Ekà  is a 2025 Indian Malayalam-language mystery crime thriller film directed by Dinjith Ayyathan and written and shot by Bahul Ramesh and produced by M.R.K Jayaram under the banner Aaradyaa Studios (in their debut production). It serves as the third and final installment of Bahul RameshâÂÂs Animal Trilogy, following Kishkindha Kaandam (2024) and Kerala Crime Files 2 (2025), starring Sandeep Pradeep, Biana Momin, Saurabh Sachdeva, Vineeth, Narain and Binu Pappu in prominent roles.
Principal photography began in April 2025 and concluded in mid-June 2025, with filming primarily taking place in the Idukki district of Kerala and also in Mangalore, Ooty and other parts of southern Karnataka and northern Kerala.
Ekà  was released on 21 November 2025 to highly positive reviews from both critics and audiences. Made on a budget of 5 crore, it emerged as a major commercial success, grossing over 50 crore worldwide. After its OTT release, the film received higher responses than from theatrical responses, praising its story, performances (mainly of Sandeep, Biana and Narain), background score, cinematography, editing and depth of plot.
Mohan Pothan arrives at a lodge near the Kerala-Karnataka border, looking for the house of a friend named Kuriachan, a high-profile criminal who has gone missing. Appootty takes him by jeep to Kuriachan's remote estate in the Western Ghats, where Pothan tells him that his intention is to procure a rare dog breed that Kuriachan had brought from Malaysia many years ago and to attract the males of which he has brought a female Husky.
Kuriachan's Malaysian-origin wife, Mlaathi, lives in the estate with a househelp named Peeyoos. Peeyoos is visited by a man from Mangaluru claiming to be from the Navy, who says he was involved with Kuriachan but reveals nothing more. He offers Peeyoos a hefty reward for any information about Kuriachan. Mlaathi reveals to Peeyoos that her real name is Soyi. Kuriachan and Mohan Pothan had visited Soyi's house in British Malaya during World War II to study her husband's purebred dogs. After her husband's death in a Japanese attack, Soyi was trapped in her house as her husband's dogs never let her out of the house nor let anyone inside. Kuriachan saved Soyi by killing all the adult dogs, then Kuriachan married Soyi and brought her home with him, along with the few pure-bred puppies who survived. Peeyoos immediately tells this to the man from the Navy. And Appootty reveals that Pothan is dead and his dead body is found, presumably fallen off the cliff, and the Husky seems to have starved to death.
Peeyoos is apprehended by Soman and Sukumaran, two loggers, who have discovered that Peeyoos's identity is fake. They allege that Peeyoos is after Kuriachan too, and suspect that he killed Mohan Pothan, whose actual intention was also finding Kuriachan. Peeyoos denies it, saying that though Peeyoos followed Mohan Pothan, it was a dog that pushed Pothan off the ledge.
The Navykkaran, who had been investigating in parallel, finds out the letters apparently from Kuriachan were sent by Appootty, who was tasked with sending them from various post offices by Kuriachan before he disappeared. He visits Mlaathi. Mlaathi tells Navy man that Pothan had visited her 6 years ago, one week prior to Kuriachan's disappearance, and that Pothan enquired about Kuriachan and left. Soon after, Pothan was arrested and subsequently in jail for 5-6 years. It is common knowledge that Kuriachan was behind Pothan's imprisonment in that case. Even though Mlaathi doesn't reveal anything more about Pothan's visit on that day, however, the audience are shown that Pothan had, in that visit, told Mlaathi that her Malaysian husband wasn't actually killed by the Japanese, but instead was framed and jailed by Kuriachan, and the duo had made up the story of his death so that Kuriachan could marry her. Pothan also went ahead to say Kuriachan had promised to share her with Pothan but went back on his word. Pothan also said Kuriachan who loved dogs killed so many dogs to save her not because of love for her but because of ego-hurt seeing the superior training which Mlaathi's Malaysian husband had given to his dogs. When Mlaathi questioned Kuriachan about this, when he came home on the night of his disappearance, Kuriachan had admitted to imprisoning Mlaathi's Malaysian husband but just said he did it out of love for Mlaathi. In the present, the man from the Navy reveals that her househelp's identity is fake and he also could actually be Kuriachan's right-hand young man, who has done many crimes for Kuriachan.
Soman says he knows about a cave near the Karnataka border, and wonders if that cave was Kuriachan's rumoured hiding spot where he survives off food brought by his trained dogs. When the trio reach the spot of the supposed cave, Soman and Sukumaran reveal themselves to be undercover cops and attempt to arrest Peeyoos, whom they now realize to be Kuriachan's 'Bodyguard', Manikandan. In the ensuing scuffle with Peeyoos, Soman and Sukumaran die, and Peeyoos reveals that he was radicalised as a child after he saw the mangled remains of his parents who killed themselves in a bungled suicide bomb.
Later, when Peeyoos comes back pretending to be returning from his hometown, Mlaathi indicates to Peeyoos that she has learned about his true identity as Kuriachan's trusted right-hand, and loyal as a dog. She asks whether he intends to harm her. He says noâÂÂat least, not until he has reason to. Mlaathi asks him what will he do if he has a reason to. He replies that some dogs have only one master, indicating his loyalty is only to Kuriachan.
Meanwhile, the Navykkaran from Mangalore begins to piece together the clues and recollect past incidents that point toward the twist: Kuriachan was never the master of the dogsâÂÂMlaathi was. He suspects that Kuriachan would have indeed gone hiding 6 years ago in the supposed cave where dogs would guard the entrance and bring him fruits to survive, but his intention would have been to lie low for a few days and return, but he would have been trapped in this hiding spot, the cave, by Mlaathi's dogs. They might be bringing him food, but violently restricting him from escaping, essentially imprisoning him in that cave as part of Mlaathi's revenge and freedom. Peeyoos sees a bamboo utensil with some rice sticking to it. This might mean that Mlaathi has been sending food to Kuriachan via dogs.
Peeyoos also reflects on his own statement, and starts to realize the truth as he watches Mlaathi scanning the hills through her binoculars, that the dogs' one master is Mlaathi. As Peeyoos moves to get a knife from his bag to kill Mlaathi, he realizes that he is surrounded by an angry horde of dogs, only kept in control by Mlaathi's presence. He comes to the realization that he has also become a prisoner to Mlaathi's will, trapped by her dogs who watch his every move and breath. The film ends unclear as to whether Peeyoos will live, or become another chapter in Mlaathi's vengeance, potentially leading a sequel.
Ekoàhas director Dinjith Ayyath and writerâÂÂcinematographer Bahul Ramesh collaborating once again. The film's technical crew includes Mujeeb Majeed as the music composer, Sooraj E.S. as the editor, and Sajeesh Thamarassery as the art director.
The project is the first production under Aaradyaa Studios by MRK Jhayaram. Filming started in April 2025 and concluded by mid-June 2025. The film released on 21 November 2025.
The film had a worldwide theatrical release in 21 November 2025 in EPIQ formats clashing with Vilayath Buddha.
The film began streaming on Netflix from 31 December 2025.
Sanjay Ponnappa of India Today described the film as "a slow-paced thriller that lands a strong final twist." Prathyush Parasuraman of The Hollywood Reporter India called it "one of the year's most accomplished, immersive films." Sajin Srijith of The Week labelled it "a truly outstanding triumph of mystery storytelling." Swathi P Ajith of Onmanorama stated that the film "feels more like a long walk through a foggy forest where every turn reveals something new." Goutham S of Pinkvilla described it as "a riveting mystery thriller that redefines the thin line between protection and restriction."
Dhanya K Vilayil of The Indian Express praised it as "an international-level Malayalam film." Richa Barua of Asianet Newsable called it "an unpredictable mystery thriller." S.R. Praveen of The Hindu gave the film a positive review calling it a "solid mystery thriller" and praised the technical aspects of the film. Jay in Medium gave the film a positive review, calling it "a gripping study of guilt, silence, and shifting power, built on cleverly crafted flashbacks and a devastating moment of reckoning."
K.M. Seethi (2025). Ekà Â: How The Soft Edges Of Protection Turn To Power â OpEd. Eurasia Review, 7 December.
K.M. Seethi (2026). Eko: When the Protector Turns Predator. The Wire, 12 January.(https://m.thewire.in/article/film/eko-when-protection-turns-predator)