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Don Voisine

Don Voisine (born 1952 in Fort Kent, Maine) is an American abstract painter living in the Williamsburg neighborhood of Brooklyn, New York, USA. In the fall of 2016, "X/V," a 15 year survey of his work, was organized by the Center for Maine Contemporary Art, Rockland, ME. In 1997 he was elected a member of American Abstract Artists and became President of the group in 2004. Voisine was elected to the National Academy in 2010. His work is included in the public collections of the Corcoran Gallery of Art, Washington, DC; Cincinnati Art Museum,Cincinnati, OH; Peabody Essex Museum, Salem MA; the Portland Museum of Art, Portland, ME; the Missoula Art Museum, Missoula, MT and the National Academy, New York, NY.

Biography

Education<br> Rochester Institute of Technology, Rochester, NY<br> Haystack Mountain School of Crafts, Deer Isle, ME<br> Concept Center for Visual Studies, Portland, ME<br> Portland School of Art, Portland, ME

Solo and Two Person Exhibitions

2017 McKenzie Fine Art, New York, NY

Robischon Gallery, Denver, CO

2016 Center for Maine Contemporary Art, Rockland, ME “X/V,” (catalogue)

dr. julius | ap galerie, Berlin, Germany “Black Out: Don Voisine – Jan Maarten Voskuil”

Jeff Bailey Gallery, Hudson, NY

2015 McKenzie Fine Art, New York, NY

Robischon Gallery, Denver, CO

2014 Gregory Lind Gallery, San Francisco, CA “Cary Smith – Don Voisine” (catalogue)

Peter Blake Gallery, Laguna Beach, CA

Fred Giampietro Gallery, New Haven, CT

2013 MAT/tam 20, Spazio Isolo, Verona, Italy

dr. julius | ap galerie, Berlin, Germany “Criss Cross Straight Across: Gilbert Hsiao and Don Voisine”

McKenzie Fine Art, New York, NY

2012 Gregory Lind Gallery, San Francisco, CA

Alejandra von Hartz Gallery, Miami, FL

2011 McKenzie Fine Art, New York, NY

Icon Contemporary Art, Brunswick, ME

2010 New Arts Program Exhibition Space, Kutztown, PA<br> Northampton Community College, Bethlehem, PA<br> Reading Area Community College, Reading, PA

2009 McKenzie Fine Art, New York, NY (catalogue)<br> Gregory Lind Gallery, San Francisco, CA

2008 Icon Contemporary Art, Brunswick, ME

2007 McKenzie Fine Art, "Mark Dagley - Don Voisine"

2006 Abaton Garage, Jersey City, NJ<br> Metaphor Contemporary Art, Brooklyn, NY

2005 Icon Contemporary Art, Brunswick, ME

1998 Margaret Thatcher Projects, New York, NY<br> June Fitzpatrick Gallery, Portland, ME

1990 Deson Saunders Gallery, Chicago, IL

1988 Art Gallery, Kingsborough Community College, Brooklyn, NY "Katherine Bradford - Don Voisine"

1987 Marianne Deson Gallery, Chicago, IL

1985 Postmasters Gallery, New York, NY<br> 22 Wooster Gallery, New York, NY

1982 Moming Arts Center, Chicago, IL

1980 80 Papers, New York, NY

Interviews

“Center for Maine Contemporary Art: Case Study: Interviews with Suzette McAvoy, Don Voisine and Lauren Henken,” the Finch.net, Richard Benari January 28, 2017

Animated Icons of Color – Don Voisine Visual Discrepancies, December 15, 2009

In Conversation: Don Voisine by Ben La Rocco and Craig Olson, Brooklyn Rail, June 2009

Don Voisine R-Value at Abaton Garage Chris Ashley Look, See, October 15, 2006

Bibliography <br> Green, Nancy. Catalogue for “Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists,” Herbert F. Johnson Museum, Cornell University, Ithaca, NY 2011<br> Vartanian, Hrag. “Mail Art Bulletin: The Unlikely Mail Artist,” Hyperallergic (blog), June 16, 2011<br> Greenleaf, Ken. “Don Voisine’s careful placements at Icon,” The Portland Phoenix, September 21, 2011<br> Diehl, Carol. “Don Voisine,” Art in America, October 2011<br> MacAdam, Barbara. “American Abstract Artists,” Artnews, October 2011<br> Cohen, David. “Linda Francis, Don Voisine, Joan Waltemath, Michael Zahn,” Artcritical.com, April 2009<br> Goodrich, John. “Mark Dagley & Don Voisine,” The New York Sun, January 25, 2007<br> The Brooklyn Rail, “Art Seen - Review,” Michael Brennan, May 2006<br> New York Times, “Presentational Painting III,” Grace Glueck April 7, 2006<br> Artnet.Magazine, "Painting Presentation," Stephen Maine, April 7, 2006<br> New Arts Program/Berks Community Television, "Interview on New Arts Alive," with James F. L. Carroll, Reading, PA. February 28, 2006.<br> Village Voice, “Odd Artist Out, Chris Martin,” Jerry Saltz, October 12–18, 2005<br> NY Arts Magazine, “Living History,” Dan Keane, Nov/Dec 2005<br> Chronogram, “Abstract Thought” Beth E. Wilson, October 2005<br> New York Observer, “I See a Canvas and I Want It Painted Black,” Mario Naves, August 1, 2005<br> Portland Phoenix, “Fishlike Fish ‘Sublime Geometries: CMCA at Portland’ at June Fitzpatrick,” Chris Thompson, February 23, 2005<br> Maine Sunday Telegram, “Eye on collection, insight into collector’s eye,” Phillip Isaacson, December 5, 2004<br> Interview with Matthew Deleget, MINUS SPACE, November 2003. <www.minusspace.com/log/minusspace-voisine.htm><br> The Brooklyn Rail, “The Painting Center Repetition In Discourse,” Daniel Baird, October - November 2001<br> Maine Times, “Unusually Abstract in Wiscasset,” Edgar Allen Beem, August 16, 2001<br> New York Times, “Inaugural Exhibition For Gallery In Beacon,“ D. Dominick Lombardi, April 22, 2001<br> New York Times, “Punk and Bloat,” Phyllis Braff, December 10, 2000<br> Review, “Review,” Dominique Nahas, Volume 3, Number 16 May 15, 1998 <br> Maine Times, "The Ontological Status of Art and Aroostook,” Edgar Allan Beem, September 20, 1991<br> Art Space, "Reconstructivist Painting,” Peter Frank, March/April, 1990<br> Chicago Tribune, "Voisine Paintings Add Up as Assured Works", by Alan Artner, February 9, 1990<br> Kunstforum, "Rekonstruktivismus-Neomoderne Abstraktion in den Verenigten Staaten,” Peter Frank, Number 105, January/February 1990<br> Chicago Tribune, "New York Artists Have the Abstract Edge," David McCrackin, July 8, 1988<br> New Art Examiner, "Review,” Garrett Holg, May 1987<br> Chicago Tribune, "Don Voisine's Simple Geometry is Masterful," Alan Artner, March 20, 1987<br> Village Voice, "Art Picks,” Gary Indiana, March 19–25, 1986<br> New York Times, "City Without Walls - Objects of Comfort,” William Zimmer, April 14, 1985<br> Downtown Review, "Review," Katherine Bradford, Fall 1980<br> Art Speak, "Review," Palmer Poroner, September 11, 1980<br> Vision, "Grassroots-Concrete Roots,"Katherine Bradford, Lucy Lippard and Don Voisine, December 1978<br> Portland Evening Express, "Three Painters Exhibit," April 22, 1974

Catalogues<br> Greenleaf, Ken and McAvoy, Suzette. catalogue for X/V, Center for Maine Contemporary Art, Rockland, ME

Yau, John.catalogue essay for two person exhibition, "Don Voisine - Cary Smith" Gregory Lind Gallery, San Francisco, CA

FutureShock OneTwo Internationale Neue Konkrete +, Matthias Seidel(Editor) SURFACE Book, dr. julius | ap 2012<br> Golden, Deven. Catalogue essay for exhibition at McKenzie Fine Art, New York 2009<br> Long, Jim. “R-Value,” brochure essay for exhibition at Abaton Garage, Jersey City, NJ 2006<br> Presentational Painting III, Gabriele Evertz, John Cox and Abbey Ryan, 2006<br> Abstract Dilemmas: American Abstract Artists, Dr. Lori Verderamme, 2002<br> Punk & Bloat, Bill Arning, 2000<br> Toward The New: American Abstract Artists, Joan Webster Price, 2000<br> American Abstraction: 4 Currents, Peter Frank, 1985<br> Small Works; New Abstract Painting, Barbara Zabel and William Zimmer, 1984

Awards

2011 Purchase Prize, Portland Museum of Art, Portland, ME<br> Hassam, Speicher, Betts and Symons Purchase Fund Award, American Academy of Arts and Letters, New York, NY<br> 2008 Henry Ward Ranger Fund Purchase Award, National Academy Museum, New York<br> 2006 Artist’s Fellowship, New York Foundation for the Arts<br> 2004 Edward Albee Fellowship, Montauk, NY<br> 2000 Honorary BFA, Maine College of Art, Portland, ME

External links