Dream. Zone. Achieve (stylized as Dream.ZONE.Achieve) is the third studio album by American rapper Smoke DZA. It was released on April 1, 2014, by DZA's R.F.C. Music Group record label. The album features guest appearances from Cam'ron, NymLo, Joey Badass, Ab-Soul, Kobe, CJ Fly, Wiz Khalifa, Currensy, Ty Dolla Sign, Bluntsmoker, J. Ivy and BJ the Chicago Kid.
In April 2014, in an interview with Complex, Smoke DZA spoke about the lack of marijuana references on the album, saying: "The decision from that came from not really trying to spring away from it, âÂÂcause IâÂÂm not trying to lose my supporters and IâÂÂm really indebted into the culture because regardless if I was rapping or not IâÂÂd be smoking weed. I felt like I had to let people get into my life and see my journey from where I started to where IâÂÂm at right now. And I felt like in past projects it was a gap within that, like IâÂÂd give a little bit. But this project was like full-circle with everything, itâÂÂs more like a life composition."
During the same interview, he also spoke about the album's three-part format, saying: "I mean the name of the project is Dream.ZONE.Achieve. So IâÂÂm trying to give that feeling every time. The first act is Dream, thatâÂÂs the process, the thought, everything going into doing what you want to do. So I'm basing that feeling on shit like 'Ghost Of Dipset,' 'City Of Dreams.' Then it goes into ZONE, the hustle, the motivation and that shit like 'Hearses.' That shit like 'Zone,' the joint I put out with CJ Fly. And then Achieve,you know, thatâÂÂs the basking in the glory and everything else, reaping the benefits of what you do. That goes 'Tropicana Roses,' 'Errthang Valid,' 'Achieve,' the joint that Pete Rock did, so I tried to split up moods."
He also spoke about how the album cover was inspired by Nas in the film Belly, saying: "Well, IâÂÂve always like that picture. I felt like that picture describes my title: dreaming, zoning, and achieving, like, IâÂÂm doing all three in that picture. That image with Nas sitting there, back in the day just was so much for me. I just felt like flipping that into a cover would be the right thing to. Plus it was painted. Shout out to BK."
On November 5, 2013, the album's first single "Legends In the Making (Ashtray, Pt. 2)" featuring Currensy and Wiz Khalifa was released. On January 27, 2014, the music video for "Legends In the Making (Ashtray, Pt. 2)" featuring Currensy and Wiz Khalifa, was released. On March 5, 2014, the music video was released for "City of Dreams". On July 9, 2014, the music video was released for "Hearses" featuring Ab-Soul.
Dream.ZONE.Achieve was met with generally positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 63, based on 4 reviews, indicating "generally favorable reviews". Nate Patrin of Pitchfork Media gave the album a 6.2 out of 10, saying "Without a sustained attention-getting creativity, the themes of Dream.ZONE.Achieve largely blur together in a haze of aimless defiance and frustration. You've heard tracks like "City of Dreams" (NYC-repping anti-swag call to realness), "9eleven" (neighborhood as war zone), and "Jigga Flow" (pick any Reasonable Doubt deep cut) beforeâÂÂand DZA hasn't come around to finding a way to make these popular, often relatable, and frankly well-worn themes uniquely his own. Considering how often the spotlight swings to personality-rich guests like Ab-Soul ("Hearses"), Wiz Khalifa & Curren$y ("Legends in the Making"), and BJ the Chicago Kid ("Robin Givens"), the contrast gets pretty stark." Adam Finley of PopMatters gave the album a five out of ten, saying "ItâÂÂs paint-by-numbers Harlem rap from the Jim Jones era, and frankly, in 2014 thereâÂÂs just too much going on in hip hop for this to carry much sway, leaving Dream.Zone.Achieve a too-long-by-half 80-minute course in hard-nosed Harlem rap with plenty of good beats but without a distinct voice to guide it."
Nick de Molina of XXL gave the album an XL rating, saying "Criticisms of the portioning aside, D.Z.A should provide Harlem rap loyalists with a highly listenable distraction to hold them over until that new Dipset album drops. SmokeâÂÂs style is nostalgic without sounding corny, confident and hungry without losing its sense of humor. This album reads more like an rare, extensive box set than the three-act concept album (named for the âÂÂDZAâ in âÂÂSmoke DZAâÂÂ) is presumably trying to be. He could have benefited from having the album broken up into seven-track EPs and released over the course of two-three months, but weâÂÂre forced to aimlessly sift our own way through D.Z.A. Lucky for us, thereâÂÂs enough gold in there to go around."