Garrett Wayne Smith (known as Rett Smith; born 1988) is an American singer-songwriter, producer and guitarist.
Smith competed internationally in alpine skiing in the 2000s, was a Junior Olympic medalist, participated in International Ski Federation races beginning in 2003 and competed in the Nor-Am Cup in 2004-2007. However, he was forced to retire from skiing after sustaining multiple injuries.
After his retirement from skiing Smith moved to Los Angeles and began focusing on songwriting, releasing a demo EP which drew attention. Despite never having performed in public before, he made his debut at the House of Blues performing his own works. A video of him performing his song "Warmest Winter" brought him to the attention of producer Joe Nicolo, who became his "career guru". Smith's first solo EP, Tularosa, produced by Nicolo, was released in 2015.
Smith moved to Nashville in 2015, where he recorded his second solo EP, Oscuro, which he produced himself. He formed a duo called SAENTS with session drummer Daniel Sousa, and they released an eponymous EP produced by Stephen Keech in 2017.
In 2020, Smith released Giving Up on Quitting, his first fullâÂÂband solo studio album and a notable shift toward minimalist, atmospheric Americana. Produced with LauraâÂÂMary Carter of the English alternative rock band BloodàRedàShoes, the album was recorded in just eight days at 64â¯Sound in Los Angeles and features strippedâÂÂdown instrumentation and lyrics exploring heartbreak, addiction, and accountability. Critics praised its raw emotional tone and restrained sonic palette. NoàDepression described it as "selfâÂÂcontained rock with just enough grit to make it roll," AmericanàSongwriter named it "Best New Music" and highlighted the single "Better Day" for its confessional lyricism. Meanwhile, FLOOD Magazine premiered the track âÂÂRattlesnakes,â calling it a "dark, melancholic track" that "digs into the gothic heart of Americana," and quoted Smith admitting, "In 'Rattlesnakes,' this seems to be proven more than just about any other song on the record." Its moody textures and narrative focus helped establish SmithâÂÂs signature aesthetic and laid the foundation for the darker, more experimental direction of his subsequent records.
In October 2021, Smith released his sophomore full-band studio album What the Walls Cannot See, recorded primarily solo during the COVIDâÂÂ19 lockdown and co-produced by Jason Burt and mixed by Tom Soares. The album blends brooding, minimalist Americana textures with intensely lyrical storytelling. The Austin Chronicle described it as a "dark and brooding platter that sounds like Nick Cave raised on Texas songwriters," while Holler noted that "some of the melancholy content inherent in this short (24âÂÂminute) albumâ¦is the result of recording it basically solo during the lockdown." KUTX previewed the single "Pick Up the Pieces" as a "brooding, sweetâÂÂbutâÂÂsinister" track, and Smith himself commented, "Sometimes I feel the heaviest music is the rawest, stripped back emotionally and sonically," reflecting his intent to bring lyrics to the forefront. The albumâÂÂs seven-song, 23-minute runtime spotlighted its emotional immediacy and helped solidify SmithâÂÂs reputation for stark, psychologically attuned Americana music.
In 2022, Smith released the EP Americana Drugs, a four-song collection that blended heavier rock elements with his brooding, confessional lyricism. The EP features a collaboration with Jessica Lea Mayfield on the track âÂÂIâÂÂll Still Stay,â following their earlier work together on Smith's 2021 single âÂÂThe Hook.â Critics highlighted tracks like âÂÂBrighton Barâ and âÂÂBetter Runâ for their gritty storytelling and noir-inspired atmosphere, while the closer âÂÂBilly Wayne Reedâ pointed to SmithâÂÂs growing interest in psychedelic textures. The Austin Chronicle praised the EP as âÂÂ12 minutes of raw, cathartic release.âÂÂ
In June 2023, Smith released A Nightly Consequence, a rock-driven album that expands on his transition from Americana into darker, electric territory. Produced and recorded entirely by Smith himself, the album features layered guitars and atmospheric arrangements. The song âÂÂCrawling,â a duet with Lydia Loveless, blends raw vocal interplay with tense, guitar-heavy instrumentation.
Smith released A Weighted Remorse on September 13, 2024, continuing his exploration of darker sonic territories with a heavier emphasis on shoegaze and post-Americana textures. The album marked a stylistic evolution, incorporating what KUTX described as "subterranean six-string tone and massive drums," with the result being "heavy as hell, almost bordering on sludge."
Billboard praised Smith for indulging "his love for high-octane guitar riffs" and mining "his own hardships for lyrical inspiration," tying his approach to the legacy of iconic Texas songwriters. The albumâÂÂs lead singles, including "Sunsets" and "Stop Signs," were highlighted by KUTX as emblematic of SmithâÂÂs genre-defying style, blending "shoegaze-icana" with lyrical introspection and sonic weight.
Released in October 2025, Smith's fifth studio album, A Physical Persistence, was recorded using an analog-only workflow, with the material written, produced, and tracked largely in isolation. The record continues his move toward heavier, distortion-focused arrangements while retaining the introspective songwriting of his previous releases. Coverage of the album described its sound as blending post-punk, rock and Americana influences, with an emphasis on raw, live-style guitar performances and minimal editing.
Lyrically, the album explores themes of endurance, self-confrontation and emotional strain, along with reflections on religion, gender constructs and their perceived toxicity. Reviewers noted that the solitary, analog-focused process shaped the albumâÂÂs tone, pairing dense guitar arrangements with lyrics concerned with toxic masculinity, religious doubt and heightened self-awareness. Smith has cited literary influences, including the work of William S. Burroughs, as informing the recordâÂÂs more fragmented and confrontational edge.
A Physical Persistence attracted attention in the music press for its unified aesthetic and analog-driven production. ItâÂÂs Psychedelic Baby Magazine highlighted the albumâÂÂs impassioned presentation and use of analog tools in an isolated setting, and described Smith as a post-punk artist associated with gothic Americana. Notion emphasised the albumâÂÂs analog-only construction and characterised it as his frankest songwriting to date. A track-by-track feature in Louder Than War framed the record as capturing an artist pushing against his own limits and described it as one of his most fully realised works. The lead single, âÂÂEnd On TopâÂÂ, premiered by New Noise Magazine, was described as âÂÂpost-punk-infused Americanaâ and drew comparisons to artists such as Nick Cave and Jack White.
Rett Smith has received critical praise for his blend of dark Americana, rock, and post-punk. Billboard described his music as âÂÂequal parts tortured blues, gospel, soul, and murder ballad,â noting his commitment to emotionally raw songwriting and intense performances. Flood Magazine called his 2020 single âÂÂRattlesnakesâ âÂÂa dark, melancholic track [that] digs into the gothic heart of Americana.âÂÂ
Soho House named Smith âÂÂthe future of American rock âÂÂnâ roll,â citing his âÂÂunapologetic sombre sound rooted in the past.â Holler Country described his 2021 album What the Walls Cannot See as âÂÂa stark, unflinching listen,â with âÂÂdark, confessional weight.â Paste Magazine featured his live performance in a full Paste Studio session, highlighting his âÂÂgritty, dynamic stage presence.âÂÂ
American Songwriter named âÂÂBetter Dayâ a Best New Music pick, and KUTX 98.9 featured âÂÂStop Signsâ and âÂÂPick Up the Piecesâ as Song of the Day in 2024. antiMusic.com praised his 2023 duet âÂÂCabin Songâ with Jessica Lea Mayfield as âÂÂintense and cinematic,â drawing comparisons to Nick Cave.
SmithâÂÂs work has also been covered by Texas Monthly, which praised his âÂÂWest Texas roots and sonic authenticity,â and by BrooklynVegan for his 2021 single âÂÂThe Hook,â described as âÂÂa stark, emotional reckoning.â Earlier, NYLON premiered âÂÂOne to Blame,â highlighting SmithâÂÂs âÂÂsoulful grit and restraint.â No Depression praised his early work as âÂÂself-contained rock with just enough grit to make it roll.âÂÂ