is a 13-episode Japanese anime television series produced by P.A. Works and directed by Junji Nishimura. The screenplay is written by Rika Satà  and Junji Nishimura with character designs by Miki Takeshita. The anime aired in Japan between July and September 2014. A manga adaptation was serialized in Pony Canyon's Ponimaga online magazine, and a light novel series has also been published.
TÃ Âko Fukami's family runs a glass-working business in a small seaside town named . She hangs out with her four best friends at a cafe called . During the summer break of their senior year in high school, they meet a transfer student named Kakeru Okikura, who claims that a voice from the future talks to him, and that it has led him to TÃ Âko.
A manga adaptation titled , written by Kazemichi and illustrated by Mayumi Katà Â, was serialized in Pony Canyon's online manga magazine Ponimaga from July 3 to December 18, 2014. A three-volume light novel series, written by Yoshimori Uchi and illustrated by Shino, were published by Pony Canyon under their Ponican Book imprint from October 3, 2014, to July 3, 2015.
The 13-episode anime television series is produced by P.A. Works and is directed by Junji Nishimura. The series aired between July 3 and September 25, 2014, on Tokyo MX. The screenplay is written by Rika Satà  and Junji Nishimura, and the music is produced by Akito Matsuda. The opening theme is by ChouCho, the ending theme is by Nano Ripe, and the image song is by ChouCho. The series was simulcast in the United States, Canada, Australia, New Zealand, South Africa, Turkey, Latin America, parts of Europe, the Middle East, and North Africa by the Internet streaming website Crunchyroll. The anime has been licensed in North America by Sentai Filmworks.
Matt Packard of Anime News Network praised Glasslip for being visually beautiful, but criticized it for the generic characters, the lack of explanations for the supernatural phenomena introduced at the beginning of the series, and the presence of too many incongruities. Stig Høgset, writing for THEM Anime Reviews, also praised the striking visuals but found the characters believable and showed maturity when dealing with their respective relationships. Høgset ultimately found the show disappointing because its great start was marred by Tà Âko's visions leading toward a vague conclusion, saying that it "basically sells its own gimmick as a huge waste of time." Isaac Akers of The Fandom Post praised the series for its "aesthetic expression of [the concept of] mono no aware" through a traditional romantic drama narrative with characters that deliver organic teenage angst but said that its appeal depends on the viewer, concluding that: "It's unlike anything else I've seen, and its numerous strengths in expressing its core theme make for a show that's fascinating to watch. It's not a show that I'd recommend to everyone, but for those who are looking for what Glasslip is offering, you won't be let down." Chris Beveridge, also from The Fandom Post, called it a visual delight while its characters traverse through interesting relationships (highlighting both the Sachi/Hiro and Yanagi/Yukinari pairings), but felt it was one of PA Works' weaker shows, concluding that the series "as a whole is pretty well put together but is just missing something critical, a spark of some sort, to take it the next level."