Donald XL Robertson (born January 4, 1973) is an American record producer, mastering engineer, and entrepreneur from New Orleans, Louisiana. He is the founder of the independent music production company and label XL Productionz. Robertson became known for his production work during the rise of Southern hip hop in the late 1990s and early 2000s and has collaborated with artists including Master P, Silkk the Shocker, Soulja Slim, Juvenile, Currensy, Mos Def, and Nas.
Donald XL Robertson was raised in New Orleans, Louisiana. He was introduced to music by his parents, Donald "Duck" Robertson Sr. and Barbara Robertson, who exposed him and his sister, Traci Robertson, to genres including jazz, funk, and early hip hop music.
Before beginning his production career, Robertson performed under the name Jazzy D and later joined the New Orleans rap group Strictly Business, where he adopted the stage name XL.
Robertson's sister later appeared as a performer under the name "Baby Girl" on releases associated with No Limit Records, including material connected to the album Goodfellas by the hip hop group 504 Boyz. The album was certified Gold by the Recording Industry Association of America (RIAA).
Robertson began producing in the New Orleans hip-hop scene during the 1990s before later contributing to projects associated with No Limit Records and artists from the region.
Donald XL Robertson emerged as a record producer during the rise of Southern hip hop in the late 1990s and early 2000s. During this period he produced music for artists associated with No Limit Records and its extended roster, including Master P, Silkk the Shocker, Soulja Slim, C-Murder, and Mac.
Robertson produced the single "He Did That" by Silkk the Shocker featuring Master P and Mac from the album My World, My Way. The song reached number 3 on the Billboard Hot Rap Singles chart and number 50 on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart.
His production credits during the No Limit era also include work appearing on releases by artists including Soulja Slim, C-Murder, 504 Boyz, and Mr. Marcelo.
In 2004 Robertson produced the single "Nolia Clap" by the hip-hop group UTP, consisting of Juvenile, Wacko, and Skip. The song peaked at number 31 on the Billboard Hot 100 and reached number 9 on both the Hot Rap Songs and Hot R&B/Hip-Hop Songs charts.
In 2003 Robertson founded XL Productionz, a platform focused on music production, artist development, and digital distribution services. Through the company he has produced and released instrumental and genre-spanning projects including lo-fi hip hop, chillhop, jazz-influenced instrumentals, and electronic music.
Robertson continues to release music through XL Productionz while also overseeing projects distributed through the companyâÂÂs distribution network.
In addition to his production work for other artists, Robertson has released a number of independent instrumental projects exploring jazz, hip hop, and lo-fi production styles.
On June 6, 2016, he released the album Self Portrait, an instrumental project emphasizing melodic composition and atmospheric production.
In 2022 Robertson released A Village Named Seneca (Jazz Lo-Fi), an instrumental album inspired by the history of Seneca Village, a 19th-century African American community that once existed in the area now occupied by Central Park in New York City. The albumâÂÂs track titles reference locations within Central Park and form a sequence that traces a path through the park toward the historic site of Seneca Village.
In 2025 he released The No Limit Records File â An XL BeatTape, a project referencing his early connections to artists associated with No Limit Records. The release includes spoken-word drops and references from artists connected to the Southern hip hop scene, including Master P, Mia X, Mac, Romeo Miller, and Kurtis Mantronik.
Robertson has contributed music to film soundtracks and television projects. His music has been featured in the Freeform comedy series Grown-ish. His composition "Exodus 1863" was included on the official playlist for the OWN Network drama David Makes Man. In a 2021 interview with Rap Olympus, Robertson discussed the creative process behind the composition and its connection to the themes of the series. Coverage in Vibe magazine also referenced Robertson's contribution to projects associated with David Makes Man.
Robertson's production style blends hip hop drum programming with melodic instrumentation and genre-crossing arrangements. His work often incorporates piano-driven melodies, layered percussion, and atmospheric textures influenced by jazz, lo-fi hip hop, and chillhop music.
Robertson has released albums and singles across hip hop, lo-fi hip hop, jazz, and instrumental genres.