Dirilià Â: ErtuÃÂrul, translated as Resurrection: ErtuÃÂrul, is a Turkish historical drama television series inspired by the life of ErtuÃÂrul Bey, the father of Osman I, founder of the Ottoman Empire. Created and produced by Mehmet Bozdaàunder BozdaàFilms, the series originally aired on TRT 1 from 2014 to 2019. It portrays ErtuÃÂrulâÂÂs leadership of the Kayñ tribe amid political conflicts, warfare, and shifting alliances in 13th-century Anatolia. The series is the first installment in BozdaàFilmâÂÂs Ottoman saga, which continues with and .
The series was filmed in Riva, a village in the Beykoz district of Istanbul, Turkey, and premiered on TRT 1 in Turkey on 10 December 2014. The show aired for five seasons until 29 May 2019. It was written by Mehmet Bozdaàand directed by Metin Günay.
Netflix streamed the show internationally from 2016-17 through 2023.
The show has been well received in Turkey and other countries such as Pakistan and Azerbaijan, although several countries in the Arab world have banned the show and fatwas have been issued against it. The show has also been criticised for furthering a perceived political agenda for the government of Turkey.
Ertrugrul was a 13th-century Turkic Muslim nomad warrior from Central Asia. Surrounded by the Mongols to the east and the Crusaders and Byzantines to the west; like other Turkic tribes, Ertrugrul's tribe too was pushed west by the Mongols. The Ertrugrul's Turkmen did fight for a homeland, which was established by Ertrugrul's son Osman as the Ottoman Empire. Ertrugrul TV serial attempts to present a vivid imagining of a 13th-century Turkic Asian community and Muslim culture.
Süleyman à Âah, Bey of the Kayñ sends his son, ErtuÃÂrul, to ask for land from the Emir of Aleppo. This is made almost impossible when the Kayñ are put in a series of problems with the Templars after saving à Âehzade Numan, Halime Sultan, and à Âehzade YiÃÂit because of the traitor in the Emir's palace, , who works for the Templars but is later killed by ErtuÃÂrul and the truth is shown to the Emir. A problem also arises with KurdoÃÂlu Bey, Süleyman à Âah's adoptive brother, who seeks his brother's Beylik with the help of Selcan Hatun, ErtuÃÂrul's adopted sister and sister-in-law, who wants revenge from Süleyman à Âah as he killed her treacherous father, . ErtuÃÂrul, who loves Halime, marries her after much difficulty. Selcan's husband, GündoÃÂdu, grows angry regarding ErtuÃÂrul's actions but eventually calms down and supports his brother. Towards the end of the season, KurdoÃÂlu is beheaded, ErtuÃÂrul successfully defeats the Templars and captures their castle, and Selcan repents. This is followed by Süleyman à Âah's death and the tribe's migration to Erzurum as part of Süleyman à Âah's will before he died.
The Kayñ, settled in Erzurum, seek refuge with the Dodurga after the Mongols, led by , massacre half their tribe. This leads to ErtuÃÂrul facing TuÃÂtekin, his cousin, who is jealous of him along with GündoÃÂdu again who is misled by the big threat within the Dodurga; and her brother . Aytolun married TuÃÂtekin's father, , so that she could help Gümüà Âtekin become the margrave of all the Turkmen tribes with the help of Emir Sadettin after killing Korkut. Only Selcan is aware of this threat and constantly attempts to warn GündoÃÂdu, who ignores her for her misdeeds in the past. Along with these schemes, Kocabaà Â, TuÃÂtekin's alp who works for Baycu Noyan, turns TuÃÂtekin against ErtuÃÂrul making their relationship worse but is later killed by ErtuÃÂrul, and his relations with TuÃÂtekin gradually improves. Aytolun and Gümüà Âtekin are killed after their treachery is caught when Selcan's words are listened to and Korkut is killed. Noyan is supposedly killed by ErtuÃÂrul after the death of TuÃÂtekin and the tribe is split between 1000 migrating to Ahlat with GündoÃÂdu and 400 migrating to Western Anatolia with ErtuÃÂrul.
The poor Kayñ newcomers face of the rich ÃÂavdar trade-veterans. Although Ural isn't the Bey of his tribe, he seeks more and more power, becoming jealous of the Kayñ whenever something good happens to the small tribe. Meanwhile, the Templars who have infiltrated Hanlñ Pazar, led by , seek to kill ErtuÃÂrul as he did to the Templars years back. ErtuÃÂrul defeats Hancñ Simon and conquers Hanlñ Pazar, leaving Ural more jealous than ever. When Ural is accused of killing the Tekfur of Karacahisar, Andros, and causing problems for the Kayñ, Ural is sentenced to death, however, he is saved by the devious Emir Sadettin. After the death of , the ÃÂavdar Bey, and Ural's father, Ural seeks help from the new Tekfur of Karacahisar, , who wants to rid the Turks of the land, but is killed by ErtuÃÂrul in an attempt to become the Bey of the ÃÂavdar. When Vasilius attempts to ambush the Selçuk , he fails and is killed by ErtuÃÂrul. Because of this, the Sultan makes ErtuÃÂrul the Uç Bey angering Emir Sadettin, who vows to end ErtuÃÂrul. At the end of the season, ErtuÃÂrul falls into an ambush set by the new Tekfur of Karacahisar, Ares.
It is believed that ErtuÃÂrul is dead despite the truth being that he is actually captured by some slave traders. Meanwhile, Emir Sadettin convinces , ErtuÃÂrul's brother and the new Kayñ Bey, into selling Hanlñ Pazar and moving back to GündoÃÂdu's tribe but is stopped upon ErtuÃÂrul's return and is forthwith banished. After ErtuÃÂrul's son, , is kidnapped, ErtuÃÂrul declares war against Karacahisar and is successful in conquering it. Following Ares' capture, ErtuÃÂrul takes him to the Sultan and tells him to confess to the Sultan about Sadettin Köpek's misdeeds. The plan nearly works but Köpek is saved by the Sultan's wife, , and leads to an event turning Ares, later killed by Noyan, into a Muslim. Soon after that, the Sultan is poisoned to death and Köpek's increase in power in the palace creates problems for the new Sultan, Gñyaseddin. Gñyaseddin allies with ErtuÃÂrul and with the help of Hüsamettin Karaca, Köpek is beheaded. Halime dies in childbirth, giving birth to ErtuÃÂrul's third and youngest son - the prophesied Osman. After this, ErtuÃÂrul faces the return of Noyan but is successful in defeating him and his devious sister, Alangoya, who attempted to kill Osman. Noyan prepares for a battle, historically known as the Battle of Köse DaÃÂ, and the Kayñ move to SöÃÂüt.
After 10 years in SöÃÂüt, in a Mongol-controlled Selçuk state, ErtuÃÂrul faces many Mongol commanders including and Subutai, along with the Selçuk assassin working with the Mongols, . Beybolat is disguised with the name, Albastñ, and he arrives following the death of his father, Umur Bey, Bey of the UmuroÃÂlu tribe, who was sent to become the new tax collector of SöÃÂüt. Umur Bey was killed by the disgraced Byzantine commander, Dragos, disguised as SöÃÂüt Zangoç (), who seeks to take over the town. Beybolat, who becomes his father's successor, and Dragos, who takes control over Lefke Castle after killing the innocent Tekfur Yannis, cause many problems for ErtuÃÂrul including Beybolat's control over SöÃÂüt for a while. , Beybolat's sister, is the only person in her family supporting justice; with her help, ErtuÃÂrul, defeats and kills both Beybolat and Dragos. Following Beybolat's death, ErtuÃÂrul faces Arikbuka, a feared Mongol spy and Alñncak's blood brother, along with the spy, Qiyat, who works for Hulagu against Berke, ErtuÃÂrul's ally and the Han of the Golden Horde. The season ends with the death of Arikbuka and Qiyat along with ErtuÃÂrul's marriage to ðlbilge Hatun.
<onlyinclude></onlyinclude>
The series is written and produced by Mehmet Bozdaàand directed by Metin Günay. The theme music is by Alpay Göktekin. Broadcasting began in December 2014 on TRT 1 (Turkey).
BozdaÃÂ stated:
The Daily Sabah reported TRT representative ðbrahim Eren as claiming that the series aims to strengthen the national sentiment of Turkish people by "teaching the audience how the Turkish state came into existence, through a combination of history and quality entertainment."
Preparations for the first season began in February 2014. In five months, the stories and drawings were ready. Gambat from Mongolia had drawings made in three months. The teams started their work in May 2014. The decoration and art team consisted of sixty people and worked for 4 months for the first episode. 4000 square meters of fabric were used for costumes and décor. As for the choreography of the show, Nomad, the special choreography crew of movies such as The Expendables 2, 47 Ronin, and Conan the Barbarian, from Kazakhstan, was invited to Turkey. The crew prepared special choreographies for actors, horses, and other scenes. The cast took riding, sword fighting and archery lessons for 3 months. There were 25 horses on the set, attended by a veterinarian, who specially trained them. All are maintained on a horse farm in Riva. A special area similar to a zoo (but on a smaller scale) was created for all the animals which appear in the show, which include gazelles, sheep, goats, nightingales and partridges. The shooting time of the first episode was about a month. A total of 5000 people were cast for all 5 seasons of the show.
For the series, around 1800 costumes and thousands of war supplies and accessories were made from scratch. The TV series is a milestone in Turkey with respect to its administration of art. Copper and other metallic accessories are accumulated from various parts of Turkey. Nearly everything all over Turkey was 'confiscated', from jewellery to a piece of cloth. Wooden materials were made by hand, one by one.
Season one was filmed around Beykoz and Riva in Istanbul. Dirilià Â: ErtuÃÂrul set up two plateaus for Riva and Beykoz Kundura Factory for the first season. The plateau in Riva was erected on a total area of 40,000 m<sup>2</sup> with 35 tents built according to the original. In the Beykoz Kundura factory, Aleppo, Aleppo Palace, supply room, guest rooms, corridors, dungeons, Kara Toygar's room, the Seljuk pavilion, temple halls, and rooms, lodges, and tent interiors were built on a closed area of 6,000 m<sup>2</sup>. In the Kundura factory, the Aleppo Bazaar, the interior of the fortress, the interior of the tent by Süleyman à Âah, the dungeon, the corridor, and the altar of the temple were built on an open area of 5,000 m<sup>2</sup>.
The was the most watched Turkish television episode on the day of its release. Recep Tayyip ErdoÃÂan, president of Turkey, visited the set with his family more than once. The series has been called a Turkish Game of Thrones, and fans include Venezuela's president Nicolás Maduro and the queen of Malaysia Tunku Azizah Aminah Maimunah Iskandariah.
The series is one of Turkey's most successful television exports, and echoes with the message of ErdoÃÂan and his party. According to professor Burak ÃÂzçetin, "They are, in a way, rewriting the Ottoman history for the current Turkish public."
Along with Turkey, the series is popular in Azerbaijan, due to a perceived common heritage. The series has attracted audience from several other countries, especially those with large Turkish or Muslim populations.
The Prime Minister of Pakistan, Imran Khan, praised the show publicly and recommended people in Pakistan to watch it. He requested the state-owned Pakistan Television Corporation (PTV) to dub the Turkish series into Urdu and broadcast it on TV. PTV secured television rights for the series from TRT, and the first episode was eventually aired in Pakistan on the first day of Ramadan (24 April) on PTV Home in 2020.
The show is called Ertugrul Ghazi in Pakistan, and was noted to be a major success there particularly due to Khan's recommendation, and also partly due to the COVID-19 pandemic quarantine. PTV's YouTube channel for the series had gained over 5 million subscribers as of June 2020. According to PTV, the series in Urdu had acquired a viewership of over 130 million people as of mid-May, and as of September, its subscribers crossed 10 million. 25 per cent of the series YouTube audience overall in the world is from Pakistan. It has been very successful in Pakistan (ratings were even better than in Turkey).
Several of the actors expressed gratitude for the attention from Pakistani fans, Engin Altan Düzyatan and Esra Bilgiç adding that they would like to visit the country. In December 2020, the Turkish embassy in Pakistan announced that Düzyatan will be visiting Pakistan. He arrived in Lahore and visited historical Lahori sites including Badshahi Mosque on his short trip.
The series was popular in Bangladesh.
Turkish Ambassador to Bangladesh Mustafa Osman Turan said that the Turkish TV series plays a significant role in bringing the people of the two fraternal countries together. "People of Bangladesh learn about Turkey's history, culture, and norms through Turkish series, and thus a cultural bond is developing between the people of the two Muslim countries," he added.
The series is also quite popular with Indian Muslims and amongst Kashmiri Muslims in particular in Jammu and Kashmir, where people see it as an inspiration in the Kashmir conflict despite internet shutdowns. A Kashmiri public relations professional said "Every Kashmiri must watch it. A small tribe of 2,000 people triumph. It's inspirational. If you have a goal and the will to achieve it, nothing can come in your way." Abhinav Pandya, author, compares Dirilià Â: ErtuÃÂruls success in India with that of the Israeli drama Fauda, saying that "Just as Fauda fandom signals the shift of India's influencers towards a more militant and exclusionary nationalism, the Ertugrul craze is a signpost written for the alienation of many of India's 180 million Muslims from that dominant political culture and their search for solidarity elsewhere. " According to Renuka Narayanan while TV series provides interesting window into imagined Muslim culture of 13 century, the serial does not seem to be innocent enough. Narayanan says the serial amounts to be state-endorsed vigorous promotion of Islamic revivalism by the Turkish government. Episodes are peppered with the word âÂÂkafirâ or âÂÂinfidelâÂÂ. Ertrugrul's aide Bamsi, otherwise a captivating character, jokes ad nauseam about killing non-Muslims, and Ertrugrul constantly declares his ambition of making the whole world Muslim. His enemies, be they Christian or Mongol, are portrayed as amoral and cruel.àThe script even takes a subtle dig at Iranians by naming a slimy trader-spy âÂÂAfrosiyabâ after a Persian hero. Narayanan contemplates re-mosqueing of Hagia Sophia is a strong influence of reel life on real life, bemoaned by writers like Orhan Pamuk and moderates in Turkish society.
On 10 February 2020, Dirilià Â: ErtuÃÂrul was banned in Egypt, Saudi Arabia and the United Arab Emirates. Egypt's Dar al-Ifta al-Misriyyah announced it was forbidden to watch the series. It also targeted Turkey's President ErdoÃÂan in a statement, stating that his intention was to restore the Ottoman Empire in the Middle East and restore sovereignty over the Arab countries that had previously been under Ottoman rule. Despite the ban, the series remained quite popular in these countries.
Some journalists have commented on the series political agenda. Hüseyin Topel says that Dirilià Â: ErtuÃÂrul is more effective than any other TRT series at conveying aspects of the government agenda, and that the AKP government messages in the series increased as the show grew more popular. Selim Aydñn also names the series as one criticized for being a mouthpiece of the government. The show blurs the difference between entertainment and state-sanctioned propaganda, according to Josh Carney in a study published in Review of Middle East Studies; he points at a four-minute commercial that TRT (and a private pro-government channel, A Haber) ran to promote the 2017 Turkish constitutional referendum, presenting Turkish prime minister Recep Tayyip ErdoÃÂan as a successor to a list of historic Turkish leaders including ErtuÃÂrul, using the music from the show. Unlike other similar shows, such as The Magnificent Century (which ran on Turkish TV from 2011 to 2014 and focuses on Suleiman the Magnificent), it has female characters that are "equal partners" to the men in the show.
The series proceeds with Kuruluà Â: Osman which is situated after ErtuÃÂrul goes to Konya and returns to the tribe. The new series began in November 2019 and focuses on ErtuÃÂrul's son, Osman Bey, based on Osman I, the founder of the Ottoman Empire.
BozdaÃÂ has noted that historical records from the period are scarce. Historical inconsistencies include: