Fanny SanÃÂn Sader (born 1938) is a Colombian born artist from Bogotá who resides in New York City. The daughter of Gabriel SanÃÂn Tobón and Fanny Sader Guerra, she is best known for her paintings of abstract geometric forms and colors. She is considered to be part of the second generation of abstract artists from Colombia.
She was awarded an Honoris Causa de MagÃÂster en Artes (honorary master's degree of art) by University of Antioquia in February, 2015.
Her work has been featured in a volume entitled, Fanny SanÃÂn: The Concrete Language of Color and Structure, which appeared in 2019.
She graduated with a Master of Fine Arts from the University of Los Andes in 1960, studying under David Manzur Londoño and Armando Villegas. She continued her studies in the areas of printmaking and art history at the University of Illinois. While living in London in the late 1960s, she studied engraving at the Chelsea School of Art.
SanÃÂn has cited a number of specific influences, including Ellsworth Kelly, Wassily Kandinsky, and Henri Matisse. Her work is often compared to that of Carmen Herrera and Lygia Clark.
SanÃÂn's work is in several public collections, including the Allen Memorial Art Museum in Oberlin, Ohio, where SanÃÂn donated a painting in 2017. Acrylic No. 1, 2005 was donated by the artist in honor of the scholarly work of Edward J. Sullivan, Helen Gould Sheppard professor of Fine Arts at New York University. Additionally, the museum acquired three studies for this painting: Study for Painting No. 1 (3) 2005, Study for Painting No. 1 (5) 2005, and Study for Painting No. 1 (7) 2005.
In 1993 her painting Acrylic No. 6 was added to the permanent collection of the Art Museum of the Americas. Some of her other works have been added to the permanent collections of the Museo de Arte Abstracto Manuel Felguérez, National Museum of Women in the Arts, the Smithsonian American Art Museum, and the Museo Nacional de Colombia.
Among the temporary exhibits in which she has participated are the Pinta Art Show (2007) and the Durban Segnini Gallery's Abstracción y Constructivismo: Continuidad y ruptura de la modernidad Latinoamericana (2015).
From July 14 to October 29, 2017, the National Museum of Women in the Arts exhibited Equilibrium: Fanny SanÃÂn that examined âÂÂher methodical process through a selection of some the artistâÂÂs earliest abstract expressionist works as well as two complete series of preliminary drawings and their attendant, finished geometric compositions.âÂÂ
In 2023 her work was included in the exhibition ' at the Whitechapel Gallery in London.
In Summer 2025 her work was featured the Americas Society featured her work in Fanny SanÃÂn: Geometric Equations; the exhibition was accompanied by catalog of the same name ().