøîú÷ úñù ÃÂÿÃÂ
ÃÂõïÿ ÃÂûõþìýôÃÂÿÃÂ
ãÿÃÂÃÂöÿÃÂ
, ÃÂôÃÂÃÂ
üñ ÃÂÃÂ
ÃÂùÃÂïô÷ ÃÂÿÃÂ
ÃÂûïô÷. àÃÂÃÂ
ûûÿóî ýõÿõûû÷ýùúîàóûÃÂ
ÃÂÃÂùúîàúñù ÷ ùÃÂÃÂÿÃÂïñ ÃÂֈ1900âÂÂ2006 (ôùôñúÃÂÿÃÂùúî ôùñÃÂÃÂùòî), ÃÂÃÂùÃÂÃÂÿÃÂÃÂûõùÿ àñýõÃÂùÃÂÃÂîüùÿ ÃÂõÃÂÃÂñûÿýïú÷ÃÂ, äüîüñ ÃÂÃÂÃÂÿÃÂïñàúñù ÃÂÃÂÃÂñùÿûÿóïñÃÂ, äÿüÃÂñàÃÂÃÂÃÂÿÃÂïñàÃÂ÷àäÃÂÃÂý÷ÃÂ, ÃÂõÃÂÃÂñûÿýïú÷ 2009 (http://ikee.lib.auth.gr/record/115849) (7/5/2015)
- ÃÂ.ÃÂ., ëäÿ ÃÂÃÂóÿ ÃÂÿÃÂ
ÃÂÃÂ÷óÃÂÃÂ÷ ÃÂõÃÂ
óÃÂû÷û, ÃÂùúÃÂýõÃÂ, 29 ÃÂÿÃÂ
ûïÿÃÂ
1960, ÃÂ. 62âÂÂ63
- ÃÂ. ÃÂñûûÿýìÃÂ, ëÃÂÃÂ÷óÃÂÃÂùÿàÃÂõÃÂ
óÃÂû÷ÃÂ: àóûÃÂÃÂÃÂֈÃÂÿÃÂ
ÃÂÃÂõù ñ÷ôùìÃÂõù ÃÂÿý úÃÂÃÂüÿý úñù ÃÂÿý ⦠õñÃÂ
ÃÂÃÂý ÃÂÿÃÂ
!û, ÃÂÃÂñôÃÂ
ýî, 26 ÃÂñýÿÃÂ
ñÃÂïÿÃÂ
1935
- ÃÂõþùúàÃÂûûîýÃÂý ÃÂñûûùÃÂõÃÂýÃÂý. ÃÂÃÂóÃÂìÃÂÿù â ÃÂûÃÂÃÂÃÂõàâ çñÃÂìúÃÂõÃÂ, 16<sup>ÿÃÂ</sup>-20ÃÂàñùÃÂýñÃÂ, õÃÂùÃÂÃÂ÷üÿýùúî õÃÂùüÃÂûõùñ ÃÂÃÂ
óÃÂýùÿàÃÂ. ÃÂñÃÂøùÃÂÃÂÿÃÂ
ûÿÃÂ, ÃÂÃÂü. 2, ÃÂÃÂûùÃÂÃÂñ, ÃÂøîýñ 1997âÂÂ2000
- ãÃÂÃÂûùÿàÃÂÃÂ
ôìú÷ÃÂ, ÃÂù ÃÂûû÷ýõàóûÃÂÃÂÃÂõÃÂ. àýõÿõûû÷ýùúî óûÃÂ
ÃÂÃÂùúî. ÃÂÃÂÃÂÿÃÂïñ-ÃÂÃÂ
ÃÂÿûÿóïñ-ûõþùúàóûÃÂ
ÃÂÃÂÃÂý, ÃÂÃÂü. 5, ÃÂÃÂûùÃÂÃÂñ, ÃÂøîýñ 1981
- ãÃÂÃÂûùÿàÃÂÃÂ
ôìú÷ÃÂ, àýõÿõûû÷ýùúî óûÃÂ
ÃÂÃÂùúî. ÃÂÃÂÃÂÿÃÂïñ, ÃÂÃÂ
ÃÂÿûÿóïñ, ÃÂÃÂûùÃÂÃÂñ, ÃÂøîýñ, 2011
- ÃÂûÃÂý÷ ÃÂìÃÂóñÃÂ÷, àóÃÂ
ýñïúñ ÃÂÃÂ÷ ýõÿõûû÷ýùúî óûÃÂ
ÃÂÃÂùúî, ÃÂÃÂìýýùýñ 2014
- ÃÂûïñàÃÂÃÂ
úÿýùìÃÂ÷ÃÂ, ÃÂõÿõûû÷ýùúî óûÃÂ
ÃÂÃÂùúî, ÃÂÃÂ÷ ÃÂõùÃÂì ÃÂûû÷ýùúî ÃÂÃÂÃÂý÷, ÃÂúôÿÃÂùúî ÃÂø÷ýÃÂý, ÃÂøîýñ 1996
- Kathérina Perpinioti-Agazir, Le âÂÂGroupe TekhniâÂÂ, ÃÂÃÂü. I-VII (ôùôñúÃÂÿÃÂùúî ôùñÃÂÃÂùòî), Université Paris I â Panthéon-Sorbonne, U.F.R. Histoire de lâÂÂart et archéologie, [2002]
- æùûÃÂÃÂõÃÂýÿÃÂ, ëàöÃÂóÃÂìÃÂÿàú. ÃÂ. ÃÂÃÂÃÂÃÂñàúñù ÿ óûÃÂÃÂÃÂ÷àú. ÃÂÃÂ. ÃÂõÃÂ
óÃÂû÷ÃÂû, àÃÂÃÂ
ÃÂùñúî ÃÂÿÃÂ
ÃÂûõÃÂøõÃÂÿÃÂ
ÃÂîüñÃÂÿÃÂ, 6 æõòÃÂÿÃÂ
ñÃÂïÿÃÂ
1927
- çÃÂÃÂÃÂñýøÿàçÃÂîÃÂÃÂÿÃÂ
â ÃÂÃÂ
ÃÂÃÂàÃÂÿÃÂ
üòñúìû÷-ÃÂýñÃÂÃÂñÃÂùìô÷, ÃÂõÿõûû÷ýùúî óûÃÂ
ÃÂÃÂùúî 1800âÂÂ1940, ÃÂúôÿÃÂ÷ ÃÂüÃÂÿÃÂùúîàäÃÂñÃÂÃÂö÷àÃÂֈÃÂûûìôÿÃÂ, ÃÂøîýñ 1982