Edward Strong the Younger was an English master mason and architect-builder active in the late 17th and early 18th centuries. He is best known for his work with Sir Christopher Wren and later with WrenâÂÂs circle on major works of English Baroque, including St PaulâÂÂs Cathedral, Marlborough House, parts of Greenwich Hospital/Palace, and multiple new London parish churches of the postâÂÂGreat Fire rebuilding programme. He and his father, Edward Strong the Elder (1652âÂÂ1724), led one of the most important stonemasonry and building enterprises in England at the turn of the 18th century.
Strong was the eldest son of Edward Strong the Elder, master mason of London, and Martha Beauchamp (sister of the sculptor Ephraim Beauchamp). He was born in 1676, into a dynasty of Cotswold- and London-based masons supplying high-quality freestone for elite building work. He was apprenticed to his father and entered the Masonsâ Company (the London livery company that regulated the trade) in July 1691. He became âÂÂfreeâ (i.e. a full member) on 18 October 1698. He later served the Company as Warden in 1712 and 1715, and as Master in 1718, marking him as one of the most prominent operative masons in London at the time. In 1698, immediately after gaining his freedom, Strong undertook what was effectively an early âÂÂGrand TourâÂÂ: he travelled for about a year through France, the Low Countries, and Italy together with Christopher Wren the Younger (son of Sir Christopher Wren). The trip was both technical and cultural â studying continental architecture, urbanism, and ornament at first hand â and it also shows the unusually close personal link between the Strong and Wren families. This kind of extended architectural study abroad was unusual that early (it would only become fashionable for British gentry a few decades later), and it helped position Strong the Younger not just as a contractor but as a designer-builder with European literacy in style.
Strong the Younger worked in a period when the lines between âÂÂarchitect,â âÂÂmaster mason,â âÂÂcontractor,â and âÂÂsite architectâ were fluid. He was often described as âÂÂmason,â âÂÂmaster mason,â or âÂÂmason-contractor,â but his responsibilities went well beyond stonecutting:
Through this role he effectively acted as what we would now call a combination of site architect, construction manager, and specialist contractor for stone structure and ornament.
The Strong family had an extraordinary multi-decade partnership with Sir Christopher Wren, beginning with StrongâÂÂs uncle Thomas Strong and father Edward Strong the Elder in the aftermath of the Great Fire of London (1666). Wren relied on them for precision stonework and for real-world solutions to ambitious geometry â domes, drums, towers, and spires. Wikipedia+1 Edward Strong the Younger inherited and extended this relationship. He worked with Wren and WrenâÂÂs office on:
Strong took a leading role in the upper works of the dome, in particular the great stone lantern that crowns the cathedral. He is specifically recorded as âÂÂmason of the lantern.â On 26 October 1708 (the cathedralâÂÂs dome having reached its final height), the ceremonial âÂÂlast stoneâ of the lantern was laid jointly by Christopher Wren the Younger and Edward Strong (the sources often identify this Strong as the master mason on the job). This moment symbolically echoed the laying of the cathedralâÂÂs foundation stone in June 1675, which tradition ascribes to StrongâÂÂs uncle Thomas Strong. StrongâÂÂs work at St PaulâÂÂs included highly technical curved stonework for the lantern and skyline elements â among the most structurally and visually critical parts of the building.
He is associated with the construction and/or completion of a number of WrenâÂÂs post-Fire churches and their later steeples / spires, where complex Baroque towers were often added a decade or two after the main nave was finished. Examples include St Vedast alias Foster, St Stephen Walbrook, St James Garlickhythe and others (see Works below).
Strong was involved in ashlar work and colonnades at Greenwich in the early 18th century, an enormously prestigious state commission. Wikipedia The Strongsâ long partnership with Wren shows how English Baroque classicism (monumental porticoes, giant orders, crisp Portland stone) depended not only on a single âÂÂarchitect-genius,â but on a technically sophisticated mason-builder capable of realising it at scale.
In 1699, Edward Strong the Younger married Susanna Roberts, daughter of Joseph Roberts, a prominent City âÂÂserjeant plumber.â Their marriage further tied the Strongs into LondonâÂÂs specialist building trades (plumbing at the time handled roofing, leadwork, cisterns, gutters, etc., which were vital to large masonry structures). The couple had at least four daughters and a son. The son, also named Edward, died of smallpox at about age 20. Their eldest daughter, Susannah Strong, later married Sir John Strange, who became Master of the Rolls (a senior judicial post), and they had eleven children, including the diplomat and collector John Strange. These marriages show that by the early 18th century StrongâÂÂs family had moved from purely craft status toward the professionalâÂÂgentry world (legal office, public service, polite society).
He died on 10 October 1741.