Donna Yates is an archaeologist and Associate Professor in the Department of Criminal Law and Criminology at Maastricht University. Her research considers transnational illicit trade in cultural objects, art and heritage crime including Looted art and the Antiquities trade, and white collar crime.
Yates holds a Bachelor's degree in Archaeology from Boston University, and an M.Phil. and Ph.D. in Archaeology from the University of Cambridge. Her MPhil thesis documented the sale of looted South American antiquities in auctions in the United States, and her dissertation covered the sociology of archaeology and heritage in Bolivia.
Her interest in illicit antiquities began in 2003, when she saw a Maya civilization archeological site that had been looted. She has been quoted in numerous reports on Cultural heritage issues, including in the New York Times, Washington Post, and The Economist. After earning her doctoral degree, Yates joined the Scottish Centre for Crime and Justice Research at the University of Glasgow.
From 2012 to 2015, Yates held a Leverhulme Trust Early Career Fellowship and a Core Fulbright Award to study the trafficking of Latin American antiquities. Her grant project used fieldwork in Bolivia, Belize, and Mexico to analyze relationships between communities, governments, the law, and transnational criminal organizations to study the effectiveness of regulatory mechanisms for controlling the illicit antiquities trade.
In 2018, Yates was awarded a 5 year, â¬1.5 million European Research Council grant to study âÂÂcriminogenic collectablesâÂÂ: objects that seem inspire criminal behavior by those collecting them, specifically, cultural objects, fossils, and collectable rare wildlife. She moved to Maastricht University where she was made Associate Professor of Archaeology.
Her more recent book, with Cara Tremain, is an edited collection of essays:The Market for Mesoamerica: Reflections on the Sale of Pre-Columbian Antiquities. Gainesville: University Press of Florida (2019).
Yates has created a number of digital projects related to the illicit traffic in cultural goods: